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The Sound of Deconstructed Club ordered by decreasing BPM

PURGATORIAL

Ziúr - Antifate
Format: LP / DL 
Cat.No. PAN 120
Release Date: 7 May 2021
Purchase: pan.lnk.to/Antifate

Ziúr’s music has always been difficult to classify. A longtime fixture in Berlin’s nightlife, the musician, producer and DJ has cut through decades of threads to arrive on a sound that accurately represents her journey. She’s sung, played guitar and drums and reduced club music to a burning cinder; with “Antifate”, her third album under the Ziúr moniker, she approaches electronic music without any preciousness or reverence to genre.
2019’s acclaimed “ATØ” re-introduced songs to her canon, contorting her vocals over an undulating electronic backdrop. On “Antifate”, she takes this idea further, pushing abstracted pop forms into mists of digital euphoria and extracting unexpected instrumental flourishes from collapsing clouds of distorted rhythm. Electronic instrumentation is melted into acoustic sounds and vice-versa, creating a breathing organic universe that’s entirely Ziúr’s.

“Antifate” is an abstract reference to the mythical land of Cockaigne, a utopia where wine flows freely and houses are made of cake, that provided escapist fantasy for medieval peasants. As the space between our private worlds widens, this fantasy becomes alluring once more - a place where we feel free, with the people who allow us that freedom. With this in mind, Ziúr crafts a soundtrack that’s fantastical and magical, hinged on the idea of closeness and connection at a time when distance is mandatory.

Ghostly voices echo wordlessly over clattering beats and dubwise bass on opener ‘Alive, Unless?’, while the album’s title track sings a more epic fanfare, with a chorus of voices echoing into glittering synthesizer pearls and volcanic kicks. “Antifate” is almost even theatrical at times, something never more evident than on the Talk Talk-esque ‘Fringe Casual’ with its dreamy piano and plucked bass and on closing track ‘The Carry’, where flute is introduced into Ziúr’s rapidly expanding narrative.

It’s tempting to say that this is the album Ziúr has been destined to make, but “Antifate” rejects this concept. Rather, this is the album that Ziúr needed to make now, surrounded by the people that have been able to offer her the place to do it. In mapping out her mythical paradise, Ziúr has produced an album that is deeply tender and inescapably human. It’s an album about freedom, and she has never sounded so free.
The album is mixed by James Ginzburg & mastered by Rashad Becker, featuring artwork by Stefan Fähler.

@ziurinhell

Antifate

Ziúr - Antifate (PAN 120)

This track was sent to me by Yannick Pozo Vento, aka Réelle, who was a dear friend of mine and who unfortunately passed away in 2018. I always kept it as a treasure. This track means the world to me and I believe Yannick once said that this is their favourite piece they have ever produced. It was up on their SoundCloud once but disappeared very quickly. I never knew what I wanted to do with it. I still don't know. It felt like alot of pressure, but I now decided to upload it here because I think it needs to be out there for people to listen. I hope you will treat it with respect. 

Lilith is a figure and symbol of feminism and femme sexual liberation. However, in medieval Europe, she was often portrayed as the wife, concubine, or grandmother of Satan. She is best known as the first wife of Adam, who she demanded equality with and, failing to get it, left in anger. The numerical value of Lilith’s name equals the Hebrew word for “screech.” Thus, Lilith is the “Demon of screeching” and “the princess of screeching” and is personified as a screech owl. Astrologically speaking, she represents the power and desire that's hidden within us like our deep arousals, instincts, and dark (sometimes uncomfortable) truths.

I always considered this one Réelle's masterpiece. It's very different from their other releases and works with their signature graphic synthesized, theremin like sound, that weeps alongside a pizzicato cello - creating a serious atmosphere of strength and glory accompanied by a notion that for me just sounds and feels like pride in both a femme appearance and experience. Like a femme figure with 10 inch heels walking up a huge spiral staircase out of glas, leaving behind and looking down on what only could be described as patriarchy.

I miss you, Réelle. I love you forever.

