Latest From My Favorite Robot Records

A year after Fairmont dropped his highly impressive Lie To Me EP, Canadian outfit My Favorite Robot carefully curate a selection of remixes of tracks from this standout release. As well as one from the label’s eponymous production trio, the likes of Chloe, Abstraxion, Mattheis and John Digweed and Nick Muir all step up with their own great interpretations. 

French producer Chloe you will know from releasing killer cuts on MFRR, Live at Robert Johnson, Throne of Blood & BPitch Control as well as serving up hot DJ sets and mix compilations at clubs like Rex in Paris and for labels like Kill The DJ. Her remix of ‘Boa’ is a sparse but moody house affair, with deep groaning bass and an atmosphere akin to a deserted late night street. It’s a tense, broody track that will make for lots of dramatic moments on the floor. 

Next up, Harold Boué aka Abstraxion is a 29 years old French producer based in London and Marseille. He has released on Marketing, Biologic and Nicolas Jaar's label Other People. His remix of ‘Abysm’ is an invitingly hurried, heavyweight bit of electronic house funk with tons of great synth lines, interesting pads and weird sounds that make you want to move. 

Dutchman Mattheis of labels like Nous’klaer then goes for a much more blissed out, slow burning and ambient affair. He layers in lots of twinkling pads and rippled synth lines to his version of ‘The Most Beautiful Eyes in the World’ and it’s a stunning, widescreen bit of work that really sweeps you off your feet. 

MFR themselves tackle ‘Lie to Me’ flipping it into a brooding bit of slivery, reflective and synth heavy tech that rises and falls in beautiful ways, with gorgeous pads and feathery hi hats making for a super inviting rhythm. 

Finally the Bedrock boss and Renaissance legend that is John Digweed and his studio partner Nick Muir rework the same track with a sensitive heart and conjure up a warm, smooth and serene prog track that is riddled with great synths and really works you into a state of hypnosis. 

These carefully chosen remixers all manage to get fantastic results here, and as a result the whole package excels.  

Buy on Beatport

Fairmont - Lie To Me (My Favorite Robot Remix)

Nhar kicks starts 2015 with a follow up to his critically acclaimed ‘Life’s Ether’ EP, released early this year on My Favorite Robot Records French DJ and producer Nhar has been a stalwart of the underground House and Techno scenes for the last decade, releasing music with respected imprints such as Mobilee, Correspondent and Boxer. The opening months of 2014 saw him team up for the first time with the ever excellent Canadian label My Favorite Robot Records for the superb ‘Life’s Ether’, a record that garnered support from the likes of Steve Bug, Danny Howells, Estroe and Justin Robertson to names but a few. Now the highly respected producer is back with a standout follow up entitled ‘In Spaces Between’ based around 3 interconnected compositions. The package opens with ‘Part 1’ , a warm and
hypnotic slice of electronic music that draws on warbling pads, haunting spoken word vocal and bubbling acid undertones, all underpinned with a perfect rhythm track. “Part 1’ gives ways to ‘Part 2’, which sees a shift into Chicago inspired territory with it’s old school stabs and taut drums. Spoken word vocals once again set the atmospheric scene before the bassline picks up a blissful melodic pattern and drives the track forward into spine tingling territory with it’s ethereal pads and subtle acidic squelch, quality stuff. Finally we have ‘Part 3’: the tempo drops, the acid breaks free and the listener is taken on a journey down the rabbit hole with this delightful mid tempo and musical workout. This is another impressive release from Nhar and another fine addition to the ever expanding and critically acclaimed MFRR catalogue.

Nhar - In Spaces Between Part 1

My Favorite Robot Records are proud to announce a special new album project from accomplished DJ and producer Andrew Grant in his Naome guise. Grant has been releasing assured tracks since 2007 and as a DJ has headlined all over the world. 

For his first album, he has collaborated with a number of talented musicians and performers and has really gone to town, taking maximum advantage of the full length format. As such, NAOME was 2 years in the works and found Grant working with a plethora of drummers, bassists, guitarists and singers to help curate his first full album. Those artists include Spanish vocalist Sutja Gutierrez, Washington D.C. native Symbol, Baltimore heroes Life On Planets, Dimes aka Jen Schimpf and more besides. 

