Bookings
maria.mayasst@caa.com (Europe & ROW)
matthew.kingseyasst@caa.com (North & South America)

Label: leon@rumorsonthedancefloor.com

Crosstown Rebels deliver a unique underground music experience. Firmly dedicated to the support and development of the best cutting edge electronic dance music, Crosstown Rebels, run by artist and dj Damian Lazarus, loves quality alternative sounds, adores a great party and thrives on creative, young people armed with something new to say.

Narcotic symphony, a literal expression of a musical background built in time, an experimental journey that led Fabio n.joy to immerse himself in the production of electronic music, to give life to a sound journey with 20 years of experience in the consolles of clubs in tuscany, and beyond.
 Fabio Nerini, aka Narcotic Symphony, was born in Pisa on 26/05/1977. At the beginning of the nineties, at the age of 17, he became passionate about house music and the world of djing and began to attend the trendy clubs of Tuscany. In 1994 he began his career as a dj, becoming passionate about vinyl, which will be the source of inspiration of his first sets until today. 
In 1996 his first experience at the club IMPERIALE of Tirrenia (PI) known after hour in tuscany, and the following year at INSOMNIA Disco Acropoli d'Italia of  Ponsacco (PI), until you get to his first residence at the Privè in Versilia. From that moment the doors of the Kama Kama, and the Frau, but also after hours like the Lliberty and the Taverna Yori, until you get to the Tenax of Florence and the King club of Livorno.
 He also participates in several festivals, such as Green Tech, as well as being noticed in many private parties in Ibiza.
 In 2014 he created his own exclusive party Vinyl Only, a project where he performed with artists only and exclusively on vinyl. Known for his djsets, eclectic and psychedelic, moving from one musical genre to another, with extreme naturalness, loves to make real progressions from a chill house, up to techno. 
His sets run through various musical genres, acid house, progressive, detroit techno, minimal. He shared the console playing alongside various international artists such as Skin, Jeff Mills, Roger Sanchez, Ricardo Villalobos, Raresh, Tobi Neuman, Francesco Farfa, Miki, Alex Neri, Claudio Coccoluto, Layo & Bushwacka, Ralf, Stefano Noferini, Supernova; belonging to labels such as Cocoon, Cadenza, Minus, Arpiar, Defected etc.
 He loves to experience electronic music in all its forms and shades with his own Style, making treasure of his musical knowledge and his background, shaping naturally with the current Sonorities of Our Times. In constant research and in continuous evolution, without ever following a predefined genre and always projected in the future. In 2020, with the alias VINYLIVE, 
collaborates with Soave and his friend dj producer Locarini for his own production printed on vinyl with recycled material, Pollution (ICR rec), designed to raise awareness among young people on the issue of pollution and climate change, respecting and protecting the environment. But it was in 2020 that the NARCOTIC SYMPHONY project was born, an experimental journey through sophisticated old school sounds,
a mix of past and future performed in studio with analogue instrumentation, synthesizers and drum machines, distinguishing itself with an innovative musical genre. The collaboration with the record label INTROSPECTIVE REC by Lorenzo Mignozzi and SUNGENERATION REC by Miki the Dolphin, eclectic dj of international fame, end SHADOW MUSIC REC by Locarini,that gives life to a new musical path as a producer.

Berlin based Music Producer & Mixing Engineer
▪️Founder of @elektrons_ofc
▪️Bedrock // Poker Flat // Balance
▪️www.hannesbieger.com
▪️ Booking live set: ian@analog-a.com

What is techno? Scientists and philosophers have long since pondered the concept of its musical definition since it burst out of Detroit in the mid-‘80s. Is it that notion of the “ghost in the machine”, of soul from electronics that its inventors elicited? Or is it more the repetitive throb and thump of 4/4 beats and slow-burning momentum that the Berghain generation are proponents of? Croatian producer Petar Dundov’s stunning music manages to marry both ideals in the most explosive of fashions.

To Dundov, “techno is music that precedes movement. It is dance music, solid enough to carry emotions through the dance floor and abstract enough to be a template for ever”. And indeed his breathtaking productions embody this ethos, serving the inherent function of making your body pulse spontaneously while also challenging your brain with its complex melodies and slow-burning, hypnotic progressions. It’s the antidote for anyone who thinks that techno is about senseless, dull looping.

Although maybe the word “techno” doesn’t give enough detail about his style, it’s probably the nearest ballpark to whose principles his music adheres – and he is keen to expand the horizons of what people know and expect of the genre. But it’s that sense of his tracks being alive, forever evolving and expanding and increasing in intensity, which gives his music its unique sound and has seen his work crossover into a myriad of different areas of the global electronic music scene. The last two years have seen his mind-bending single Oasis (played by everyone from Dubfire to Sasha to Ben Klock to Prins Thomas to Timo Maas) take the scene by storm with its intricate, ever-changing melodies, John Digweed snap him up for an epic rework of Alan Fitzpatrick’s Reflections, and Gregor Tresher squeeze a deep, mesmerising remix of his track The Life Wire out of him.

