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You know their songs the moment they come on — the lyrics, the vibe, the feeling — like you’ve known them forever or maybe even snuck a peek into their closets.

But PillowTalk isn’t just a hushed conversation before bed — it’s a genre-blurring, soul-stirring band that’s been crafting heartfelt, groove-laden music since 2011. Born one electric summer in San Francisco’s Lower Haight District, PillowTalk — comprised of Sammy Doyle, Michael Tello, Ryan Williams, and Shane Duryea — fuses classic R&B, boogie, disco, rock, and house into something uniquely their own.

Now, 2025 is set to turn up the volume. With a fresh lineup and their third full-length album on the horizon, Body of Work is poised to take over your speakers, energize your dance floors, and light up your festivals. This new LP sees the band evolve again, introducing new members Hannah Noelle (background vocals), Tate Masimore (guitar/bass), Collin Brown (keys/ synths), and the ever-magnetic Greg Paulus (trumpet). The sound? Think jackin’ gospel house meets urban funk, electronica, indie rock, and future R&B — a full-bodied musical experience that lives up to the album’s name.

Rooted in passion and fearless experimentation, PillowTalk refuses to be boxed in. Their motto, “D.A.G.” (Destroy All Genres), borrowed from a legendary underground SF DJ, says it all. With sonic influences as wide-ranging as the Talking Heads, The Police, Kraftwerk, Sam Cooke, Freddie Hubbard, Larry Heard, and Theo Parrish, their music is always surprising, always emotive, always real.

From the studio to the stage, they’ve put in the work, with releases on Bar 25 Music, Crew Love, Visionquest, Life & Death, Dirtybird, Wolf + Lamb, Circus Company, Kompakt, and D-Edge, along with remixes for icons like Groove Armada, Kasper Bjork, HVOB, Soul Clap, and more. Their collaborations read like a who’s who of the underground: DJ Tennis, D.O.P., Ruede Hagelstein, Thugfucker, Deniz Kurtel, Tone of Arc, Soul Clap... and that’s just the beginning.

PillowTalk’s music isn’t just made to be heard — it’s made to be felt. Soundtracking your wildest nights, your slowest Sundays, and every intimate moment in between. This is music for life’s full spectrum — for the lovers, the dancers, the dreamers, and the curious.

ame / frank wiedemann / schwarzmann
/ bigamo record label

hi everyone.
Just to let you know: 
I DON'T ANSWER EMAILS HERE!! Too many social networks are not good for my health ;-)
Cheers.
Frank.

I am neither afraid of showing my emotions nor to include them in my music - Stimming

Few people bring a truly original sound to house music. At a relatively young age, Hamburgs Martin Stimming did just that, demonstrating a sophisticated yet accessible sound that is beyond his years.

Two years after hooking up with Solomuns Diynamic Music, his 2008 breakthrough hit Una Pena made the electronic world sit up and take notice, and before long acclaimed labels like Freerange, liebe*detail, Buzzin´ Fly, Green and Poker Flat were snapping up his work. 2009 saw him release his immaculate debut album Reflections to great acclaim, cementing his reputation as one of the most exciting new producers of his generation. 

His second album, Liquorice, eschews the normal kick-clap/snare template by and large to explore more interesting and progressive territories, but always with that trademark magpie-like sense of texture, emotion and discovery. 

His productions are filled with a multitude of his own unique, charismatic field recordings, and he never uses the same sample more than once. 

2010 saw him pick up an award for Best Newcomer at the Ibiza DJ Awards, following on from his live show (Stimming does not DJ) stunning the crowds at the islands legendary Pacha, and the finest danceries around the world Πfrom Berlins Panoramabar to Sao Paulo´s D-Edge, Brussels Fuse, London´s fabric and Paris Rex, and plenty more beyond. 

Remixes for the likes of Sascha Funke, Claude VonStroke, Deadmau5, Stephan Bodzin and Tom Novy to name but a few have further spread his influence amongst the discerning house and tech community, and cemented his reputation as one of the scene´s most exceptional producers.

Clearly, Martin Stimming is a precious talent indeed. But then again, not everyone loves liquorice...