Réelle - Ode To Lilith

remix by @teyalogos
original track by @m1ssjay
mastering by @wimdehaen
artwork by Ver instagram.com/_nismo95

Nocturnal

BANDCAMP

MISS JAY - FANTASY (TEYA LOGOS REMIX)

Confianza (Drumless)

Marcos dj y productor de Argentina nos trae un deleite sonoro con muchos tracks que te haran vibrar. Siguele en sus redes y apoyale a adquiriendo sus tracks.  <3 Enjoy! 

https://soundcloud.com/marcos-vvv
https://marcos1111.bandcamp.com/releases
https://soundcloud.com/hiedrahclubdebaile




TRACKLIST:
Kitten Heel
Eh Guacho
Duro Corazón - Ojos Finos
In My Mind 150 bpm - Gmrbeats
Fogo Cruzado - Joao Lagrima De Ouro
Tribal Cariñoso - Kotrina
Ango - NTFL
Fulminación (Kid Robin Bootleg) - Dj Ranking 
Bombón Asesino edit - Aggromance
Grafito - Imaabs (Syntrovert bootleg)
Tense Inside - Desiré - Lighght -Lila tirando a violeta and Lithe
Estoy re buena - Tayhana (thalia remix)
Gorillaz vs Godzilla - Dj Carmackinho do Sao Sebas
Raptor House - ??
Tu y yo con tu amigue - El Plvybxy
Diva virtual - Don omar - Rapala700 - Nahshi
Vicious circle - Rafa Maya
Believeinme- Rapala700
Fergie x Rapala edit
Headshot - Jaijiu
Amanece x Traicion  - Merca Bae x Miranda edit
Guaracha of Love - Pobvio
Alo Donk - Maga
El prisionero - Dj pombero

MARCOS -Delicioso Tormento

Thierry Boudiou

IT'S BUYING TIME: https://laurenduffus.bandcamp.com/track/love-love-love

Out via Body Motion.

@laurenduffus <3
@bodymotion <3

I don’t want to be anything other than what I’ve been trying to be — lately. All I have to do is think of me, and I have peace of mind. I’m tired of looking around rooms, wondering what I’ve got do, or who I am supposed to be. I don’t want to be anything other than me. I don’t want to be anything other than liking, sharing, reposting and playing ‘Love Love Love’ by Lauren Duffus, out on Body Motion. I don’t want to be anything other than you. I am you, and you being I — I don’t want to be anything other than what I’ve been trying to be, lately. I’m surrounded by liars, everywhere I turn.

Lauren Duffus - Love Love Love [MK PREMIERE]

London-born Visionist, (Louis Carnell,) has rapidly ascended the ranks of producers and DJs at the forefront of modern club music. Quickly categorized as one of the leaders of the international new school of Grime, However, Visionist looks beyond Grime and into the unknown, crafting a heavenly opus continuing on from his critically acclaimed "I'm Fine" on Lit City Trax. The outcome is his utterly original take on this comprehensive club music spectrum of the past two decades -- hyper-minimal and brooding while remaining ethereal. Visionist's tracks on I’m Fine sound vast, as if mapping vivid, emotional landscapes. His approach to production is introspective, with an eye for detail and an ear for tension, focused on opening up space rather than cluttering it.

Visionist maintains his own record label, Lost Codes, which while rooted in Grime, is centered around the genre-breaking imagination and inventiveness of his artists (SD Laika, Acre, Saga, FIlter Dread, Bloom). Avoiding looking back in time to recreate the past, now he's helping to usher in the new vanguard. Like Visionist, these artists are creating an identity true to themselves.

On I'm Fine, Part II -- the final EP in a twofold installment on Lit City Trax -- Visionist explores each of the stages of grief; denial, anger, bargaining, depression and acceptance -- coming to terms with loss and suffering by deconstructing and rebuilding the past into a myriad of pensive musical styles. 

I'm Fine, Part II attempts to offer resolution for the grief stricken listener, and closure to some of the problems explored on I'm Fine. The opening track "Eye Try" opens the flood gates. An extended intro, coupled with reverb-dripping vocal chops, a heart stopping reese-bass drops into the tune, eventually unravelling into a plaintive female chant.

