Born in Milan to a Cameroonese father and a Polish/Lithuanian mother, Nathan Dawidowicz moved at the age of 6 to Jerusalem. He was spending his childhood in a Jewish ultra-orthodox environment playing the piano and dreaming of being a Fashion designer and musician. After waking up from the reality he was raised in, he moved to Venice and started to explore the “outside world” of the mental barriers of religion. Music and fashion were his medicine, and he quickly became addicted to musical textures and vinyl. His love for music brought him quickly to Berlin, where he currently lives and loves. 

Sanctuary Of Ideas is a very personal and optimistic journey by Nathan Dawidowicz. His first solo album is a spiritual path, as cosmic and adventurous as Nathan`s trajectory, with beautiful twists and psychedelic twirls into Dawidowicz’s personal rabbit hole. A record full of memories and positive affirmations, filled with Jazzy yet psychedelic Cosmic and Krautrock elements. A fusion of inspiration - and a perfect reflection of Dawidowicz’s heritage. 

Idea`s Eve is a stargate to our ancestral power. The source of our inspiration is connected to our past - to the spirits of our ancient memories. Dawidowicz leaves a lot of space to breathe in this magical opener. Enchanting melodies and bubbling sounds surround the listener while his voice keeps repeating a mantra of an ancient love spell. A track where you feel your DNA spiraling up the ladder of evolution. Yet so natural and healing. 

Full Moon Dance is the spiritual continuation of the first track. A swirl of magical melodies, yet jazzy but truly cosmic walking up the ladder to another dimension, where warm moon rays and fluffy clouds surround love. The synth lines represent the playful and smooth moon rays reflected on a rhythmical heart-beating ground where tears can be joyfully spent to honor the emotions we usually oppress. 

To close the EP, Nathan Dawidowicz worked a half a year to finalize the last track in full detail. 23 Minutes and 18 Seconds long is the Capricorn Rising Over Jerusalemite Temple. This story is where the listener is brought to a higher level of consciousness. Against the rules of our consumerist world, Nathan Dawidowicz focuses on a dramaturgy full of patience for our own lifetime. Acidic lines come and go, powerful synth solos trigger unknown brain parts, and an epic melody accompanies the listener and lets dark emotions melt in a brass-filled part where a voice tells us that time is on our side. The song ends with an epic twist and promises a new start, where our most lovely memories stay in a vortex of light. Beam me up Nathan.

Nathan Dawidowicz - Sanctuary of Ideas
A1 Idea`s Eve - 11:04 Min. 
A2 Full Moon Dance - 6:47
B1 Capricorn Rising Over Jerusalemite Temple - 23:18
Plus Hidden Track (:






Vinyl 180g Limited to 250 expl. 

Additional vocals by Anna Gümpel
Mixing by Nathan Dawidowicz A1
Mixing by Ed Longo A2 & B1
Cover Front courtesy by Andreas Hofer 
Cover Layout Nathan Dawidowicz 
Art Direction Nathan Dawidowicz & Olaf Yarce
Distribution by Wordandsound

Bandcamp

*Snippets*LPDR011 - Nathan Dawidowicz - Sanctuary of Ideas Mini LP (Vinyl)

https://soundcloud.com/minou-oram
https://soundcloud.com/femdex
https://soundcloud.com/cereals-3
Artwork: https://soundcloud.com/greta-motif
🔊 https://youtu.be/T_7GsIzXLAA

Berlin-based MINOU ORAM [LYL / Cereals / THF Radio] is a DJ and producer blending music over many decades and styles between meditative serenity and dazing temper in quest of evoking catharsis through sound. In her boundless sets, she draws upon a wealth of musical influences roaming through the abysses of abstract electronica, cosmic and tribal timbres, industrial post-disco, alienated pop,  personal field recordings, and more. 

