The inspiration for this track came from the opening of chapter 17 of William Gibson's 1986 novel Count Zero. More on the 29th Disquiet Junto project at http://disquiet.com/2012/07/19/disquiet0029-countzero/. More details on the Disquiet Junto at http://soundcloud.com/groups/disquiet-junto/info.

Process:
- take a 30-second excerpt from a field recording I made of the Contoocook River in Peterborough, NH
- time-stretch it 7x in Paul's Extreme Stretch
- in Csound:
-- derive the spectral centroid[1] of each stereo track
-- use the centroid to control the pitch of a pair of sinewave oscillators
-- pass the oscillator tones through some reverb
-- combine the tones with the streatched water sound, crossfading so that the tones increase in amplitude as the water sound decreases
- convert to MP3 in Audacity

Image: "Animated loop of simulated hydrogen line spectra centroid jitter." found at http://tycho.usno.navy.mil/powerfrq.html, no copyright declared.

[1] http://en.wikipedia.org/wiki/Spectral_centroid

Subsurface Tension [disquiet0029-countzero]

a large and growing ensemble of artists from all over the world
latest releases
http://marcolucchi.bandcamp.com/album/some-perfect-curtains
http://marcolucchi.bandcamp.com/album/afternoons
(on iTunes and Emusic too)
http://www.webbedhandrecords.com/wh135-oes-moondogging/
http://marcolucchi.bandcamp.com/album/moondogging-while-chatting-with-ines-via-facebook
http://www.webbedhandrecords.com/wh129-o-e-s-notturni/
http://www.webbedhandrecords.com/wh127-o-e-s-a-material-a-sound-a-shape/
other releases
http://www.webbedhandrecords.com/wh115-oes-le-joli-coeur/
http://itunes.apple.com/it/album/id346748916
http://www.emusic.com/album/o-e-s-Primavera-Incendiata-MP3-Download/11787392.html
http://itunes.apple.com/it/album/primavera-incendiata/id350459765
http://free.napster.com/view/artist/index.html?id=12970877

Dark morbid sound experiments focusing on noise, death industrial, power electronics, and dark ambient genres.

Who wants to collaborate?
I'm open to any weird, noisy, dissonant, half crazy experimental jams.
Just send me a message!

http://maxillaejersey.bandcamp.com/

Experimental electronic music, mostly in the drone category. This is where I put live sets, one-offs, experiments, and excerpts from longer releases.

CD: "~60 Hz" on Irritable Hedgehog - http://recordings.irritablehedgehog.com/album/dave-seidel-60-hz

All releases, including netlabel items: 
http://mysterybear.net/music

https://mysterybear.bandcamp.com/

Sorry, SC won't let me follow any more people, so don't feel slighted if I don't follow you back.

collaborations, shared projects, ideas ..

http://marcolucchi.bandcamp.com/

https://musichevirtuali.blogspot.com/

www.musichevirtuali.org

https://twitter.com/musichevirtuali

https://www.facebook.com/pages/orchestra-eclettica-e-sincretista/111790807863?fref=ts

The Mystery of the Gospel Revealed
Eph 3:1  For this cause I Paul, the prisoner of Jesus Christ for you Gentiles, 
Eph 3:2  If ye have heard of the dispensation of the grace of God which is given me to you-ward: 
Eph 3:3  How that by revelation he made known unto me the mystery; (as I wrote afore in few words, 
Eph 3:4  Whereby, when ye read, ye may understand my knowledge in the mystery of Christ) 
Eph 3:5  Which in other ages was not made known unto the sons of men, as it is now revealed unto his holy apostles and prophets by the Spirit; 
Eph 3:6  That the Gentiles should be fellowheirs, and of the same body, and partakers of his promise in Christ by the gospel: 
Eph 3:7  Whereof I was made a minister, according to the gift of the grace of God given unto me by the effectual working of his power. 
Eph 3:8  Unto me, who am less than the least of all saints, is this grace given, that I should preach among the Gentiles the unsearchable riches of Christ; 
Eph 3:9  And to make all men see what is the fellowship of the mystery, which from the beginning of the world hath been hid in God, who created all things by Jesus Christ: 
Eph 3:10  To the intent that now unto the principalities and powers in heavenly places might be known by the church the manifold wisdom of God, 
Eph 3:11  According to the eternal purpose which he purposed in Christ Jesus our Lord: 
Eph 3:12  In whom we have boldness and access with confidence by the faith of him. 
Eph 3:13  Wherefore I desire that ye faint not at my tribulations for you, which is your glory.


The Resurrection of Christ
1Co 15:1  Moreover, brethren, I declare unto you the gospel which I preached unto you, which also ye have received, and wherein ye stand; 
1Co 15:2  By which also ye are saved, if ye keep in memory what I preached unto you, unless ye have believed in vain. 
1Co 15:3  For I delivered unto you first of all that which I also received, how that Christ died for our sins according to the scriptures; 
1Co 15:4  And that he was buried, and that he rose again the third day according to the scriptures: 
1Co 15:5  And that he was seen of Cephas, then of the twelve: 
1Co 15:6  After that, he was seen of above five hundred brethren at once; of whom the greater part remain unto this present, but some are fallen asleep. 
1Co 15:7  After that, he was seen of James; then of all the apostles. 
1Co 15:8  And last of all he was seen of me also, as of one born out of due time. 
1Co 15:9  For I am the least of the apostles, that am not meet to be called an apostle, because I persecuted the church of God. 
1Co 15:10  But by the grace of God I am what I am: and his grace which was bestowed upon me was not in vain; but I laboured more abundantly than they all: yet not I, but the grace of God which was with me. 
1Co 15:11  Therefore whether it were I or they, so we preach, and so ye believed.