"More Pain" remains skeletal and hyper-minimal like it's predecessor "Pain" -- the songs call back and forth to each other. Resourceful as ever, Visionist recycles the same vocal to create a moving, skeletal and largely beatless composition. The songs stays in motion,  propelled forward by a divine choir-like lead and bass stabs trailed by sparse, haunting percussion.

"The Way" starts stark and drops into complex, pulsing bass, tied in with heartbreaking cries of "Without You". While not a Grime track, the melodies coupled with the tough bass, are reminiscent of the forward thinking ethic of producers from the days before Grime's inception.

In quick contrast, "First Love" is a direct ode to the Grime of Visionist's youth. This most percussion heavy track on the whole record yet the emphasis somehow remains on an overwhelming, chopped vocal melody. The syncopated beat and bass drop and urge you to move. This is soon followed by two sharply contrasting bass leads, bringing this constantly evolving track to its peak.

Playing off a UK Funky groove, "Acceptance" once again is a forward thinking take on this undeniably British sound. Immediately the kick drum leads you into more complex polyrhythms between the shakers, low end and kicks. Another concise track, Visionist gets directly to the point. "Acceptance" is a unique club banger, using his own distinct palette.

I'm Fine, Part II closes with "Something Old, Something New", which was Visionist's earliest foray in this manner. Beginning with a spacious pulse, what has become his signature vocal chops, swiftly begin to unravel into progressive, ethereal harmonies. The track culminates with the most direct vocal. "Make me float" rings out, concluding the EP and suggesting a resolution to the grief portrayed throughout the "I'm Fine" series -- a new beginning.

With I'm Fine, Part II, Visionist creates something far greater than the sum of its parts. The record is jarring and undeniably British.  I'm Fine Part II explores heavy vocal manipulation, appropriating samples into powerful melodic tools. The record is an ode to Visionist’s dark musical past and a love note to his bright future.

Whither is fled the visionary gleam?
Where is it now, the glory and the dream?
       -Wordsworth

Visionist - First Love

The Helsinki-based multidisciplinary artist Exmantera (Daniil Mantere, they/them) https://soundcloud.com/exmantera is one of the prominent names in the Finnish underground digital electronic scene, and they’re known for their abrasive, knife-sharp outings where crispy sound design meets clangy dramatic tension. After hosting a remix on last year’s “Ross 308 EP” by the also Finnish artist Comastasis https://paynomindtous.bandcamp.com/track/ross-308-exmantera-remix, we’re thrilled to share with you their latest work “LETHALITY” EP. 

“LETHALITY” is composed of seven tracks and comes with an eerie, obscure artwork by Exmantera and uzâ a’amo instagram.com/uzaaamo/ as well as two collaborative tracks with Nova Caine @n0vad0sed and Yaokai @yaokai. As evoked by its title, the record is unforgiving in its sonic violence, aggressive distortion, and clangorous instinctiveness. Episodes inspired by the finest instrumental grime are followed by ear-splitting bursts, metallic percussions, glitching artifacts, and sinister melodies. These raw ingredients are molded into eventful tracks that immediately capture the listener despite the unrestrained rhythmic violence, guiding them down a treacherous path of digital corrosivity. In other words, Exmantera encapsulates spectacular ferocity and immaculate bloodlust in each of the compositions, molding the elements in the ultimate sound transposition of the impulse to maw, gnaw, and kill. GIRL DINNER

### CREDITS

Track 1-2, 4, 6-7 produced and mixed by Exmantera. Track 3 produced and mixed by Exmantera & Nova Caine. Track 5 produced and mixed by Exmantera & Yaokai. Mastering by Exmantera. Artwork by Exmantera & uzâ a’amo.

LETHALITY EP

Name-your-price DL

exmantera - I NEED 2 GO

silhouettes edit

DJ FARRAN - GSL

Beamer

Music inspired by my nights out in the city and going to raves!

