И тут я въехал что так сильно меня зацепило.

Growth & development is incredibly powerful. Superb use of samples!

Love the bass and drums. Good driving music

I know I wrote this, but I still love this tune!

Cloud Occlusion-20

The third movement of the Sonata for Bassoon and Piano (2018).

Pawel Strzelecki: 3. Finale [Bassoon Sonata (2018)].

Recorded in February 2024 as part of the RPM Challenge.

Experiments with a recursive composition idea: each sound
event triggers more sound events.  Made with Csound.

B LLOON S

Recurse 1

Recorded in February 2024 as part of the RPM Challenge.

Experiments with a recursive composition idea: each sound
event triggers more sound events.  

Made with Csound.

Recurse 2

Recorded in February 2024 as part of the RPM Challenge.

This uses the same technique as track 1 (Pianno).
The source sound is harmonics played on my acoustic guitar
tuned to E flat/A/E flat/G/B/E flat.

Guittar

Recurse 4

Recorded in February 2024 as part of the RPM Challenge.

This started with a bit of code I wrote to generate quasi-chaotic
sounds, very noisy.  I then mixed the results "by hand", 
changing speed of playback, and doing other pretty standard
things to try to give the track as much variety as possible
(for a noise track).

Desperate

Recorded in February 2024 as part of the RPM Challenge.

Source sound was recorded inside a spinet piano I had access
to briefly in Gig Harbor, Washington.  

I cut the recording into chunks, then assigned two 
measures to each chunk (proxies for "pitch" and "loudness"),
thus mapping each chunk to a point in 2D space.
I then created a path connecting all of these points using
a greedy, nearest neighbor method.
The path then determined the sequence of the chunks in 
the output.
This was done with different chunk length, and possibly
different starting points, and the layers mixed together.

Pianno

Recorded in February 2024 as part of the RPM Challenge.

I wanted to see what repeated bits with changing envelopes
would sound like.  Lots of layers, a bunch of 
pitches all at a ratio of 4/3.

When it was done, I hacked it quite a bit to shorten it and
reduce monotony and then added reverb by convolving it with
a recording I made in a stairwell I know that has 4+ seconds
of reverberation.  I used my umbrella, and recorded the reverb
when I hit the floor with it.   You can hear the umbrella
hit a number of times in the track: I'm not sure why.

Enveloppe

Heavy wind, rain and thunder in Provence, South Of France. Recorded from under a canopy with two large plane trees on either sides of the microphones.

Gear: 2x Schoeps CCM4 L in ORTF

Recording Location: 43°56'19.3"N 5°23'22.9"E

Thunder and rain in Provence during summer.

Into the Silos

I count this as more a remix than an original, as it's based on a series of VCS samples by Barry Cullen.

<a href="https://theartistunion.com/tracks/d79020" rel="nofollow" target="_blank">Download for free on The Artist Union</a>

Free Download

It Came From Below

Made the track yesterday vocals this morning,
(Lyrics)

You're missing out on your life
you'll never step in the light
won't ever get it quite right
this is the saddest of sights

You're drowning in the river
your body still will quiver
your hate cannot deliver
now go and keep your silver

You drag my name in the ground
cause i will not be your clown
and when i am not around
will see what you have to say

The hate is all in your eyes
why do you act surprised
i will not sympathize no

When we all rise
tell me no lies
i won't be there for you

Severing ties feel the demise

No matter the stakes
i will not break
something is taken away
so far now

I'm looking for that place
but it's so far away
I'm looking for your face
but it won't be the same
I'm waiting for the end
so i can see it all
I'm looking through the glass
so i can get one glance

I'm looking for that place
but it's so far away
I'm looking for your face
but it won't be the same
I'm waiting for the end
so i can see it all
I'm looking through the glass
so i can get one glance

I think we are not ready
my heart is growing heavy
it seems it's beating steady
I'll go and break the levee

We're all washed away and now
you hear a sombering sound
you woke the giant that lived
and now we're all suffering

It seems almost every time
they try to go and deny
but you'll get what you get

The suffering is divine
but it's not always mine
come and take your fair share

When we all rise
tell me no lies
i won't be there for you

Severing ties feel the demise

No matter the stakes
i will not break
something is taken away
so far now

I'm looking for that place
but it's so far away
I'm looking for your face
but it won't be the same
I'm waiting for the end
so i can see it all
I'm looking through the glass
so i can get one glance

One Glance

Vladimir Selivanov - voices, guitar, bass, ukulele, percussion, synthesizer;
Anna Ryabova - samples;
Katerina Skoraya - kalimba;
Mikola Kravits - izozvukoscop;
Artem Zalesskiy - noise.

Indian Bible, 2017

Ants....
come underneath this blanket
cause it's cold outside
can you hear my breathing 
one beat  at a time


should i put the fire out
its getting late and the bugs are out
well maybe just one more log
the smoke may throw them off

and one by one the ants march away
and one by one the ants march away
carrying the load, their carrying the load
there no way of easing you down

hollow point of shelter and distant look away
if i didn't understand it , how could i explain

this chaos beneath  us,  the road already paved
as the ants dig their mines out , beneath our feet of shame

and one by one the ants march away
and one by one the ants march away
carrying the load, their carrying the load
there no way of easing you down

and one by one the ants march away
and one by one the ants march away
carrying the load, their carrying the load
there no way of easing you down

Ants

This is a preview of my brand new Song BUT I CAN WRITE A SONG FOR YOU. Please tell me your thoughts about it.

BUT I CAN WRITE A SONG FOR YOU

Nine spread-out clusters of three different pitches.

RPM2021                       

Rust Smut Mildew Mold

These recordings are all demos.

Interested in the dark side, the quirky side, but mainly in that buttery biscuit bass.

Bassist and composer from Belfast.

Fancy a collaboration? Drop me a line.

A full time, freelance children's book illustrator, introduced to Magix music making software in January 2014.  Haven't been near music production since school about a hundred years ago.  Can't play a note, and sing like a drain unblocking - Hence any music I may eventually have the nerve to upload is all created using midi/vst instruments playing compositions created in the piano roll editor.   The Magix forum dedicated to music production is the only place to suffer my creations so far.  Didn't realise it could be so much fun though.  Woohoo.

Join me and a lot of other artists at www.atomcollectorrecords.com.
Get more plays for your tracks and meet a lot of awesome people!
Cheers!

It Came From Below

Mysterioso

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wotblic

Mysterioso

John Reidar Holmes

Red＆Blue

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