This track was sent to me by Yannick Pozo Vento, aka Réelle, who was a dear friend of mine and who unfortunately passed away in 2018. I always kept it as a treasure. This track means the world to me and I believe Yannick once said that this is their favourite piece they have ever produced. It was up on their SoundCloud once but disappeared very quickly. I never knew what I wanted to do with it. I still don't know. It felt like alot of pressure, but I now decided to upload it here because I think it needs to be out there for people to listen. I hope you will treat it with respect. 

Lilith is a figure and symbol of feminism and femme sexual liberation. However, in medieval Europe, she was often portrayed as the wife, concubine, or grandmother of Satan. She is best known as the first wife of Adam, who she demanded equality with and, failing to get it, left in anger. The numerical value of Lilith’s name equals the Hebrew word for “screech.” Thus, Lilith is the “Demon of screeching” and “the princess of screeching” and is personified as a screech owl. Astrologically speaking, she represents the power and desire that's hidden within us like our deep arousals, instincts, and dark (sometimes uncomfortable) truths.

I always considered this one Réelle's masterpiece. It's very different from their other releases and works with their signature graphic synthesized, theremin like sound, that weeps alongside a pizzicato cello - creating a serious atmosphere of strength and glory accompanied by a notion that for me just sounds and feels like pride in both a femme appearance and experience. Like a femme figure with 10 inch heels walking up a huge spiral staircase out of glas, leaving behind and looking down on what only could be described as patriarchy.

I miss you, Réelle. I love you forever.

Réelle - Ode To Lilith

Experimento

https://soundcloud.com/halcyon-veil/wet-wet

https://soundcloud.com/sonicmistress
https://www.instagram.com/fffffiiiiivvvvveeeee/
https://twitter.com/sonicmistress
https://mistress5.bandcamp.com/releases

TK Melo - I Need A THOT (Mistress Edit)

INSPIRADO EN https://soundcloud.com/negroso Y https://soundcloud.com/jaijiu
sh shk sh shk sh shk sh shk
https://jjilguero.bandcamp.com/track/machete-en-reja-dj-tool-170-bpm-aleteando-en-el-cielo

machete en reja (dj tool 170 bpm) ALETEANDO EN EL CIELO

Jtamul - Oha Yuhhh

[AML001]

The first release of Amel comes from Istanbul based DJ/Producer Jtamul. 

With ‘Oha Yuhhh’, Jtamul delves into the hard hitting club trajectory, drawing inspiration from the turbulent city of Istanbul. Influenced by the city's pulsating streets, car sound system culture and Arabesk music, Jtamul seamlessly blends high-intensity Istanbul sounds with elements from Latin club music, Jersey Club, and UK Bass.

Mastering by Murat Çolak 
Cover by Berk Çakmakçı

Oha Yuhhh

Entrañas - Caverna
Label: Infinite Machine
CAT#: IM114
Format: Digital
Release Date: September 27th, 2024

Tracklist:
1. Indignado
2. Ajicito
3. Diclofenaco
4. Cruces
5. Cascada
6. Coscacho
7. Tigrillo (ft. Buena Tarde)
8. Nauseas
9. Toque De Queda (ft. Ene Ese)
10. Chivo
11. Muerto a Puntapiés (ft. Carlos Pabón)
12. Caverna

Ecuadorian producer Daniel Gachet “Entrañas” presents his debut full album Caverna on Infinite Machine. The project explores an amalgam of polyrhythms found in traditional Ecuadorian music such as bomba and albazo, blending them with jagged atmospheres of uk bass and grime. Through deliberate sound design, Entrañas seeks to place the listener within the unpredictable ecosystem of the city of Quito and its surroundings.

In this record Entrañas searches for a sound that conveys both the infrastructural chaos he experiences currently in his home city, while also reflecting the hauntingly beautiful and seemingly perpetual terrain just outside of Quito. Not far from the frequent and unpredictable power outages and city wide lockdowns which are now commonplace due to the ongoing narco wars, there is an Andean stratovolcano visible from many parts of Quito, including Entrañas own bedroom window. Ruco Pichincha stands nearly 5000m in height, attracting awe and curiosity of many who happen upon it, perhaps by way of its beauty as well as its innate potential for mass destruction. A particular location of interest for the artist, the mountain emits a kind of objectivity that is distinct from the urbanscape of human activity; it asserts itself, unobservant of the adjacent violence, trials and tribulations. Its very name–“Ruco” translated in English to "old" from the indigenous Quechua language–seems to reflect both its acquired reverence from native inhabitants of the region, as well as the relative incomprehensibility of such natural monuments.