Artwork by Gleam! (www.instagram.com/gleam_online_/)
Processing and type by me

Trauma loop

Taken from the forthcoming EP 'Heterocetera'.
Out March 3rd 2015 digitally and on 12".

Lotic - Heterocetera

Live set from 01/24/25 happy birthday xayla :) 

track lisst

HL333 - Then cried out the rocks I WANT TO DJ FOR THE 67 YEAR LONG TOYOTATHON (SILVER COROLLA MIX)

silént phil, EPIPHAGI - Titan

⟢✵⟣ - FTCUIWYTB

ASCHE - GUCCi GUCCi x ANNiHiLATION (KReAYSHaWN x ASCHe HyP3RcluB REMiXXXX)

GESAFFELSTEIN - 𒅒PSYCHO (KAVARI CLUB MIX)𒈔

mary d - The Age of Baile

death's dynamic shroud and galen tipton - Generate Utopia

Eisebelle - dawn chorus

CYBIKO2000 - PINK DIAMOND

KLAUDIO - A MILLION CRYSTALS SHREDDING ON U Ω Ω Ω

Board [form] Concrete - TOYOTA T100 CLUB T001

MURDER CLUB - VAMP ANTHEM (WAR EDIT)

Eisebelle - Ness

CYBIKO2000 - Skull Fuck

MURDER CLUB - FYM

☆puppy☆ - lick it

exmantera - differ

BRITNEY - I WANNA GO (SUTA CLUB TOOL)

Slikback - EXIT

⟢✵⟣ - 10 drunk cigs

CYBIKO2000 - EROTICA REMIX

MURDERCLUB - SHOTTA FLOW FUCKER

Alparr - CUTTINGG

osno1 -beautiful girls (osno1 big fuck remix)

im not a dj but maybe i am

ALL ENGINES BURN WHEN THEY WANNA DIE
ALL ANGELS FALL WHEN ITS TIME TO DIE

AEBWTWD

From "Worldwide Recycle Service 02", the second volume in a series of releases in which artists are invited to rework earlier W - I releases.
Each artist involved are given access to all stems from the entire W - I catalogue and given free hands to do whatever they want with it. It could be a remix of a song, or a remix of several songs, or something entirely different.
This volume features @KA-BLAM, @CelynJune, @N_1_L and @Oli_XL.

Download: blo-om.bandcamp.com/album/worldwide…ycle-service-02
Spotify: sptfy.com/Fjp

WRS-02
Artwork by Oli XL

KABLAM — Mouthing (Recycled)

From PET-004: Various Artists - Embrace. Out now on Petrola 80
@a_sonne
@xeniaxamanek

Astrid Sonne & Xenia Xamanek - Feberite

Taipei A/V artist Meuko! Meuko! Is the new project of Pon from Taiwanese indie pop The Shine & Shine & Shine & Shine. She uses modified toys, sampilng from old cassette tapes and animal sounds, collaborates with Foodman from Japan. 

Today on Peak Time we premiered the title track from Meuko! Meuko!'s forthcoming album 'Ghost Island' out July 6th on Aïsha Devi's Danse Noire label.

@meukomeuko
@danse-noire-records 

Tune in to Peak Time, Red Bull Radio's daily new music show, daily Monday through Friday, 12P - 2P NYC time at RedBullRadio.com or via the Red Bull Radio app.

Meuko! Meuko! - Ghost Island [Peak Time Premiere]

Amnesia Scanner — Another Life 
Cat.No. PAN 96

purchase: https://bit.ly/2mo0hyu
pre-order album: https://bit.ly/2JxE61G / https://bit.ly/2uxWLWx
video: https://youtu.be/5CEmVTzmzpw

Amnesia Scanner, the Berlin-based music duo, performing arts group, experience design studio and production house, created by Finnish-born Ville Haimala and Martti Kalliala, present their second release on PAN; a cyber-grunge bug-out anthem.

AS A.W.O.L. features the passionately defiant vocal debut of Oracle, Amnesia Scanner’s shadowy third member who will also be featured on a number of upcoming pieces.

