Un morceau joyeux et rebondissant et une bonne question !-A happy, bouncy track and a good question!

Hey Myckael
We’ve been listening to your tracks and really dig your sound. Just curious would you love to do live performances and maybe even go on tour? We’d be excited to explore how we could help make that happen.

jazzy yeets

Stream & Download: https://music.enforcerecords.com/eotsep
Submit your Demos: www.enforcerecords.com

🎵Lost Vintage🎵
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#lostvintage #endofthesummer #EP #lofi

End Of The Summer

France Vibes

Stream & Download Here

Lost Vintage - France Vibes

Jerred Seveyka plays acoustic rhythm and slide guitar

Bret Tobalske plays lead slide resonator guitar, electric bass and drums.

Distilled

This remastered album "Flight of Light" chronicles the dramatic shift in Inge's world as the idyllic life she knew in Book 1 becomes overshadowed by the growing influence of the Nazi regime. Inge and her siblings are drawn into the activities of the Hitler Youth and League of German Girls, experiencing a strange mix of camaraderie, newfound responsibilities, and subtle indoctrination.

The innocence of childhood games and explorations gives way to a more structured and ideological environment. Inge faces internal conflict as she grapples with the disharmony between the values instilled by her family and the increasingly rigid expectations of the regime.

The book portrays the subtle ways in which ordinary people are drawn into the machinery of a totalitarian system. The music for Book 2 mirrors this internal and external conflict, expressing the emotional turmoil of a nation on the brink of war and a family struggling to maintain its values in the face of overwhelming change.

"Flight of Light" is a powerful exploration of the loss of innocence and the struggle to find a sense of belonging in a world on the brink of chaos. The music echoes this struggle, offering a poignant soundtrack to a pivotal chapter in Inge's life. It sets the stage for the dramatic events that will unfold in the subsequent books, as the Feyerabends face the full impact of the war and the difficult choices that lie ahead.

Two Men Stand Tall (From the Original Novel Soundtrack)

Para escuchar la versión con Dazz Deva  https://soundcloud.com/juan-fco-bueno/riete
Para escuchar la versión instrumental  https://soundcloud.com/juan-fco-bueno/riete-version-instrumental
Para escuchar la versión original  https://soundcloud.com/juan-fco-bueno/riete-version-original-ver-texto

RÍETE

Te crees situada en el cenit de tu vida
y estás sin darte cuenta que el suelo es de papel
que de un momento a otro te puedes ver vendida
por el sutil pavimento que hay bajo tus pies.

El orgullo no te cabe dentro de tu cuerpo 
al ver que enamoras a los hombres por doquier
y te ríes sin piedad de todo aquel ingenuo
que aspira a tu amor sin ser ni siquiera marqués.

Estribillo

¡Ríete, ríete, ríete!
ahora que está tu suerte
mirando con buena cara
pues quién sabe si mañana
puede ensañarse contigo
y alterar tu fiel destino.

¡Ríete, ríete, ríete!
se nota que te diviertes
tu rostro es como una fiesta
que, aunque crees que es eterna, 
llega el momento en que acaba
y después sólo hay resaca.

----------------------

Te crees rodeada de gente que te admira
y no es más que el producto de tu imaginación
en tu pedantería te sientes Afrodita
sobre un sillón que has tallado en pompa y presunción.

Tu ceguera no te deja ver la luz del día
y estás en un mundo de ilusiones irreal
del que puedes despertar con solo una caricia
que te enseñe a conjugar el real verbo amar.

Estribillo

LAUGH

You think you're at the zenith of your life
and you don't realize that the ground is made of paper
that at any moment you could find yourself sold
by the thin pavement beneath your feet.

Your pride overwhelms you
when you see that you charm men everywhere
and you laugh mercilessly at every naive person
who aspires to your love without even being a marquis.

Chorus

Laugh, laugh, laugh!
now that your luck is
looking bright
because who knows if tomorrow
it might turn on you
and alter your faithful destiny.

