music . The Fudge Nutz @helenswambo
Instrumental "Extinct rhythm-----Twice Zero Zero"
https://soundcloud.com/helenswambo/extinct-rhythm-twice-zero-zero

partial lyrics, vocals, sample mix, cover design . Mariam Zohra D : Myrh

Features vocal samples from this documentary "Who's Counting? Marilyn Waring on Sex, Lies and Global Economics" https://www.nfb.ca/film/whos_counting/

Cover Photo is of author Fauzia Rafique  @uddari
meditating outside the shrine of Bulleh Shah in Karachi, Pakistan
https://gandholi.wordpress.com

A COST
“The system was developed by John Maynard Canes and Richard Stone, based on a pamphlet they wrote called, literally, The British National Income & How to Pay for the War, and this became the basis of national income accounting.

...the more that you smoke cigarettes or the more that you have automobile accidents the more growth increases.

... National Income Accounting.

… we’ve just contributed to the national income of the country…

… Stone was then recruited by the new United Nation’s organization.

…. I would kind of consider that a debit in my account - a cost not a benefit. National Income accounting doesn’t have a debit side, as long as the activity passes through the market, its good for growth!

…. by 1953, that set of rules was imposed on every country. Its called the United Nation’s System of National Accounts… all nations must conform to these rules of economic measurements or they cannot belong to the United Nations.

Important decisions are made with these figures, decisions which will determines who’s needs are met first, decisions on killing the planet, decisions on who will live, or die. These measurements do not include everything, they are highly selective.

So what is included and excluded in this system? The system includes everything that goes through the market place. 

… You know, I would kind of consider that a debit in my account, a cost, not a benefit!”

> its a game, all twisted, it’s all illusion, and you twist me, all illusion<

“… this means that there is no value to peace … this means that there is no value to the preservation of natural resources for future generations… this means there is no value to unpaid work, including the unpaid work of reproducing human life itself, including the unpaid work of women who feed and nurture their own families.”

> we’re gonna take it down, we’re gonna take it down, this is a construct, we’re gonna take it down. this construct, we gonna take it down. we’re gonna take it down. border, border, this construct we gonna take it down<

“this an economic system that can eventually kill us all”

> we’re gonna take it down, i live and breathe, this construct, we’re gonna take it down, what’s a borders, take a hold on me, border border, take it down, i am the construct, take it down, border, we gonna take it down, i am the construct borders<

>history, history, show me your time, breath of soul, oh all that they build for us is lies, body of clay, history, breathe of soul, time, breathe of soul, ill be singing from a cage, tell you of rage, breathe of soul, work it in your favour, breath of soul, we’re gonna take it down, your desperation, hopelessness, your desperation, helplessness, we’re gonna take it down.<

A clever bird: builds a nest to protect all of us!*

>take it down, this economic system! this economic system<

“...that death, homelessness, injury, poverty and starvation caused by the use of these weapons is not even registered as a deficit!”

>It’s going down!!!! we’re gonna take it down, we gonna take it down.
Yay dekhay gay to! (they shall see then! / when they will see.)<

“A Cost!”

>Yay dekhay gay to! Yay dekhay gay to.<

“Not a benefit!”

>Yay, this economic system, yay, is going down, dekhay gay to!<

“Not a benefit!”

>Yay dekhay gay to! Down! Going Down! Down!<

>Body of clay, breath of soul<

>we're gonna take it down, we're gonna take it down<

*this line is based on a Zimbabwean proverb in Shona

The Fudge Nutz & Myrh

A Cost - The Fudge Nutz | Myrh

HAUNTED HOUSE /HORROR SYNTH / EXPERIMENTAL / VAPORGOTH / music duo from CHILE  ▼ This music project is 100% non-profit and is only created for experimentation purposes ▼
☥👻follow us at:  https://www.facebook.com/humanfobia
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☥ PLEASE SUPPORT OUR REPOSTED TRACKS TOO.  

⛤ SABILA ORBE (CHILE): GHOST SOUND PROGRAMMING-MIXER-MALE VOCALS // MIST SPECTRA (COLOMBIA): FEMALE VOCALS-VISUAL SUPPORT ⛤⛤⛤⛤⛤

<>>>>>>
the empty shells surrounding the deep love
END EMPIRE

taRka: a process, a place
a collaborative project
by Myrh : Mariam Zohra D
poetry/song/visual arts
@myrhyum @myrhyummy @tariqa-kali
> https://tarka1.bandcamp.com/
> https://mariam-zohra-d.my.canva.site/portfolio#home

great appreciation to a
network of enchanted,
conscious music,
enabling me to weave
a poetry of resilience.
journeying to mystic places,
reflection, projected in waves of rhythm.
feeling home in melodies
made of new and old.
paintings to spark the soul.

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@viadeacceso
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@user-685450274

Chill out, Dub techno, Electro, Trance, Dark ambient, Space ambient, Techno, Experimental, Sound worlds and more

Tom "Puppet Xeno", core member of the Alice Deeper music project.
Grungegoth, Myth Wave, Eclectic experimentalist -

Alice Deeper is on Spotify, Bandcamp and Youtube. Check the links below to connect. We aim to make it worth your while 😸

A/V creator, ½ from https://soundcloud.com/deserticgarden & radio host in https://soundcloud.com/viadeacceso (ﾉ◕ヮ◕)ﾉ*:*✧

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Also part of taRka+ expanding space on the showcase section: https://soundcloud.com/myrhyum

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Jus Officii, Pontifical Swiss Guard, Holy See

THIS IS OUR 2ND ACCOUNT.  ▼ This music project is 100% non-profit and is only created for experimentation purposes ▼
▲ Humanfobia is a dark experimental music duo inspired on nightmares, paranormal and horror movies. From Rancagua, Chile. members: Mist Spectra [Visual Support & Female Vocals] // and Sábila Orbe [Sound Programmer, Mixer & Male Vocals] ▲

BeatMaker/Producer/Drummer/Illustrator!!
Let's collaborate together！
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I love&respect all sound clouders dope musiq
☆Yokohama/Japan

I started fiddling with electronic music back in the mid 80's. One could argue that I should have learnt something about music by now.