For the full RAAR archive check:
http://mixlr.com/raar/showreel/

RAAR is a nomadic platform for artists working with sound and the medium of radio podcasts.  We stream every show live and try our best to perform every artwork live on various sites around Rotterdam and beyond.  The show is curated by Joshua Thies and co-hosted by various enthusiastic friends and partners.

As you can imagine we are under huge pressure at the moment and are working flat out to ensure Cafe OTO survives this. The impact of this situation is extremely acute for small venues like ours and we need all the support we can get to pull through. Please donate what you can, if you can. Thank you. 

Cafe OTO opened in April 2008 with the aim of providing a home for creative new music that exists outside of the mainstream. It comprises one large cafe/performance space open during the day serving food and drink with an evening programme of live music almost seven nights a week. 

OTOROKU is part of OTOProjects - a not-for-profit Community Interest Company (CIC) that has been set up to manage the programme at Café Oto. Any profits from OTOROKU are put back into supporting what we do and will help us to continue programming the best musicians and performers from all over the world.

www.cafeoto.co.uk

┬┴┬┴ KONGJAK ┬┴┬┴
┬┴┬┴┬ Zhizhi┴┬┴┬┴
┬┴┬┴ lilbigdarko┬┴┬┴
┬┴┬┴┬Derozan ┬┴┬┴
┬┴┬┴ mo chuisle┬┴┬┴
┬┴┬┴OJOO GYAL┬┴┬┴
┬┴┬┴┬ Ajabu ┴┬┴┬┴
┬┴┬ pinkfatbuddha┴┬┴
┬┴┬┴Look Angle┬┴┬┴

┬┴┬┴┬┴Mary┴┬┴┬┴


recorded at Stranded FM

What can we ask the Ocean? In our sonic explorations, we dive deep into conversations about art, culture, the Ocean, equality, imagination and community, as well as music curated around the oceanic stories of our human and non-human collaborations.

Created and curated by TBA21–Academy, a cultural organisation investigating environmental injustice through the lens of art, and its initiative Ocean Space, a new embassy for the Oceans situated in the Church of San Lorenzo, Venice.

For bookings:
fecalmatter.press@gmail.com

De Tapijttegels is a duo ensemble comprised of Sid Dankers and Nadia van Essen. Through analogue live performances, audio publications and video symphonies they create dusty, yet electrifying sounds.

During the interaction of this somewhat naive orchestral duo, they examine the context and immediate environment in which they are located. These interactions are often composed out of fieldrecordings, casette samples, unstable synthesizers and/or video material.

Nadia van Essen is following