Laugh, laugh, laugh!
it's obvious you're having fun
your face is like a party
that, although you think it lasts forever,
the moment comes when it ends
and afterward there's only a hangover.

----------------------

You think you're surrounded by people who admire you,
but it's nothing more than a figment of your imagination.
In your pedantry, you feel like Aphrodite
on an armchair you've carved with pomp and presumption.

Your blindness prevents you from seeing the light of day,
and you're in an unreal world of illusions
from which you can awaken with just a caress
that teaches you how to conjugate the real verb "to love."

Chorus

RÍETE

Para escuchar la versión original  https://soundcloud.com/juan-fco-bueno/yogur-de-fresa-version-original-ver-texto
Para escuchar la versión instrumental  https://soundcloud.com/juan-fco-bueno/yogur-de-fresa-ver-texto

YOGUR DE FRESA

Esta es esa niña bien
que por descender de familia
se cree dama distinguida
de la cabeza hasta los pies.

Como no es su fuerte estudiar
se acomoda en una revista
donde hará las entrevistas
a los famosos de verdad.

Tampoco le va madrugar,
por lo que resulta gracioso
contemplar su rostro a las ocho
haciendo la entrada triunfal.

Cuando llame el apetito
se comerá las galletas
y el ritual yogur de fresa
que componen su almuercito
y contará que el domingo 
se fue a una sala de fiestas
donde conoció a un atleta
a un cadete o a un médico.

Esta es esa niña bien
que aunque su mamá lo intentara
no pudo nunca ser nombrada
como la chica más fetén.

Fracasó la idea de hacer
de una infeliz una gran dama
haciendo que se codeara
con el retoño de un burgués.

Lo mismo ocurrió en la elección
de la reina en fiestas de barrio
soñó que vivía en palacio
y luego ¡ni aun dama de honor!

Ha de estar de manifiesto
que  esta ocasión los culpables
fueron los imponderables
que trajeron desarreglos
consecuencia de los nervios
y estar tan insoportable
para que se la mandasen
a tomar el viento fresco.

Esta es esa niña bien
que aunque se las dé de moderna
sus modos denotan la escuela
que la condujo a ser quién es.

Dice ser mujer liberal
sin ningún tabú ni prejuicio
y que al tener un sueldo fijo
pronto se independizará.

Y luego poderse marchar
por ahí buscando aventuras
sin pensar que esa “película”
es para mayores de edad.

Oye bien lo que te digo
niña tonta y consentida:
no te creas que la vida 
aceptará los caprichos
que hasta hoy has tenido
siempre a punto en tu alcancía
pues te sentirás perdida
en el más amargo olvido.
	
STRAWBERRY YOGURT

This is that well-to-do girl
who, because she comes from a family,
thinks she's a distinguished lady
from head to toe.

Since studying isn't her strong suit,
she settles down at a magazine
where she'll interview
real celebrities.

She's not an early riser either,
so it's funny
to see her face at eight
making her grand entrance.

When hunger strikes,
she'll eat the cookies
and the ritual strawberry yogurt
that make up her lunch
and tell everyone that on Sunday
she went to a nightclub
where she met an athlete,
a cadet, or a doctor.

This is that well-to-do girl
who, even if her mother tried,
could never be named
the hottest girl.

The idea of turning
an unhappy woman into a great lady
by having her rub shoulders
with the offspring of a bourgeoisie failed.

The same thing happened during the queen's election at a neighborhood festival.

She dreamed she lived in the palace,
and then she wasn't even a lady-in-waiting!

It must be clear that this time the culprits were unforeseen events that brought disorder,
a consequence of nerves,
and being so unbearable that they sent her
out into the cold.

This is that good girl,
who, although she acts modern,
her manners reflect the schooling
that led her to be who she is.

She says she's a liberal woman,
without any taboos or prejudices,
and that, with a steady salary,
she'll soon become independent.

And then she can go off
looking for adventures,
without thinking that this "movie"
is for adults.

Listen carefully to what I'm telling you,
foolish and spoiled girl:
don't think that life
will accept the whims
that until now you've always had
ready in your piggy bank,
because you'll feel lost
in the most bitter oblivion.

