Mix #5 bring back the 90s - Nando Hervido

Tracklist + Q&A: https://bit.ly/themix007bm

Paris-based bass devotee @beatricemasters lures us across a tightrope walk of a mix

"This mix is a recording from La Machine du Moulin Rouge in Paris for Positive Education Festival's event in January 2024. I was opening for Flowdan, Toma Kami and Bianca Oblivion, and was never happier to be doing a warmup, as the festival's crowd is super open to more experimental music. Therefore, I felt free to explore my favourite mood which resembles me the most: building a narrative from about 120 BPM to 140 BPM, navigating between psychedelic, syncopated techno and minimal deep dubstep. At the peak of the set, when the room started to full up, I deliberately took the energy down a notch with heavy contemplative dubs. The set felt like walking on a tightrope, balancing intensity and murkiness, bass and techno, playing with tension. It was one of the best times I ever had DJing."

Tracklist + Q&A

The Mix 007: Beatrice M.

Woozy with EMA @ NLDC X BAIT [LIVE] - 09 July 2025

Out to @martharadio for having me on the show
Pic by Gabriel Sauvageot

SSSLIP & Beton Brut - Transit Limb (Beatrice M. remix) (Grid)
Beatrice M. & Jan Loup - Shallow (Al Wootton remix) (Garmo) 
Beatrice M. & Sub Basics - untitled (dub)
Beatrice M. & Theorist - Tangent (dub)
Beatrice M. & Theorist - Come w us (dub)
Beatrice M. & Jan Loup - Si, j'adore (dub)
Sepher - Roll The Dice (Beatrice M.’s dubble six remix) (SPE:C) 
Trois-Quarts Taxi System - Coma (Beatrice M. remix) (forthcoming)
Beatrice M. & Sub Basics - Slowly Drifting (forthcoming) 
Beatrice M. - Seek (Soa420 gangsta remix) (dub)
Tim Reaper - Triumphant March (Beatrice M.’s school night remix) (forthcoming)
Beatrice M. - Magic (Slimy Ape remix) (dub)
Beatrice M. & Sir Hiss - Juice (dub)

BBC radio 1 - Guest mix for Martha - 100% production mix (collab special) 24.06.25

Andrew Weatherall's first official posthumous mix. The only b2b DJ Harvey ever agreed to. Six hours at Trouw. This one's special.

When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon?

All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete.

The fourth-longest mix in the series' history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. 2012, incidentally, is farther away from 2025 than 2012 was from 2000... if we have to clock it, so do you.

It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall.

The night took place at Trouw, an Amsterdam club already considered legendary before it shuttered its doors in the opening hours of 2015, as part of an RA series anchored around start-to-close combinations. Harvey was at the peak of an irresistible career second act, which dovetailed with a disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. 

What follows is 385 scintillating minutes of arpeggiated chug and slow-cresting climaxes: a moment when the resting heart rate of dance floors plunged lower than any comparable point in the 21st century. A masterclass, entirely self-contained in audio form.

If you've got time to spare, a fun side game is sussing out who plays what. A disco-dub cover of Echo & the Bunnymen? Smart money's on Weatherall. Exuberant EQ'ing of The Isley Brothers? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. 127 BPM feels practically like an F1 car.

When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. Full send.

DJing and the mythmaking around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. 

Where will electronic music, DJ sets or any of this be in 2044? Hard to say. Best not to overthink that one. Instead, we want to say thanks to all contributors on the series so far. Now enjoy luxuriating in the company of two of the greatest to ever do it, together, for the first and last time.⁠ – Gabriel Szatan (Editor, RA)

@andrew-weatherall

Read the interview with DJ Harvey and Andrew Weatherall's family at https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 DJ Harvey & Andrew Weatherall

The first-ever live recording from an elusive icon of dubby electronic music.

Lore is an underrated quality. Neuroscientists have mapped that music elicits similar feelings in the brain to when we satiate cravings, but what about the psychological impulse that drives listeners of a certain disposition toward everything they don't know?

It's tricky to put your finger on, but artists able to conjure intrigue without overhawking the backstory can really cut through—just ask SAULT, [ar:pi:ar] or Gerald Donald. Then there are those who don't try whatsoever. These are the ones who stay in mind the most.

In 2001, a striking 12" called Ship-Scope emerged through Chain Reaction, credited to Shinichi Atobe, with no other info available. Okay, mulled fans, this is probably a cat-and-mouse game dreamed up by someone on a label with a fine line in foggy obfuscation. Vainqueur on a wind-up? Another Moritz 'n Mark alias?

But no: Atobe was real, and really had posted a demo to Hard Wax. It was that simple. Then he went back to his day job—until, after 13 years of silence, an even better follow-up emerged.

From the near-perfect Butterfly Effect onwards, Atobe has built up one of the most revered catalogues in underground circles. A steady clip of elegant, transportive dub techno and deep electronics has arrived on Demdike Stare's DDS, complimented by the launch of his own label, plastic & sounds, earlier in summer 2025.

Atobe has also made strides into the public domain, DJing intermittently, as well as performing live for the first time in 2023, gracing WWW at the tender age of 52. It's that debut 2023 show heard on RA.1009: a hypnotic yet comparatively pumping set full of Atobe staples, as well as material you won't find anywhere else.

Contact with the big man, as you might anticipate, is glacial: since we first reached out, the RA Mix has changed name, look and rolled over into its second millennium. Still, patience pays off. This is a one-off we're stoked to run. – Gabriel Szatan

@shinichiatobe

Find the interview at https://ra.co/podcast/1028

RA.1009 Shinichi Atobe

Live recording of Mala b2b Loefah with Sgt Pokes from FWD, June 2006.

Full mix archive:  http://getdarker.com/audio/sets/digital-mystikz-mix-archive/

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Mala b2b Loefah & Sgt Pokes – Live at FWD – 01.06.2006

El passat torna i l'instint mossega un tros de carn alié, recelós per la no tan remota possibilitat de quedar-sense res. El futur és primitiu.

Fotografia de Salvador Valero Sánchez.
Autoretrat amb Pongo fet l'any 1967 a la comarca de l'Alcoià.

https://barranc.bandcamp.com/

Barranc - Futur Primitiu

Nando Hervido