"I'm a mellow artist, ageing 69. I love and release eclectic music, from post-classical to drone. My fave instrument is the Mellotron."

Così, sinteticamente, di solito mi presento.

In genere compongo musica partendo dal suono delle tastiere, ma il mio vero strumento è il registratore.

O i software di registrazione.

"I was made for loving and making recorded music."

Confido da sempre nel potere evocativo e orfico della musica, nella sua capacità di riconsegnarci a mondi più veri e più giusti, più belli di quelli in cui di solito viviamo.

"Ich bin ein kosmische Kurier"

I'm using these tools: Mellotron micro, Waldorf Blofeld synthesizer, Behringer Crave, IK Multimedia Uno synth, Roland Juno synth, Volca keys, Casio digital piano, micropiano Korg, Manetron (iPad app), iTampura (iPad app), Eko 11 (...) string acoustic guitar, electric violin, Orla analogic expander, tenor, treble and descant recorders, soprano and tenor tin whistle, Akai, Roland, Alesis and Arturia controllers, upright piano, Squier 3/4 electric guitar, melodica, Bubble Harp (iPad app), Schoenhut toy harp, soprano ukulele, Eko acoustic guitar, Peavey Composer acoustic guitar, Kurzweill micropiano, Boss and JamMan loop stations , Behringher multi-fx, Olympus portable digital recorder, Phonic, Behringer and Yamaha mixers, Audacity, Paulstretch, various players and plug-ins .. (that's all, folks, I think ..)

latest releases:

https://whitelabrecs.bandcamp.com/album/the-book-of-dreams
https://chitrarecords.bandcamp.com/album/lieder-ohne-worte 
https://ambientologist.bandcamp.com/album/suggestiva
https://ambientologist.bandcamp.com/album/venusia
https://hibernate.bandcamp.com/album/as-riddled-as-the-tide

for further works please go to my bandcamp page
https://marcolucchi.bandcamp.com/

and to 
http://webbedhandrecords.com/
http://www.laverna.net/home/
https://silentflow.org/

iTunes and Spotify as well ..
feed and share ..
https://open.spotify.com/artist/1TRilVaDaQw0ksGqU5tuCh?si=zXD-0xFWS-2yrUs542SH9A

SoundCloud è la piattaforma musicale che preferisco perché è soprattutto il regno degli ‘amateurs’, di quelli che fanno musica per sé e per gli amici .. come quando da ragazzi si condividevano con gli altri le invenzioni e le creazioni .. io sostanzialmente sono rimasto lì e così .. non sempre, ovviamente, ma spesso ci trovo delle cose che valgono altrettanto - se non di più - rispetto a quelle più affermate e conosciute

A dweller on the streams, handy the confluence of MIXCLOUD SOUNDCLOUD & SLEEPBOT, I make occasional day trips to AMBIENTBLOGnet ACL A_L ASIP ASP BC CAMP DISQUIET DREAMSCENESnl E&D FS HEADPHONECOMMUTEcom LSR PC RADIO-RETHINK RESONANCE-FM SEB SF10-33 SOATC TIMJ TSC UBU UT WAAG & WFMU.

I work in electronic sounds and manipulated acoustic sounds.

I am a member of Paragate, an ambient electronic collaborative group. You can purchase our albums here: http://paragate.bandcamp.com/

UK creatives should listen to this: https://www.youtube.com/watch?v=yK4wBWiozyM

You must hear this: https://vimeo.com/52766051

*****

Ed Brunsden was kind and patient enough to interview me for  his blog Desert... Mountain... Dust...  - you can read it at https://desertmountaindust.blogspot.com.au/2017/02/tuonela-primitive-progressive.html

After silence, that which comes nearest to expressing the inexpressible is music. ~ Aldous Huxley

All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it. ~ Jean Cocteau

All music is beautiful. ~ Billy Strayhorn
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I've become addicted to drone. Again. I was the kid with his head on the piano, listening to the overtones die away, or pressing his ear to the steel hull of the ferry, enthralled by the sounds it created. I was the kid who formed wordless songs to accompany the sound of train wheels on a long journey, or hummed along with the fan on a hot day.

In the 60s I used to play my 45s on 16, or backwards, or by hand using razor blades as stylii.

I made cut-up tapes on a cheap cassette recorder in the 70s and experimented with reel-to-reel in the 80s. 

Thank you Subotnick, Lygeti, Coltrane, Jimi, Mimaroglu, Eno, Cluster, Tangerine Dream, Klaus Schulze, Frank Zappa, Pink Floyd, Kraftwerk, Throbbing Gristle...

I am not a musician. I am a scavenger of sounds. I use the most basic software to process those sounds, stretching and filtering until something emerges that makes a joyful noise. Or not...

Subsurface Tension [disquiet0029-countzero]

Dave Seidel