In 2016 she founded the FEMDEX project to promote gender diversity in electronic music, since 2017 she hosts the bimestrial show SVVENIR on the French radio station LYL and in 2022 she joined CEREALS, a collaborative practice for music, art and design.

Play on YouTube

LAYER #333 | Minou Oram

Put on headphones, close your eyes and merge into Benedikt Frey’s 'Fastlane'. Imagine you’re sitting in the driver’s seat of a an automobile, one with exceptional horsepower and torque, and as you stare out the windshield you see the red light, warping in fata-morgana, about a mile down the road. It’s a straight road, black top, two lanes, and against your better judgment you’ve decided to floor the gas. There’s no hesitation in your muscle, your ankle or the ball of your foot, which you’ve realized is some kind of universal pivot, a first point of contact that merges your body with the will of machine. In this moment you’re in awe of the reality that you, a human being, an animal, could have grown out of pond scum into something so advanced as to engineer this thing, a mechanical beast capable of such overwhelming power and exhilaration, but you also feel a seductive dread, an outside force diverting you from caution toward a dangling carrot of curiosity, asking yourself, How far can I take this thing? The dread, now constant, is numbed, equalized by an adverse and intoxicating gratification. You feel both of these sensations in real time, however, instead of taking responsibility for yourself, friends, family and innocent bystanders, you cement your foot to the floor and lean your head back. The noise around you fades to mute, you smell the benzene-scented air, feel the wind on your face, the menacing vibration of the vessel you control beneath you and every grain of asphalt under its tires. This mile has now lasted an eternity and you’ve left your body for some outside view, as if you’re watching the high climax scene in a film. You’re past the point of no return so you embrace this sense of abandon and lean into fate. The film has become slow motion, crawling at a pace so mesmerizing you convince yourself there is an option to eject yourself from this madness, but as you finally let go of your last morsel of fear, you run the red light and become the nucleus of a fantastic glistening sculpture of torn metal, glass, oil, broken dreams and heartache. 'Fastlane' may be just drum machines and synthesizers if you’re timid, but listen harder and hear a catastrophic reality of existence, a wreckage so gruesome we dare not rubberneck, but it is our nature to stare.

Buy from ESP

D3 - 1337 - SNIPPET

recorded live the 1st of September 2023 at the Operator studio
experimental, ambient, electronic, kaleidoscopic, post-punk

Ian Martin - Operator 57th show

Pose Dia 12-09-2023

METHODS OF DANCE w. Chris and Jamie Paton [13.09.2023]

Habitacion615 radio show, every Friday on TechnoRoomFm.com , from 19:00 to 20.00h hosted by Hugo Tasis

Track List:
Sorcerer -Just For Love -Fusion Sequence
Martin Matiske - Kotodama- Nocta NumericaI
Italo Brutalo - Into a sampler (Fabrizio Mammarella Remix) [Bungalo Disco]
Eliezer, Susu - Ha Standartim Shel Hamahar -New Day Everyday-
Know by My Name-Submarea_-Samo Records
Wiener Planquadrat - Ein Weites Feld (Original Mix).Iptanemo Discos
Dark Vektor-Baba_Nam_Kavalam_Banshees Records
Primal Scream feat.Kate Moss - Some Velvet Morning
Black Bones - All In Good Time [Optimo Music]
Kozmik Funk  -Saturn's Funk
Swayzak -.Another Way

Habitacion615 RadioShow@TechnoRoomFm- Hugo Tasis - 153-

Jayshatteredstone - Low Fuzz [o5] [30.09.2023]

LDY OSC on timetravels measuring the new,
Currently programming ones and zeros from Vienna,
centering mass, tricking rules of gravity,
Pose Dia's "Furios" initalized
Come back to earth: F=GxMm/r°2

Pose Dia - Furios (LDY OSC Remix)

call it a love song, call it a doobie song. whatever rocks your boat.

Jayshatteredstone - Low Fuzz [o5] [30.09.2023]

Mutant Radio