His music shows you that he’s a producer with more than churning out mindless, functional and dispensable drivel on his mind. There’s a philosophy entrenched in his productions that breathes the very spirit of life and dynamism into them: “My ultimate goal as a producer and musician is to bridge the world of inspiration and physical world to the extent where the listener wouldn't be able to distinguish between the two. Music has this unique property to communicate deep emotions that are inherently in all of us. We just forgot how to use them, and my search is an attempt to revive those emotions where we all resonate as one.”

Born in Zagreb in the early ‘70s, his career in dance music stretches back the best part of 20 years, but it’s only in the new millennium that he’s been using his own name for his productions. Over the years he’s graced many of the world’s most prestigious and best-loved techno institutions – including mega-festivals I Love Techno, EXIT, Awakenings and Wire, and cutting-edge clubs like Berghain, Matter (RIP), Womb, Air, Fuse and Space. He counts a longstanding relationship with Belgium’s legendary Music Man label amongst his achievements, an imprint that has also played host to releases by everyone from Jeff Mills (for whose label Tomorrow he created the Sculptures mini-LP) to Green Velvet to Robert Hood, and after completing his acclaimed debut album Escapements in 2008, he’s got the follow-up in the works (for completion by the end 2010).

Petar Dundov makes intelligent electronic music that breaks boundaries, moves feet and twists minds. He is without a doubt one of the most inspiring, original and daring producers in electronica, and with the likes of Sven Väth, Francois K, Laurent Garnier, Adam Beyer, Josh Wink, Guy J, Glimpse, Hernan Cattaneo, Brendan Moeller, and Danny Tenaglia amongst his fans, it would be hard to disagree.


Mathew Jonson is a phenomenon in electronic music. For nearly 40 years he has forged a sound instantly recognisable on the dance floor – often copied but impossible to imitate. Raw, analogue, and alive, he is a master of real-time performance who shapes drum machines and synthesisers into unforgettable journeys, making every show a one-off experience. From underground clubs to sold-out concert halls and collaborations with orchestras, Jonson’s name guarantees a performance of rare intensity and musicality.

His career took off in the early 2000s with influential releases on Perlon, Kompakt, M_nus, Cocoon, and ITISWHATITIS Recordings, a label where he released his very first record in 2001 and which he later acquired. Anthems like "Marionette" and "Decompression" established him as a producer of rare vision, while his live sets quickly became must-see events, consistently ranked among Resident Advisor’s top acts. During this period he was voted Best International Producer twice in Germany’s Groove Magazine, a testament to his impact on the European techno landscape, and went on to appear on the covers of DJ Mag, Groove, Synmag, and other leading publications. Unlike many, Jonson avoids the use of samples for melodic content, instead writing, performing, mixing and producing everything himself – even contributing his own voice and percussion – giving his music a depth and identity that is entirely his own.

Jonson’s discography spans era-defining singles and albums across labels like Crosstown Rebels and Fabric, where his "Fabric 84" mix captured the spirit of his live sets with unreleased edits and classics performed in real time. His two solo studio albums, "Agents Of Time" (2010, Wagon Repair) and "Her Blurry Pictures" (2013, Crosstown Rebels), expanded his scope even further – balancing intricate dance floor energy with explorations of deeper, more introspective sounds. He is currently working on his third studio album, a collaborative project featuring many artists living in Lisbon, where he now resides. His remix work is equally renowned, covering a wide spectrum of electronic music’s most influential figures. He has reimagined The Chemical Brothers ("Believe", "The Boxer"), Moby ("Slipping Away"), Cybotron ("Clear"), Kevin Saunderson ("Good Life"), Plastikman ("Plastique"), VCMG – Vince Clarke & Martin Gore ("Single Blip"), Goldie ("Redemption"), Josh Wink ("Higher State of Consciousness"), The Martinez Brothers ("No Pop"), Rone ("Nouveau Monde"), Joseph Capriati ("Love Changed Me"), Stephan Bodzin ("Tron"), and Alan Fitzpatrick ("Something Wonderful"), as well as crossover work with Nelly Furtado. These remixes underline his rare ability to bridge underground innovation with mainstream resonance.

He has also expanded beyond the club and festival circuit, collaborating with the Zurich Tonhalle Orchestra and performing a sold-out show at the Berlin Philharmonie with Cobblestone Jazz. With that group, Jonson recorded two albums for the iconic !K7 label, further cementing their reputation as one of electronic music’s most respected live acts. Another landmark moment came with "Cinemix": a world premiere performance of a newly composed soundtrack for the silent film "Faust", created live by Jonson alongside Tyger Dhula, Danuel Tate, and Hrdvsion.

Beyond performance, Jonson has continued to innovate. In 2019 he launched Freedom Engine and its debut album "A Box Full Of Magic", followed by the creation of the Freedom Engine Academy – an educational platform built with handpicked mentors to pass on knowledge and foster collaboration. Now preparing to launch its 5th annual edition in 2026, the Academy has become a vital space for nurturing the next generation of electronic musicians.

Now, 25 years since his debut "New Identity" and nearly 40 years since first making electronic music, Jonson is preparing to celebrate a milestone anniversary in his career. Represented in Europe by LittleBig, his current projects include Freedom Engine, his collaboration with Âme, and his ongoing solo work as Mathew Jonson. A pioneer, a mentor, and an artist in constant motion, Mathew Jonson continues to shape the future of electronic music with every performance and release.

rampue - ræmpjuː

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