NEW KINGSTON is a progressive reggae group whose members combine their Jamaican heritage with the urban sounds of their New York home, New Kingston are a family band consisting of brothers Tahir, Courtney Jr., and Stephen along with their father, Courtney Panton, Sr. A first-generation Jamaican-American, Courtney the elder was active in New York's reggae scene before turning his sons on to the music of their island heritage. Born out of jam sessions in the family's Brooklyn basement, the brothers began their career playing Bob Marley and Earth, Wind & Fire covers at parties and gatherings around the neighborhood. By 2010, they'd become focused on their own writing, which fused R&B, hip-hop, and dancehall with traditional reggae sounds. With each brother writing and offering vocals, Courtney Sr. filled in on bass. Following their self-released debut, In the Streets, New Kingston went on a European tour with rising reggae star Collie Buddz, playing a number of prominent festivals. Their sophomore LP, 2013's Kingston University, earned them a deal with New York label Easy Star Records, which issued their third LP, Kingston City, in early 2015. Boasting an increased production value and guest spots by the Tribal Seeds, the Wailing Souls, Sister Carol, and Sugar Minott, Kingston City raised the band's visibility considerably, topping Billboard's reggae chart upon its release. An EP, Kingston Fyah, arrived in the summer of 2016.
http://newkingstonmusic.com/

Booking & Management :
Matt
00 33 6 08 67 39 80
matthias.Dorin@gmail.com


 
Madness scopre l'hip hop casualmente da molto giovane, come succede nella maggior parte dei casi.

I treni della stazioncina sotto casa sono bombardati, capita di vedere qualche frammento video di breakin' e di boogie tanto di moda negli anni '80, poi finalmente arriva in contatto con il Rap, questo grazie al classico di LL Cool j "B.A.D."

Da lì in poi la passione cresce, fino a sfociare nella scrittura delle prime rime, questo tra il '93 e il '94, "Strade di città" degli Articolo 31 e "SXM" dei Sanguemisto sono fortissime fonti di ispirazione.

Nel '96 Madness decide di registrare qualcosa, inizialmente sessioni casalinghe per poi passare a registrare in piccoli studi della capitale.

Nel '97 Conosce KD (che poi diventerà Misho delle Scimmie del deserto) con cui forma un duo dal nome Codice Personale, il duo realizza un demo.

I Codice Personale si fonderanno di lì a poco con una storica crew, gli RHNegativo, per dare vita ai DEFCODE, i quali registrano per la compilation "Eclissi" (Parcheggio abusivo / Good stuff).

Dopo quest'ultima esperienza, Madness viene a contatto con buona parte della scena romana e nazionale, mentre continua la sua gavetta da solista, fino a formare il gruppo Inquilini (la formazione iniziale era Madness, Kento, Profeta Matto, Mendoza, Maya Florez e Barry Convex). Con questa formazione, Madness produce il primo "Benvenuti nel paese dei mostri" (autoproduzione / distr. Vibra). In seguito l'Lp viene ristampato con l' aggiunta di tracce inedite dalla label Antibe music, esce quindi "Bentornati nel paese dei mostri" (Antibemusic / distr. Self). L'esperienza sotto l'etichetta Antibemusic termina con l'uscita di "Il mondo nuovo".

Madness partecipa anche all'ultimo disco degli Inquilini dal titolo "I mostri capito terzo", stavolta prodotto e distribuito da Goodfellas.

Nuovamente, il rappper decide di lasciare il gruppo per dedicarsi ai propri "ego-trips" artistici.

Nel 2007, In coppia col rapper leccese Darmon king, produce e mette in freedownload lo street album "Ruffneck Network".

Un anno dopo nasce l' affiliazione coi ragazzi del portale di Hano, per i quali realizza il disco "M.D.M.A.dness" e il seguente "M.D.M.A. viola - da 'ol maddy bastard", quest'ultimo non è altro che una versione totalmente remixata del precendente album con l' aggiunta di 4 inediti.

Al progetto partecipano mc's affermati della scena come: Primo Brown, Jesto, Suarez, Kento, Indo, Quinto mondo, BarryConvex, oltre che ad altri numerosi mc's sempre di ottimo livello, nonchè una nutrita schiera di beatmakers.

Madness solidifica il proprio stile di scrittura e di flow e acquisisce notevole esperienze portando un live showcase in giro per l'Italia assieme al suo dj Fuzz 10 (junglabeat crew).

Fanatico del fast rappin' e dell off beat Madness porta un flusso intricato del tutto personale.

"Suicidio" è il suo primo disco ufficiale, e rappresenta un passo successivo ed una notevole evoluzione se confrontato ai precendenti lavori. 

Artist from Syracuse, NY.

ig @scorey
sc @score4ts

YNW MELLY OFFICIAL PAGE     
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Listen to 'From Dark To Light':
https://nlechoppa.lnk.to/fromdarktolight

Merch:
https://warnerrecords.lnk.to/choppastore

Producer of electronic, ambient and experimental music from the North coast of Italy. Subscribe to the channel, like, share. Thank you. 

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Rosario Marcianò (Native Sound), in addition to being an author of essays, a documentary filmmaker and an independent investigator, especially expert in the field of clandestine geoengineering and geopolitics, is also a musical composer. Self-taught, since adolescence he has cultivated, among other things, a passion for art whose inspiring goddess is Euterpe. This passion, over time, has given rise to a style and inspiration transfused into instrumental productions of considerable emotional impact. 

His compositions, which tend to go beyond the boundaries of more or less codified genres or subgenres, tend to combine a tense, sometimes hammering sense of rhythm with melodic lines not devoid of a refined dissonance. Generally speaking, these creations can be traced back to the field of soundtracks accompanying dramatic films, thrillers, action films.

It is symptomatic that the motifs created are exclusively instrumental, we would say orchestral, so as to focus the enjoyment on the essence inherent to the art of sounds, without the intervention of the text which, although it can enrich the score, sometimes distracts from the heart of the inspiration. However, the titles, almost always coinciding with a single word or a syntagm of strong texture, introduce the forms and functions of verbal language to recover, so to speak, the eclipse of words.

The tracks are precisely fixed by incisive and pregnant titles, not only in relation to the phonic and melodic structure, but also foreshadowing abysmal themes: life, death, destiny, freedom, hope, nature, love, memory, meaning, power... They are the same contents that dot the section dedicated to the maxims: for this reason it seemed appropriate, indeed natural to us to match some pieces with precise aphorisms, as a harmonic complement. A music therefore to listen to, but also to read with a multisensory approach that involves soul and intellect, aesthetic pleasure and reflection.

Naoki Maruko is following