music . MU TINY @user-206975256 @user-596886256
instrumental: Otherworldly Hip Replacement (link to come)
vocals and initial vocal mix / artwork / lyrics . Mariam Zohra D : Myrh
lyrics include excerpts from Fauzia Rafique's (@uddari) poem 
"What Will You Teach My Child in Karachi" from Holier Than Life
https://gumroad.com/l/holierthanlife/ (buy her ebook)
https://gandholi.wordpress.com/2014/10/08/what-will-you-teach-my-child-in-karachi-a-poem-by-fauzia-rafique/

What Will You Teach My Child
(this poem was Inspired by Pop Queen Madonna’s Sept 28/2014 tweet about her dream school.)
“The revolution of love
continues in Pakistan!
The Dream School is finally
finished. 1200 kids
attending. Knowledge…”

What will you teach my child
in your dream school
in Karachi?

Will you teach her
what was taught to kids
in the native indian
residential
schools–? Torture a method
of academic instruction
hunger, death
estrangement; electric
chair in school equipment,
some lessons
perhaps in that
humanitarian*
system of savage
salvationism.

What will you teach my child
in Karachi?

Will you use the knowledge
created to teach
what was taught
in your black/white
segregated
schools–? Establishing your
racial superiority
over children in this
democratic*
system of equal
opportunism.

What will you teach my child
in Karachi?

Will you teach her
what is taught to kids
in your
neighborhood
schools–? So they continue
to feed your greed by courting
a future of minimum wage, disparity
cage, desperation rage in this
charitable*
system of corporate
profitism.

What will you teach my child
in your dream school
in Karachi? 

- Fauzia Rafique @uddari
a collection of F.R.'s poetry is put to song by Myrh here:
soundcloud.com/myrhyum/sets/gandholi-fauzia-rafique-uddari

#IDTINDT

"A Small Place I Can Live" VOICEOF3GENERATION - Mu Tiny & Myrh

Guitarist, multi-genre composer, keyboard & bass player (mostly self-taught). Music librarian and philosopher.
Music is new dimension of life.
“That is an artist as I love artists, modest in his needs: he really wants only two things, his bread and his art - panem et Circen.”
― Friedrich Nietzsche, Twilight of the Idols

<>>>>>>
the empty shells surrounding the deep love
END EMPIRE

taRka: a process, a place
a collaborative project
by Myrh : Mariam Zohra D
poetry/song/visual arts
@myrhyum @myrhyummy @tariqa-kali
> https://tarka1.bandcamp.com/
> https://mariam-zohra-d.my.canva.site/portfolio#home

great appreciation to
a network of enchanted,
conscious music,
enabling me to weave
a poetry of resilience.
journeying to mystic places,
reflection, projected in waves of rhythm.
feeling home in melodies
made of new and old.
paintings to spark the soul.

This space is proudly shared with
VIA DE ACCESO
@viadeacceso
& NEUROLOGICK THUNDER RKDZ. 
@user-685450274

no likes or promotion please,you just listen and do nothing 
all tracks are downloadable too,

Caveat: I explicitly prohibit the use of any material I post for purposes of torture, brainwashing, hypnosis, bedazzlement or any other nefarious activity. This prohibition applies to all governments, corporations, institutions, agencies and individuals. 

“The avant garde is dead. That is its triumph. Let it lie.” - Chris Cutler in “Not As We Choose: Music, Memory and Technology”. (Highly recommended!)

“… there is increasingly less call to exercise an already too rare generosity of aesthetic hospitality.” - Chris Cutler

" Music is one of the great Mysteries. It gives life. It is not a career, nor a business, nor a craft. It is a gift... and a great responsibility. Because one can never know where the creative spark comes from or why it exists, it must be treasured as a Mystery. For the most part I believe creativity chooses you, not the other way around." - John Zorn (excerpt from the liner notes to 'Magick')

“Listen as if you were being told a secret” - Federico Fellini

“Experimental and electronic music was once not-so-benignly tolerated at the margins of western art music, but it has over the last decade or so moved toward a central position as something of the soundtrack of our digital culture. Where it once was merely tolerated it is now more engaged and doesn’t have to apologize to anyone”.  - Douglas Kahn 

