Taken from the upcoming album 'Watering a Fake Flower'.

..........

Open to the Sea are Enrico Coniglio & Matteo Uggeri...

Enrico Coniglio: piano, organ, Yamaha TX7
Matteo Uggeri: rhythms, field recordings, samples, sort of backing vocals

with:

Mattia Costa: drums
Alessandro Sesana: trumpet
Andrea Serrapiglio: cello, drones

Recorded by Enrico Coniglio and Matteo Uggeri in Venice and Milan.
Drums recorded by Gianmaria Aprile at Argolab, Varese.
Cello recorded by Andrea Serrapiglio.
Additional VOG treatments on “I Can Hear…” by Gianmaria Aprile.

Mixed and produced by Matteo Uggeri
Mastered by Ian Hawgood
Artwork by Daniel Crossley

www.fluidaudio.co.uk

Watering a Fake Flower

Open to the Sea - If One Moment Could Be My Entire Life (Pt 1 & II)

music for Isla's solo from the choreography Baby Don't Hurt Me by Imre and Marne van Opstal for NDT1
written and performed by Amos Ben-Tal

Baby Don't Hurt Me - Isla

A near-infrared image of the Cosmic Cliffs in the Carina Nebula, captured by NASA’s Webb Telescope, has been mapped to a symphony of sounds. This track only includes sounds from the bottom half of the image, which resembles a mountain range in ruddy shades of orange and red. This half of the image has a clearer, more melodic composition. The sonification scans the image from left to right.
 
This sonification does not represent sounds recorded in space. Two musicians mapped the telescope’s data to sound, carefully composing music to accurately represent details the team would like listeners to focus on. In a way, this sonification is like modern dance or an impressionist painting – it converts Webb’s image to a new medium to engage and inspire listeners.

Brighter light in the image is louder. The vertical position of light also dictates the frequency of sound. For example, bright light near the top of the image sounds loud and high, but bright light near the bottom is loud and lower pitched.
 
Learn more: https://www.nasa.gov/feature/goddard/2022/nasa-webb-s-first-full-color-images-data-are-set-to-sound

Credits: Image: NASA, ESA, CSA, and STScI; Accessibility Production: NASA, ESA, CSA, STScI, and Kimberly Arcand (CXC/SAO), Matt Russo and Andrew Santaguida (SYSTEM Sounds), Quyen Hart (STScI), Claire Blome (STScI), and Christine Malec (consultant).

Webb’s Cosmic Cliffs Sonification: Mountains

"Banegård" is a single from the album "Innemuseum" by Danish composer Cisser Mæhl. 
LP out on 3rd March 2023.

Innemuseum

Cisser Mæhl – Banegård

Second Remix for the new Saroos record was produced by Odd Nosdam who got a littel help form his buddies  Bre'r (( Dhome Herder, by Bre'r )) & Drape.
Dublab wrote: " ambient in its most intense state. A wall of sound that is unstoppable and keep advancing towards you. "
Artwork by Erik Skodvin of Miasmah Rec. 

http://www.miasmah.com/
https://twitter.com/BurncoRecs
anticon.com

Sequoia - Odd Nosdam RMX

Look, I know that many of my opening words often begin with “Today, I am thrilled to share with you a new piece by [so and so]”, but how can I not use the exact same opening line when one of my all-time favourite piano composers reaches out to me to premiere a piece from his newly-announced long-awaited album? This Norwegian musician’s first proper solo studio release appeared on the beloved Sonic Pieces in 2014, which we only later learned to be part of a trilogy of albums. But that doesn’t mean that I spent only the last decade listening to Otto A. Totland – together with his school friend Erik K. Skodvin, the duo has been making beautiful music as Deaf Center, releasing Neon City EP in 2004 on Type. We now see him being backed by Nils Frahm, who not only shares the production credits on his upcoming new album but also releases Exin on his very own Berlin-based LEITER imprint, which he founded with his manager Felix Grimm only a few years ago. This also means that the album was recorded at Frahm’s studio at Funkhaus complex, offering the most beautiful-sounding piano in the hands of the most beautiful-sounding mind. The emotionally charged and sometimes melancholy sound is still present in Totland’s collection of sixteen solo piano pieces, but there is also an upbeat and vibrant tint on a few, including the first single, “Marka”, which follows a classical staccato harmony that I can envision being played on a harpsichord. Yet pieces like “Lys” take me back to that particular flavour of Totland’s sonic tenderness to pull on my heartstrings, allowing me to get lost in those barely audible reverberations of the keys. The piece I’m sharing with you today is called “Rift”, an introspective and sombre reflection in just a few pensive chords.

Exit

Rift

TRACK PREMIERE : Otto A. Totland - Rift

Calm, chill piano and string orchestra with ambient sounds for relaxing.

Day Dreams

Rain Settles In (Day Dreams Version)

Paul Landry is a Uk based musician creating progressive rock, ambien and new age music https://www.paullandrymusic.com/

Koln 3

Explore the moons of our Solar System with Moon Voyager. Explorative and atmospheric deep space ambient music. soundscapes and drones by Nairb One.

Recorded August 2025
© 2025 Aeon Records
℗ 2025 Ditto Music LTD

Website

Elara

This is a sound that was electronically placed onboard the Voyager 1 and 2 spacecraft. 

Golden Record: Horse And Cart

from the album 'cloud room, glass room' available 4/29

pan•american 'project for an apartment building'

Hello, we’re NASA. You may have seen our astronauts, rocket launches, or Mars rovers — but have you heard our sounds? From interviews with astronauts and engineers to stories that take you on a tour of the galaxy, NASA’s audio offerings let you experience the thrill of space exploration without ever leaving Earth.