Yogur de fresa (Feat. Hugo Iglesias Olmos)

The Alchemist

Fuckin’ Hate You

Thanks to my friend Chris for shredding on this track

Track construction - Combstead
lead guitar - Chris
mix - Combstead / Chris
mastered - Chris
artwork - Chris

Voice of reason - feat. Chris

Bass - Sickly Just

New Mix & Master

Guitar Solo by the great Rob Kleiss, Cheers to you in la France!

The driver said: Keep your eyes on the road that you ride on, stay on
And don't be a fool to dream your time away
I'm thinking about time, is it more, is it less than six weeks
On the beach? Or forty boring cloudy windy days?

Oh, na na na nai

Yeah ooh, wo-o-wo-o
I work too hard in the morning. I get up at seven
I shut my shades. All day long I don't do a single thing
And I don't have much more than a dreamboat to sail away
Six strings and a song to sing

Solo

There's a beautiful girl in the hills of Wales and I love her, mm-mm
And I can't give her nothing but my love
The driver said: You'll be dead if you touch my sister, mister
I know damn well what you're thinking of

Oh, na na na nai
Ooh, woh woh woh, na na na nai

Oo-ooh
I work too hard, I work too hard in the morning. I get up at seven
All day long I don't do a single thing
The driver said: Keep your eyes on the road that you ride on, stay on
And don't be a fool to dream your time away

Celar Aged Wines

The Driver

After the existential crisis of The Judgement, I wanted something soothing and comforting to round things off, and I could think of no better for that than Americana roots rock. The words are a mash-up from Auguries of Innocence by William Blake.

21. The World

Original song written, arranged and produced by John Hardman.
Live version by Beats Working:
John Hardman - Vocals, lead guitar
Chris Glover - Drums
Lynn John Sheppard - Bass, back up vocals
Dave Rea - Rhyttm guitar, back up vocals
(c)(p) Swamp Music UK & Swamp Records UK for all territories

One Day In Time live - Beats Working

Bandcamp : https://myckalmarcovic.bandcamp.com/track/quel-temps-fait-il-entre-les-gouttes
Deezer : https://www.deezer.com/fr/album/804468291
Apple Music : https://music.apple.com/fr/album/quel-temps-fait-il-entre-les-gouttes-feat-jean-paul/1833071726
Spotify : https://open.spotify.com/intl-fr/album/5NOwif24XFvX5o5fQGR0mJ
YouTube : https://www.youtube.com/watch?v=TW2KFsDcf6M&list=OLAK5uy_nyH8HpdiBKGuduhOZ6fzZN4fe997DUoAw
Qobuz : https://www.qobuz.com/nz-en/album/quel-temps-fait-il-entre-les-gouttes-myckael-marcovic/lt4eqyecja9ta
RadioGalaxxy : https://www.radiogalaxxy.fr/

Translation above.
Texte et musique : Myckaël Marcovic
Voix : Jean-Paul Gaido-Daniel https://soundcloud.com/gaidodaniel06
André Gide disait "Que l'importance soit dans ton regard, non dans la chose regardée." Cette chanson en est une illustration à travers la pluie qu'on peut voir comme triste. À moins qu'on sache voir entre les gouttes...

				       À Leny

Quel temps fait-il entre les gouttes ?

Y a ceux qui voient toujours le verre
À moitié vide
À moitié plein
Y a ceux qui voient toujours l’hiver
Saison frigide
Saison de rien

Refrain :
Quel temps fait-il entre les gouttes,
Là où le ciel ne pleure pas ?
Moi, je me dis sans doute, sans doute,
Que la réponse dépend de toi…
Quel temps fait-il entre les gouttes,
Là où le ciel ne pleure pas ?
Moi, je me dis sans doute, sans doute,
Qu’un p’tit bonheur sa cache là.