"Through technology, voices are amplified and silence is broken. Spaces are shared." – Laurie Anderson

"I frequently hear music in the heart of noise." - George Gershwin

"'Tis an ill wind that blows no minds." - 
Malaclypse the Younger in 'Principia Discordia'

“Let us cross a great modern capital with our ears more alert than our eyes and we will get enjoyment from distinguishing the eddying of water, air and gas in metal pipes, the grumbling noises that breathe and pulse with indisputable animility, the palpitation of waves, the coming and going of pistons, the howl of mechanical saws, the jolting of the tram on its rails, the cracking of whips, the flapping of curtains and flags. We enjoy creating mental orchestrations of crashing down of metal shop blinds, slamming doors, the hubbub and shuffle of crowds, the variety of din from the stations, railways, iron foundries, spinning mills, printing works, electric power stations and underground railways.” — Luigi Russolo in 'The Art of Noises' (L'arte dei Rumori)

Urban Dictionary (https://www.urbandictionary.com/define.php?term=Mesmo)
(New Norberian English)

1. lit. in a state of mesmerism, hypnotism; in a trance
2. in a state of bewilderment or confusion, daydreaming; 'out of it'
3. mind bogglingly awesome, spellbinding, captivating

(1) "He swung that watch in front of her face and she got all mesmo"
(2) "When the teacher called me to the board I had just woken up and was still pretty mesmo"
(3) "The new N64 cartridge is totally mesmo, bro”

Banner: The Hearing Trumpet_Leonora Carrington (detail)

My musical research is oriented toward a diverse branch of electronic and experimental music such as ambient, electroacoustic and industrial.

I'm a sound designer and composer . My practice could be characterized as “sculptural sound environment”. The use of the live sound and other pre-recorded sources(field recordings or music) are the primary matter of my work. In my practice, I try to exploit the creative possibilities of sound system reinforcement, spatialization and processing. Throughout my career, I've collaborated and toured around the world with Dimitris Papaioannou, Fritz company Bigi / Paoletti and others. I also have diversified my craft to other creative and technical specialties such as special props design.

UltraVoog Studios

EXTREME Productions

   I suppose I have been gone for quite some time. Busy reading,cleaning and dealing with a ton of cleaning and remodeling. Will hopefully be back to recording here soon!

First album, "That's Sin", is out on Bandcamp @ https://tethsin.bandcamp.com/album/thats-sin

These songs started with the words. 

I set the words, written by Riley Robinson, to chords on piano. The chords that felt right. I recorded the Casio electric piano, then my sawed-body Austin bass guitar both plugged in directly. Bass played with a pick. (a square corner of my old drivers license)

The organ pretty much follows the piano chords. Two different organ sounds were used for each song on The Black Cat Record. The same Casio.

Vocals. I recorded one, then muted it and recorded another. So that the second vocal wouldn't be an imitation. I tried a lot of the time to sing as if I were in a concert. One vocal is only on the left, and the other is only on the right. 

I recorded electric guitar plugged into a Blackstar amp, direct-in. Same pick used. I had a Lyon Disturbed signature guitar with a kill switch for The Black Cat Record, and a Squire with a whammy bar for Hex. Rhythm guitar was usually done twice, and only on the left or right, like the vocals. I like to think the left headphone is a slightly different album than the right.  Vocals recorded with a Shure SM57.

All songs recorded in my room on a laptop, through a preamp. On Audacity. One piece at a time. 


No A.I. 
No auto-tune. 
No metronome. 

- Ryan Bulliner 

*Recording Artist & Experimental Producer*
*Truly An Extreme Avid Music Listener* 
*Digital Audio Workstation Junkie*

Creating smooth, dark, chaotic & ambient loops mashed together alongside repetitive & cryptic freestyle vocal expressions. My goal is to share my creations with listeners that enjoy and are inspired by artists who do not hesitate to express their being through art forms, no matter the obscurity.
Shouts out to every artist in the SoundCloud Community! STAY INSPIRED!!!!!! 
~ Brxwwn