Two music making, tea drinking, boys from the Shire…

Internationally renowned music producer and composer Henrik Schwarz is known for his eclectic musical approach to composition and sound design. As a producer and performer, he has successfully maintained a balance between electronic music, classical and jazz, and between energetic, highly charged dance sets at huge Techno events and concert performances in seated auditoriums.

Mathew Jonson is a phenomenon in electronic music. For nearly 40 years he has forged a sound instantly recognisable on the dance floor – often copied but impossible to imitate. Raw, analogue, and alive, he is a master of real-time performance who shapes drum machines and synthesisers into unforgettable journeys, making every show a one-off experience. From underground clubs to sold-out concert halls and collaborations with orchestras, Jonson’s name guarantees a performance of rare intensity and musicality.

His career took off in the early 2000s with influential releases on Perlon, Kompakt, M_nus, Cocoon, and ITISWHATITIS Recordings, a label where he released his very first record in 2001 and which he later acquired. Anthems like "Marionette" and "Decompression" established him as a producer of rare vision, while his live sets quickly became must-see events, consistently ranked among Resident Advisor’s top acts. During this period he was voted Best International Producer twice in Germany’s Groove Magazine, a testament to his impact on the European techno landscape, and went on to appear on the covers of DJ Mag, Groove, Synmag, and other leading publications. Unlike many, Jonson avoids the use of samples for melodic content, instead writing, performing, mixing and producing everything himself – even contributing his own voice and percussion – giving his music a depth and identity that is entirely his own.

Jonson’s discography spans era-defining singles and albums across labels like Crosstown Rebels and Fabric, where his "Fabric 84" mix captured the spirit of his live sets with unreleased edits and classics performed in real time. His two solo studio albums, "Agents Of Time" (2010, Wagon Repair) and "Her Blurry Pictures" (2013, Crosstown Rebels), expanded his scope even further – balancing intricate dance floor energy with explorations of deeper, more introspective sounds. He is currently working on his third studio album, a collaborative project featuring many artists living in Lisbon, where he now resides. His remix work is equally renowned, covering a wide spectrum of electronic music’s most influential figures. He has reimagined The Chemical Brothers ("Believe", "The Boxer"), Moby ("Slipping Away"), Cybotron ("Clear"), Kevin Saunderson ("Good Life"), Plastikman ("Plastique"), VCMG – Vince Clarke & Martin Gore ("Single Blip"), Goldie ("Redemption"), Josh Wink ("Higher State of Consciousness"), The Martinez Brothers ("No Pop"), Rone ("Nouveau Monde"), Joseph Capriati ("Love Changed Me"), Stephan Bodzin ("Tron"), and Alan Fitzpatrick ("Something Wonderful"), as well as crossover work with Nelly Furtado. These remixes underline his rare ability to bridge underground innovation with mainstream resonance.

He has also expanded beyond the club and festival circuit, collaborating with the Zurich Tonhalle Orchestra and performing a sold-out show at the Berlin Philharmonie with Cobblestone Jazz. With that group, Jonson recorded two albums for the iconic !K7 label, further cementing their reputation as one of electronic music’s most respected live acts. Another landmark moment came with "Cinemix": a world premiere performance of a newly composed soundtrack for the silent film "Faust", created live by Jonson alongside Tyger Dhula, Danuel Tate, and Hrdvsion.

Beyond performance, Jonson has continued to innovate. In 2019 he launched Freedom Engine and its debut album "A Box Full Of Magic", followed by the creation of the Freedom Engine Academy – an educational platform built with handpicked mentors to pass on knowledge and foster collaboration. Now preparing to launch its 5th annual edition in 2026, the Academy has become a vital space for nurturing the next generation of electronic musicians.

Now, 25 years since his debut "New Identity" and nearly 40 years since first making electronic music, Jonson is preparing to celebrate a milestone anniversary in his career. Represented in Europe by LittleBig, his current projects include Freedom Engine, his collaboration with Âme, and his ongoing solo work as Mathew Jonson. A pioneer, a mentor, and an artist in constant motion, Mathew Jonson continues to shape the future of electronic music with every performance and release.

DARKSIDE is the collaborative duo of Dave Harrington and Nicolas Jaar.

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