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FUZZ - Whats In My Head

Audible patch examples with patch notes for the Erica Synths SYNTRX.

Created by @GasOfLatvia

https://garage.ericasynths.lv/articles/syntrx-ii-patch-notes/

SYNTRX II The Sputtering Hummer

SYNTRX II Cross Saw 1

Three Stems is an analog multiband tone sculpting device.

After going through the input gain stage, the signal is split into three freely adjustable frequency bands, each of them is then fed into a two stage warm saturation and asymmetrical distortion circuit. A final mixing stage lets you control the presence of each band.

The circuit is designed to let the user go from suble and warm parametric eq-ing to painful amounts of high gain distortion, where each frequency band fights each other generating pseudo ring modulation and gating effects.

Drum Loop 3

Alison Theme [ Orchestral ]

A section from my set at Magic Waves Summer Festival, Berlin, July 2015,  featuring the more accessible synth end of the kind of stuff I play at my occasional So Low night in Glasgow. So Low 2 x LP compilation in hand screen printed sleeve coming February 2016 via Vinyl Factory.

JD Twitch Live at Magic Waves Summer Festival, Berlin 2015 (Part 1 - So Low Synth NRG set)

You Never Know

You Never Know (Goldfrapp Remix)

Eclectic mix With A dreamy feeling to it form the afternoon to th ev with dance if you feel like it

Summer in Italy Mix by Envelope Follower

Dubbed out psychedelic percussive dance tracks. 

https://www.instagram.com/al_wootton



Al Wootton @ The Lot Radio 09-18-2025

Instrumental demo recorded by Alisa Coral in 2015. All music & instruments by Alisa.

Alisa Coral (Space Mirrors) - Soulhunting (instrumental demo 2015)

The track contains severel eurorack jams with rythm and bass synthesizer.
On top of it I´m playing a string sound on Microfreak.
Voice, percussion and enviromental recordings containing an owl in the intro: Estrella.

More edits may be done inte future.

Sacred Fruits (Omnivision)

Nachdenken. Solo act by Jörgen Andersson. The music that I made are occasionally created out of experimentation and d.i.y-solutions where modular systems like eurorack comes in mind. 
My first attempt was experiments in the mid-80’s where made with a Korg MS-20, SH-202 , Drummatix/TR-606 thru a boss delay and a DIY spring reverb and onto a tape deck (later porta studio). 

The music making took off from listening lot to bands in the post-punk and the so called krautrock era. That was inspiration mainly from British synth oriented bands like Cabaret Voltaire, (early) Human League and the German Kraftwerk of course. 

Later on I met Peter Fransson aka Retep Folo in the early 90’s and we started experimenting cassette tape looping and recorded under the name INTONARUMORI. Later on we started Hadley with Svante Sjöstedt on guitar. We made a CDr that got some attention. An journalist at Göteborgs Posten compared us to Roxy Music and Gary Numan. Me and Peter did some gigs as duo Further on It developed to Exhadley with Peter Fransson on bass and Rickard Olsson on Drums. We were starting to play live

There is some later collaborations like:
tNt - Estrella: flute, spoken word, performance art.
Other colaborations: Jonas Olsen (Bohemian Groove), Pontus Torstensson (Tentakel...) Mag Ågren (Sork., Trapped in a loop), Rickard Widerberg (Trapped in a loop).

https://hymn.se/2021/07/15/electric-sound-select-goteborg-nachdenken-jps-peter-davidson-robert-leiner-weltwagen-eels-for-pleasure/

Sacred Fruits (Omnivision)

nachdenken

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Enora Records

Enora Records

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