The album kicks off with the sci-fi atmospheres of ‘Space Station feat. Symbol’, and the Washington DC native’s great vocal range is immediately apparent. His well treated vocals stretched over slowly churning disco beats and thick baselines drive things along perfectly. Then comes ‘Desperate Soliders’ feat. Dimes who lays down her southern bell charmed vocals in fine fashion on a track that is beautifully sparse and moody. ‘Subtle Jestures’ then picks up the pace with propulsive drums and frazzled but expertly crafted synth lines. It’s a a reflective, metallic groove of the sort that perfectly fit in with the MFRR MO. 

‘Amity on Keys (Interlude)’ is an intense, emotive passage of swelling sound, synths and chords that places you deeper into NAOME’s very real world. ‘Making Lace feat. Life On Planets’ is another slo-mo track that gurgles and bubbles, with discordant chords, smeared melodies and a charming, playful sense of late night colour that get sensitively finished off with the sultry tones of Life On Planets. 

‘Kosmatic’ features upcoming artist Slumber and is an otherworldly jam of distant percussion, down low drum breaks and haunting, celestial synth lines. Then NAOME drops the most tender cut of them all, ‘The Great Espace’, features breathy vocal intonations, Balearic 80s guitar licks and crawling groves that make your thoughts turn to lazy days on the beach. ‘WherrWe’ finds Nanni jamming out his raspy voice and fat notes on a classic fender with plenty of vintage tape delay, it makes for an intoxicating, deconstructed disco track full of texture. FInally Sutja Guiterrez joins NAOME on closer ‘Belly Of The Beast’, a downtempo, atmospheric electronic soundscapoe that is a perfect bookend to this outstanding album. Mention must also go to Philip Charles for his contribution on the album. Behind well over 100 productions and as a mastering engineer of greats such as Miles Davis, Digable Planets & Stevie Wonder, Charles worked on album tracks ‘Space Station’, ‘Great Escape’ and ‘Desperate Soldier’ as well as making an appearance on ‘Amity on Keys’. 

This is an album in the truest sense, one that evolves and take left turns, one that makes for truly escapist and captivating listening and one that proves once again that MFRR deal only in the most considered and artfully crafted electronic sounds.

NAOME - Space Station Feat Symbol

Next up on My Favorite Robot Records is another fantastic full length project, this time from someone who has done 20 of them in 20 years, namely Jori Hulkkonen in his Nuclear Winter Garden guise. 

Over the years, Finnish DJ and producer Jori, also a member of the Sin Cos Tan band, has released on F Communications,  Turbo and of course My Favorite Robot Records and, since 2004, has run an outdoor, intimate party at a 14th Century museum in his hometown. Called Nuclear Winter Garden, the night finds him playing extended sets of jazz, folk, classical, avant-garde and indie sounds a world away from his usual DJ duties. It is those sets that have inspired this new album. 

Says the man himself: “The idea is to find a personal edge for the output, rather than paving the way for accessibility. What’s missing from a lot of people’s music these days is the risk taking. And I like taking risks.”

The album opens with sparse atmospherics and a mix of subtle synthesised hooks and organic piano chords. A drifting voice floats in amongst it all and a contemplative mood is set from the off. ‘Some of You Might Survive’ is then a chilly ambient brew of frazzled sines that suddenly flips midway through when emotive chords and one finger synth notes arrive to lighten the mood.  

‘A New Cold War’ keeps up the frosty and autumnal vibes with twinkling keys offset by rasping synths and gentle tumbling percussion. Remaining resolutely horizontal and sparse, ‘Strangest Positions’ features what sound like de-tuned synths and twanging guitars, ‘Baryonic Truth’ marries distant, sketchy drums with swirling pads and ‘Red Magic’, with its lo-fi electronics and obscured, gauzy vocals, references Jori’s pop-act inspirations Connan Mockasin and John Maus.

The last two tracks complete this evocative, enthralling and experimental journey though sound in blissfully soothing style. The influence of Jori’s outdoor party looms large throughout this album, and on it he does a fine job of painting a picture of just what one might sound like. 