On Caverna, references to Quito and its encompassing geography are apparent in ways that are direct at times, nuanced at others. “Toque de Queda” (trans. “lockdown”) was produced in real time during a city wide lockdown in which Entrañas and his collaborator Ene Ese were unable to leave an apartment for hours on end. The sheer apprehension of such a situation can perhaps be gleaned from the seething claps and non-melodic droning atmospheres that build, producing a tone of frustration and unease. Tracks like “Coscacho”, “Muerto A Puntapiés” and “Cruces” seem to take on a similarly minimal approach, focused on brooding heavy bass lines and relentless polyrhythms that become increasingly menacing as the tracks build. A listener might imagine these compositions to conjure the rumbling subterranean activity of Ruco Pichincha. As their names might imply, “Caverna” and “Cascada” take a different approach, building up shimmering soundscapes reminiscent of 90s new age. These ephemeral sequences seem to summon meditation on natural landscapes in a way that feels lighter and more optimistic, unveiling a softer vision.

In light of his prolific catalog, Entraña’s twelve-track work reaches into territory that feels both more personal and experimental–though these compositions are undoubtedly dance-floor ready. Caverna brings together anthems of leftfield club music with chambers of ambient reflection–both of which read as significant and distinct to the artist’s background and day-to-day experience in Quito. As the majestic and humbling mountainous surface of Ruco Pichincha might resemble, Caverna’s title track ends the record with a reminder; a gentle nod to the significance of such sacred wonders as places of refuge in our human experience; whether we can grasp them, or see them from our bedroom window.

Artwork by Benfika
Mastered by Fausto Mercier
Words by Sueuga

Entrañas Ft. Carlos Pabón - Muerto A Puntapiés

@arevalo_electronics %%%% 𓏲 ๋࣭  ࣪ ˖

hnny @arevalo

Fetva - 🍂 _Blinding Lights_ but you're waking up in a tent at the festival during fetva's morning...
Escha - into the nothingness of scorn and silence
Ytem & Chemist - Mantis Lords
PLUSHB4BY - HANAN
Organ Tapes - DOG FEAR – DJ CORPMANE
MYEN - EQUI
Hajj - Tried To Tell Ya Something Thru This Fucking Phone (Comechelet Remix)
bludtse - caroline polacheck – dang (bludtse remix)
Chino Amobi - LABYRINTH
KROLIK - RACE FAST BREAK HARD
Endgame - Bodies (My Sword Remix)
Chou Chou - On Borrowed Wings ft INBIO

ashes≠embers

Metallic clangs and blissful melodies placate the track. Dizzying buoyance exudes the harrowing sense of urgency and needing to be at the right place, at the right time. Intricate drum patterns and bass, sonically designed to disorient, divert attention to the act of spreading yourself too thin. Eventually the drive to go beyond expectations withers, but the restlessness to keep moving remains.

stnvndijk* is an Amsterdam-based producer offering a unique subversion to electronic dance music as we know it. His growing presence has quickly been extending to radio stations, venues and online spheres across Europe and beyond. Creating fractures in rhythms and danceable energies, his hyper-surrealist take on soundscapes fuse his multi-instrumentalism with the world of digital, computerised music.

Exclusive merch and artefacts available soon.
Brought to you by double take records.
from Gi*que, released January 30, 2025

Written, produced, mixed by Stan van Dijk
Mastered by Traces
Art direction: Stan van Dijk
Creative direction: Dom Paulauskas and Sam Shepherd
Executive production, words: List Logins

Gi*que

stnvndijk* - Petri*chor

Push comes to shove, and the flashiness of new energies subdue. Seeking out other expressions results in an inner restlessness. Digitised, sputtering vocals break into millions of tiny shards and dissipate. When inner doubt takes over, thoughts flood the headspace and fly into every direction. Calling into the void, the answers and optimism goes into hiding; no longer are the answers reflected back at you.

stnvndijk* is an Amsterdam-based producer offering a unique subversion to electronic dance music as we know it. His growing presence has quickly been extending to radio stations, venues and online spheres across Europe and beyond. Creating fractures in rhythms and danceable energies, his hyper-surrealist take on soundscapes fuse his multi-instrumentalism with the world of digital, computerised music.

Exclusive merch and artefacts available soon.
Brought to you by double take records.
from Gi*que, released January 30, 2025

Written, produced, mixed by Stan van Dijk
Mastered by Traces
Art direction: Stan van Dijk
Creative direction: Dom Paulauskas and Sam Shepherd
Executive production, words: List Logins

stnvndijk* - Mi*nt Blo*om

Two tracks on the Fender Telecaster through the Princeton Reverb:
Rhythm: neck position with compressor
Lead: bridge position with fuzz, tubescreamer, analog delay, compressor, and a little trem and reverb from the amp.

Too Hot in the Kitchen

𒀭DJ BOOKINGS: booking.myen@gmail.com
𒀭https://myen.bandcamp.com/album/karner
𒀭funeral music, sonic tulpamancy ฏ๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