Y a ceux qui voient toujours la Terre
Soit tout en blanc,
Soit tout en noir.
Y a ceux qui voient ceux qui espèrent
Vendeurs de vent,
Vendeurs d’espoirs.
(refrain)

Y a ceux qui croient que la misère
Se compte en banque,
Se compte en rien.
Y a ceux qui voient tout en colère
Cœur à la manque
Cœur tout éteint

 le 22 avril 2025

André Gide said, “Let the importance be in your gaze, not in the thing you gaze upon.” This song illustrates this through the rain, which can be seen as sad. Unless you know how to see between the raindrops...
	                                To Leny

What's the weather like between the raindrops?

There are those who always see the glass
Half empty
Half full
There are those who always see winter
A frigid season
A season of nothing

Chorus :
What's the weather like between the raindrops,
Where the sky doesn't cry?
I tell myself, no doubt, no doubt,
That the answer depends on you...
What's the weather like between the raindrops,
Where the sky doesn't cry?
I tell myself, no doubt, no doubt,
That a little happiness is hiding there.

There are those who always see the Earth
Either all white,
Or all black.
There are those who see those who hope
Sellers of wind,
Sellers of hope.
(chorus)

There are those who believe that misery
Is counted in the bank,
Is counted as nothing.
There are those who see everything with anger,
Heart missing,
Heart completely extinguished.

Lyrics and music : Myckaël Marcovic, April 22, 2025
Vocal : Jean-Paul Gaido-Daniel

Quel temps fait-il entre les gouttes ?

The first composition of the AEON album.
Complex patterns somehow feel effortlessly transparent and true.

Drums, keys, guitar, sax and bass by UPFUSION.
Composed and mastered by UPFUSION.

Lucid

Drinking song

I love amphibians and have an affinity for fried okra, loud guitars, and sick beats. expedition 33 and port wine are my thing at the moment, along with a glass of ouzo and rise of the ronin.

(Translation above)

Auteur-compositeur de chansons françaises qui n'attendent que de bons interprètes. 
Après des études au conservatoire et musicologie à la Sorbonne, j'ai enseigné l'éducation musicale à des élèves en école élémentaire de 1982 à 2021.

Dès 1989, alors que je découvrais la MAO, j'ai commencé à faire des centaines d'arrangements de chansons pour enfants ou adultes dans tous les styles pour les faire chanter. Cette solide expérience m'a amené dans un premier temps à composer des chansons pour mes élèves. Puis, je me suis lancé dans un répertoire pour adultes. 132 chansons à ce jour !

Mon répertoire va de la danse traditionnelle française (La bourrée du maumarié), à l’EDM (La tête dans les étoiles) en passant par la musique classique (Double concerto pour violon, violoncelle et orchestre à cordes) et la chanson française, le gros du panier, avec le plus souvent cette pointe d’humour qui fait tant défaut aujourd’hui dans beaucoup de chansons, (ce qui est étonnant quand on voit autant d’humoristes fleurir aux six points de l’Hexagone…)

Même si certains apprécient ma façon de chanter, mes chansons sont faites pour de vrais interprètes qui aiment monter sur scène.

Né en 1961 à Paris.
Membre SACEM

Author-composer and performer... by default of French songs. 
After studying at the Conservatoire and musicology at the Sorbonne, I taught music education to elementary school pupils from 1982 to 2021.

As early as 1989, when I was just discovering computer-assisted music, I started making hundreds of arrangements of songs for children and adults in all styles, to get them to sing along. This solid experience initially led me to compose songs for my students. Then I started working on a repertoire for adults. 132 songs to date!

My repertoire ranges from traditional French dance (La bourrée du maumarié), to EDM (La tête dans les étoiles), classical music (Double concerto for violin, cello and string orchestra) and French chanson, the mainstay of my repertoire, most often with that touch of humor so lacking in so many songs these days (which is astonishing when you see so many humorists flourishing at the six points of the Hexagon...).

Even if some people like the way I sing, my songs are made for real performers who like to get up on stage.

Born in 1961 in Paris.
SACEM member

Quel temps fait-il entre les gouttes ?

Myckael Marcovic

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