Nuclear Winter Garden - Red Magic

Nuclear Winter Garden - A New Cold War

The Canadian outfit behind the My Favorite Robot label turn to their own creative talents for
the next EP, namely a tidy two tracker entitled ‘Glass to the End’.
Made up of Jared Simms, James Teej and Voytek Korab, My Favorite Robot have established
themselves as artful electronic craftsmen with a penchant for deep and moody synth tracks
that feature stirring vocals and engaging grooves. This EP will actually be their first for a long
while following efforts on Crosstown Rebels, No.19 Music and Life and Death.
Opener ‘Magneto’ is a darkly melodic gem from the Robot trio, with Voytek’s pained vocals low
in the mix and reflective but sad synths stretching out all around. The beats grow increasingly
prominent and eventually sound like the sort of epic fair that Sasha would drop in one of his
emotive club sets.
The title track is then a quicker and slicker track with bursts of horn, blurts of synth and
arpeggiated melodies all making for an urgent and dystopian vibe. Futuristic and evocative,
this is another well crafted and properly structured song that really sets on fire when Voytek’s
vocal cries leap out of the mix at the mid point.
Dramatic and theatrical in truly unique ways, My Favorite Robot really do have their own
unique sound, as this EP shows once more.

My Favorite Robot - Glass To The End

Amsterdam based record label Night Noise moves into the vinyl market and kicks things off in style with this release from the Rumanian Gemini Brothers duo. The titletrack Lost Babylon is backed with three delightful remixes from In Flagranti, Daniel Kyo and Moscoman, with whom we shared the decks few days ago in London. The Disco Halal headhoncho provides here a 11 minutes long epic dreamy synthetic rework, lovely ! Out in two weeks

PREMIERE : Gemini Brothers - Lost Babylon (Moscoman Remix)

JMII - Pisco Laundromat

Out now (Vinyl + digital):  https://LifeAndDeath.lnk.to/Displaced    

Various Artists - Displaced Soundtracks

Release Date: November 3rd, 2017
Label: Life and Death
Format: Vinyl / digital
Cat #: LAD030

A1 Artefakt - Magnetic Midnight
A2 Black Merlin - OPI
A3 Appleblim - Sacred Rowan Grove
B1 Stimming x Lambert - Trafic Aérien
B2 Kink - Megadrop
B3 Fango - Nung
C1 Axel Boman - Just Imagine (Part I & II)
C2 Duncan Gray - Smelly Little Man
D1 Simian Mobile Disco - Hades Rocket
D2 Redshape - Theme
D3 Danny Daze - Orb

Seven years into its celebrated journey, Life and Death assembles its third and most adventurous compilation to date - Displaced Soundtracks.

For the first instalment in a new series, DJ Tennis has given free rein to some of his most trusted contemporaries, enabling many of today’s most respected dance music producers to display their hidden talents as composers. Gathering music from a long-aborted film, the collection stands as another bastion of Life and Death’s perpetual evolution.

Duncan Gray embraces dissonance, Black Merlin, Appleblim and Artefakt go interstellar and Fango channels post-punk squat music. Hades Rocket showcases the expertly-sequenced synth work that has graced Simian Mobile Disco’s illustrious career, while Redshape revisits all the right sides of 80’s Wave and Library music. Danny Daze and synth-savant KINK embrace non-standard tempi with great success, while Axel Boman delivers sitar-laced gospelhouse without a bass drum. Elsewhere, your favourite producer’s favourite producer, Stimming, team’s up with pianist Lambert and the pair learn to fly.

Inspired and challenging, Life and Death ventures into their eighth year confidently, constantly evolving without compromise.

Redshape - Theme

The next adventure of Sisters & Brothers has arrived! Released under hfn music and curated by Kasper Bjørke and Sexy Lazer, Sisters & Brothers showcases a variety of amazing rising talent from around and about their worldwide ecosystem of friends in music. With the EP scheduled for release this Friday, we've the pleasure of giving you the first glance of Leif Müller's contribution in full. Titled 'Nova', his track is a sleek and low slung hypnotic dancefloor roller featuring a bubbling arpeggio and transcendent, beautiful pads.

