Channeling the wild imagination and aesthetic enchantment of "Four Dream's" gorgeous album artwork into his songs, Keenhouse (Ken Rangkuty) entrances with soothing, aetherial vocals blended into seraphic synths that illuminate and perpetuate a fantastic fantasy world where magic breathes in iridescent dust of chimeric sound-waves.

Keenhouse’s “Four Dreams” lilts through your subconscious like prismatic clouds bursting with spectral colors. “Echoplants” charms as tropical birds and bugs cry out their lively echos against flora-like bass and synths that reverberate the sounds of a lively amazonian jungle. “Where I Belong” emotionally strings you along with wistful synths that cascade quietly in the background as wind chimes chirp in their high-pitched accents against Keenhouse’s mellifluously medicinal vocals that ache with the pain of a lost heart that can’t find its way home. Transcending traditional electronic music is the resplendent “Taura,” whose lead instrument is a Koto played by renowned new age composer Osamu Kitajima that solos and weeps over swirling pads like teardrops gently drenching the cheeks of a long-lost lover. The record concludes with “The Lullaby of Keenhouse,” a beautiful traditional piano piece played against the peaceful sounds of a babbling brook, as if Keenhouse himself was tickling the ivories beside a mystical creek, in the midst of an enchanted forest.
 

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Scotland based electronic band.

Our Running Up That Hill cover is OUT NOW!

https://lnk.to/LMRunningUpThatHill
https://linktr.ee/lakimera

Max Hype, aka Protohype, has taken the world of bass music and made it his own personal playground. The heavy hitting producer combines ingenious progressions and percussion with roof toppling bass lines for a must hear sound that leaves fans around the world with necks breaking. Releasing on major labels such as Firepower, SMOG, Spinnin’ Records and more, not to mention boasting a discography of over 100 original creations, Protohype has become a staple in the bass music community. Developing his #puppycrew brand, Max uses his loyal fan base to give back, throwing charity events to help fund no kill animal shelters. With an original sound, kind heart and a knack for getting a crowd roaring for more, Protohype has become one of bass music’s most loved talents.

MGMT - Nate@Warpathgroup.com

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The Starkiller (AKA Super Hans AKA Che Guerrilla) has been making electronic music and remixes since the late 1990s. He likes to keep things slow - his favourite BPM is 111. 

Influences are (among others) Giorgio Moroder, Kraftwerk, Hall & Oates, Daft Punk, Chic, and lots of other lesser known but equally important artists.

Vieka Plays (:vee-e-ka p-l-aa-ys). Born, will die. A female singer-songwriter-electronic-fiddler-producer-engineer currently residing in the fair lands of Manchesterville, UK. Inspired and nourished by music and sound.

 Vieka plays her music full frontal, sometimes delicate, sometimes brash but always dedicated to the senses. Alikened to Björk, Portishead with a dash of Cocorosie, Vieka moves through you in a whirl of challenging stories and sounds created by all manors of electronic geekery that can be harnessed, beated and whipped into shape. 

...'Combining sonic brutality, unfettered on-stage physicality, never-quite-reassuring periods of calm and moments of breath-taking spectral beauty'...'Ostensibly an avant-garde musician in the Portishead/Björk mould mould, Vieka’s beguiling live performances set her apart from other experimentalists.'
 … 'Their live concerts can veer from dubstep mood-pieces to eerie swing narratives and sexual psycho-dramas all with an underlying Burial-style-soundtrack-David Lynch intensity'... 

With a lustful desire for the wild world, Vieka weaves through all manner of sounds; blending, warping and creating impassioned soundscapes with subtle sound recordings from nature, life and the wide-wide world. Obtuse creations of synthesised bass, glitch noise and samples come from deep within the digital spectrum while the vocals cut through unabashed.

'With a tongue stuffed thoroughly in her cheek she blissfully hovers her sound in the darker sides of life (or hoovers her music up from the filthy corner of the proverbial room).'

myjinx is following