AS A.W.O.L marks the second chapter in a large cycle of new work to be released with PAN throughout 2018. It follows the single AS Chaos on PAN, two 2016 EPs AS and AS Truth on Young Turks and the critically acclaimed, independently released audioplay Angels Rig Hook and AS Live [][][][][] mixtape.

The release is mastered by Jeremy Cox. It is accompanied by artwork, a t-shirt and video by Amnesia Scanner’s long-time collaborators PWR Studio.

@amnesia-scanner

http://p-a-n.org

Another Life

Amnesia Scanner - AS A.W.O.L. (PAN 96S2)

Free Download

Produced by Eli Osheyack
Artwork by Dre Romero
Mastered by Raphael Valensi

FREE DOWNLOAD

Osheyack - Parataxon VIP 135 Mix

Support Me

Cant Sleep Without You

HOB9: 'Was it safer?' by @detente11

Artwork by Miel Audenaert

Detente - 'Was it safer?' (HOB9)

PEPAPUKE - Overdose de Pirok

https://soundcloud.com/pepapuke

DDL LINK https://ducoeurrecords.bandcamp.com/releases

ArtWork by Fluor Optimal

MANIFESTO - DU COEUR RECORDS

PEPAPUKE - Overdose de Pirok

Taken from 'Corra Linn', out on Numbers and available everywhere today. 
https://nmb.rs/la-corra-linn • https://l-a-n-a-r-k.net • @lanark-artefax

‘Corra Linn’ on Vinyl & Digital:
Bandcamp – http://nmb.rs/la-corra-linn/bandcamp
Bleep – https://nmb.rs/la-corra-linn/bleep
Boomkat – http://nmb.rs/la-corra-linn/boomkatrecords
Spotify – http://nmb.rs/la-corra-linn/spotify
Apple Music – http://nmb.rs/la-corra-linn/applemusic
iTunes – http://nmb.rs/la-corra-linn/itunes

Follow Lanark Artefax:
Mailing list - http://l-a-n-a-r-k.net
Spotify - https://smarturl.it/la-spotify
Instagram - https://www.instagram.com/l_a_n_a_r_k
Twitter - https://twitter.com/l_a_n_a_r_k

Follow Numbers:
Mailing list - http://nmbrs.net/home/subscribe
Instagram - https://nmb.rs/ig
Twitter - https://nmb.rs/tw

Corra Linn

Moo Orphaned Drift

Lanark Artefax - Moo Orphaned Drift (clip)

Official video: https://youtu.be/dsCZknTKOic
@piaget1

Expand

Piag3t - Turn Out Tense

Yangze - Hold Your Horses

@noctilucents track
@organtapes prod
@na_nguzu beat

NOCTILUCENTS / OT / DJ NA - LONELY

Aiming to enhance a future that connects us across the boundaries of class and race. Fight fascism & racism - in every space and on every level! Ravers for a culture in solidarity and resistance. All proceeds of the U.R.A.F. Tape (and Digital) sales will be donated to these no profit associations: Seebrücke, the Auschwitz Memorial and to the fundraiser of Aboubakar Soumahoro.

Seebrücke. A movement who created (among other things) save habours in over 62 european municipalities in which citys welcome refuges who have been recued from distress at sea. seebruecke.org/leavenoonebehind/aktionen/

A fundraiser by Aboubakar Soumahoro who aims to support the black farmhands working in the agricultural fields of the Italian South and provide them with food, basic necessities and medical supplies.
www.gofundme.com/f/portiamo-il-cibo-in-tavola-ma-abbiamo-fame

The Auschwitz Memorial and Museum which is a place of great importance to remember the atrocities and consequences of fascism.
auschwitz.org

U.R.A.F. — a compilation of music with a strong political thought.
credits
releases June 19, 2020

A1 HDMIRROR - Burst Open

New connections for the new romantics - Old fragrances leading our future

Thejinkren - Sangre En Tu Piel

𒀭DJ BOOKINGS: booking.myen@gmail.com
𒀭https://myen.bandcamp.com/album/karner
𒀭funeral music, sonic tulpamancy ฏ๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎

Réelle - Ode To Lilith

MYEN