Read more: http://liquidyouth.nl/music/premieres/leif-muller-nova-hfn-music/

https://soundcloud.com/leif-mueller
https://soundcloud.com/hfn-music

Sisters & Brothers - First Gathering

Premiere: Leif Müller - Nova [Hfn Music]

Download

MFRED4 - Speaking In Tongues - Emerge Perfectly - My Favorite Robot Records

Pre-Order

F2 Kev Sheridan - Samhain

Buy: 
https://lifeanddeath.lnk.to/MeditationTunnel

The Rapture’s Luke Jenner ventures firmly into the dance floor, this time in full force, on Glittering Jewel, the Brooklyn-based producer’s debut EP under his Meditation Tunnel guise. 

Following his initial outing, La La La, on Life and Death’s vinyl-only sub-label, Blitz Series, Glittering Jewel sees Jenner step up with three outsider cuts, dripping in personality.

Cloaked subtly into the backdrop, Jenner’s unmistakable croon features throughout the disk - a highlight across the board. While dilapidated drum machines, crunched beyond recognition, propel the record into techno territory, Glittering Jewel retains the artist’s bespoke youthful sense of blue-eyed naiveté.

Red Axes come through with an unclassifiable, stripped-down reinterpretation of Fire Fly, the perfect pair to deconstruct and re-contextualize the original material. 

Carefully pressed on high-quality, transparent vinyl, LAD039 stands as a testament to the label’s shifting auditory ethos.

Artwork by Michela Picchi

@howigotover
@lukejenner

Pre-order

Meditation Tunnel - Silent Son (Original Mix)

Artist: Mano Le Tough
Label: Maeve
Title : Kind Of
Catalogue : Maeve 19
Format: Digital
Release date: 12/06/20

Maeve 19 - Mano Le Tough - Kind Of

Buy/stream: kompakt.fm/releases/total_20

Two decades. Twenty years. Twenty compilations. Over 400 tracks. Over two days of total playing time and countless coloured dots. If someone would have told us in 1999, when we put together TOTAL 1 that this would turn into one of the longest standing compilation series in techno world we would have laughed out loud. But here we are – in the year 2020 which will probably go down in history as the most difficult period ever for club culture. But we won’t stop doing what we’re doing. Music is our oxygen. We’ll dance together soon again.

The TOTAL series has always been like KOMPAKT’s yearbook and to say it with the late Frank Sinatra: It was a very good year. Our family of artists delivered a strong heterogeneous mix of uplifting sounds, from the lush reveries of ROBAG WRUHME and SOELA to the stark primetime bangers of MARC ROMBOY or ANNA & KITTIN and everything in between. Notable new entries to our crew are the Londoner KIWI with his wonderfully careless “Hello Echo” that picks up the camp disco vibes Justus Köhncke made a staple in our repertoire. Amsterdam’s DAVID DOUGLAS delivers an appetizer for a full course meal. His quirky pop approach sits comfortably between fellow dutchmen WEVAL’s abstract beats and AGENTS OF TIME’s opulent Italo Disco. YOTAM AVNI blends Detroit techno with new age jazz that reminisces the sound of ECM artists like Jan Garbarek or John Surman. The man with the hat, KÖLSCH also picks up jazzier notes in his very own big room style. Youngblood JONATHAN KASPAR appears twice, fortifying his status as one of the hottest beat smiths of our hometown Cologne. TOTAL wouldn’t be TOTAL without our permanent staff present in full force. As per tradition, KOMPAKT’s founding fathers, VOIGT & VOIGT, JÜRGEN PAAPE, JÖRG BURGER, MICHAEL MAYER as well as our Berlin outpost SASCHA FUNKE all deliver exclusive gems that also feature on Total 20’s double vinyl edition.

May TOTAL 20 become your trustworthy companion in these uncertain times.

Sascha Funke - Atze (Total 20)

www.myfavoriterobotrecords.com
My Favorite Robot Records has been a strong force in underground electronic music since 2008.

The Toronto based label is an offshoot of the act “My Favorite Robot” formed earlier in 2002 by Jared Simms and Voytek Korab.

The label has managed to consistently release quality music by some of the electronic dance world’s most renown producers such as H.O.S.H, Kenny Glassgow, Jori Hulkkonen, Eric Volta, Sasse, Fairmont, Tiger Stripes, Tim paris, Chymera, Sid Le Rock, Tim Green, Clarian, and My Favorite Robot themselves just to name but a few and there is no slowing down for them!

Fairmont - Lie To Me (My Favorite Robot Remix)

My Favorite Robot Records

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