booking : ollie.seaman@teamwass.com 💫
promos : folamourpromo@gmail.com 💌

Harnessing a distinct brand of artistry that knows no categorical bounds, the DJ, producer and record label head has cemented herself as one of the music industry’s most in-demand names at nothing short of breakneck speed. Her signature sonic approach masterfully blends genres with a visceral energy that commands attention, the ardent catalyst in her meteoric rise from Belgium’s underground to global phenomenon status.

Fatima Yamaha’s now classic single ‘What’s A Girl To Do’ taken from the EP ‘A Girl Between Two Worlds’ saw the light of day in 2004, but it wasn’t until 10 years later that a re-release made the song truly explode. 
For many years, Fatima Yamaha was shrouded in mystery, known only to be a project led by “a young lady born to a Japanese father and a Turkish mother”. By now we all know Bas Bron is Fatima Yamaha. The Dutch producer has many guises, but Fatima Yamaha is his most enigmatic.
The album ‘Imaginary Lines’ was released in 2015 and followed the success of ‘What’s A Girl To Do’ with the fabulous single ‘Love Invaders’. Later followed by another banging club anthem ‘Araya’.
His live shows unfailingly live up to the highest expectations, offering refined house and techno complimented by virtuoso synths. But after years of selling out tours and headlining the most prestigious festivals all over the world, Bas took a year off touring to focus on new material and other ventures.
He directed, produced and made the soundtrack of the short film ‘Heian’ and recorded lots of other tracks, for many different projects. But this autumn there will finally be a new Fatima Yamaha album; ‘Spontaneous Order’. Bas shows his versatility on the album, effortlessly moving form harsh dancefloor tracks to spacious ambient drones and funky electronic pop tracks.

Jon Sa Trinxa is an influential figure in the world of electronic music, renowned for his eclectic taste and deep connection with the Balearic sound—a kaleidoscope of genres that include Disco, House, Funk, Indie Dance, Down Tempo, Ambient, and more. His career, spanning over three decades, began in 1987, rooted in the early rave scene and expanding to clubs, festivals, beach parties, and special events worldwide, including Japan, Australia, South America, the USA, SE Asia, and across Europe.

One of Jon's most significant achievements is holding the longest DJ residency on Ibiza at Sa Trinxa, Salinas Beach, from 1993 to 2019. This spot became synonymous with his name, showcasing his ability to create a unique vibe that perfectly encapsulates the spirit of Ibiza. His talent also shone brightly at the legendary Manumission parties, where he played for ten years at Privilege and Space, and was a regular feature at We Love… Sundays at Space, Pacha for Made in Italy, and various nights at Amnesia.

During the winter months, Jon's musical journey takes him to Asia, where he holds a residency at Karma Beach Club in Bali and performs in Thailand, Cambodia, and Sri Lanka, spreading his unique blend of Balearic beats to a global audience.

Jon Sa Trinxa's contribution to the music world extends beyond his live sets. He has produced several compilation CDs for major labels such as Sony and Music for Dreams, and his work on the classic "Naked Ibiza" for Mixmag became one of the magazine's most popular CDs, further cementing his status as a pioneer of the Balearic sound.

For more updates and insights into Jon Sa Trinxa's musical adventures, fans can follow him on his Facebook page: [Jon Sa Trinxa's Facebook](https://www.facebook.com/pages/Jon-Sa-Trinxa/122414664609989?fref=ts).

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

MANAGEMENT / GENERAL REQUESTS
silvi@chaosinorder.de

BOOKING REQUESTS 
amelielens@WMEAgency.com

BOOKING REQUESTS North/South America
ferry.rais@CAA.com

NEWS:
https://linktr.ee/amelie.lens

Amelie Lens has taken the techno scene to another level, with her unrelenting passion for the genre, with a strong message that she always was, and always will be a raver at heart.

Amelie‘s debut release in 2016 marked the beginning of her distinguished career. Since then, she has released music on many of the industry‘s leading labels and contributed to the prestigious Global Underground City mix series. Amelie is a regular headliner at major festivals such as Awakenings, Sonar, Timewarp, and Tomorrowland’s mainstage. Additionally, she performs at renowned club venues across the globe.

Fast forward to 2024 and Amelie is heading her labels Lenske and EXHALE Records, running her party series EXHALE, holds down an extensive touring schedule and hosts her own radio show. The show now streams online and broadcasts on 34 radio stations across the globe, reaching nearly 5 million listeners with every episode.

Amelie has been focused on her signature sound, emphasised by the use of her own vocals. She wants to capture audiences that may not always be there for techno but feel connected after discovering something new.

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