Mastered by Ian Hawgood
Photography by Alexander Kopatz.
www.go70north.com
Faint025 // FaintCD025
Faint / 2021

Warmth - Blueshift

Taken from the upcoming album 'Watering a Fake Flower'.

..........

Open to the Sea are Enrico Coniglio & Matteo Uggeri...

Enrico Coniglio: piano, organ, Yamaha TX7
Matteo Uggeri: rhythms, field recordings, samples, sort of backing vocals

with:

Mattia Costa: drums
Alessandro Sesana: trumpet
Andrea Serrapiglio: cello, drones

Recorded by Enrico Coniglio and Matteo Uggeri in Venice and Milan.
Drums recorded by Gianmaria Aprile at Argolab, Varese.
Cello recorded by Andrea Serrapiglio.
Additional VOG treatments on “I Can Hear…” by Gianmaria Aprile.

Mixed and produced by Matteo Uggeri
Mastered by Ian Hawgood
Artwork by Daniel Crossley

www.fluidaudio.co.uk

Watering a Fake Flower

Open to the Sea - If One Moment Could Be My Entire Life (Pt 1 & II)

"The slow harvest" is a single from the album "Nothing left but silence" by Erik K Skodvin(officially out on 15th September, 2023).

Nothing left but silence

Erik K Skodvin - The slow harvest

This may be the first time that Dawn Chorus and the Infallible Sea are officially appearing on Headphone Commute, but I assure you, I have been listening all along, starting from their self-titled debut release on Past Inside The Present to the more established Liberamente out on Jonas Munk's (aka Manual) Azure Vista imprint in 2019. Of course, besides the solo works by these monumental ambient composers, Zach Frizzell (aka zakè) and Damien Duque (aka City of Dawn) have previously collaborated together, and their 2023 album on PITP, Ash, was picked as one of my favourites of the year. Here, they are joined by Marc Ertel to round up the project, which appears to spearhead the "dronegaze" genre, this time forward driven by orchestral textures, guitar swells, and bass ("Cadere" is my particular favourite piece). Today, I am sharing the last track from their upcoming new album, Reveries, rounding off three-quarters of an hour spent in tranquil waves, sunny rays, and drifting bliss. It's an overall positive and soothing experience, approaching cathartic and restorative treatment as if pointing something towards your entire being, which releases vital healing energy and something you can drown in, becoming one with everything at once. Maybe "curegaze" or "ambientonic" is a better term for that...

Reveries

Aufero

TRACK PREMIERE : Dawn Chorus and the Infallible Sea - Aufero

There is something special about that dark and nostalgic music that seems to be echoing from the past, as if breaking through another dimension of time, trembling through the gritty playback on a warped and dusty tape, fading in and out on a crumbling old photograph, shades of colours long gone... long gone. The music of Black Swan has embraced this noir-fi aesthetic throughout the years, ever since I first heard the debut, In 8 Movements, released in 2010. Immersed in chilling ambience, hauntology, and the ephemera left behind, the music of Black Swan captures the eerie essence of the in-between, exploring the shadowed depths that linger at the periphery. Exactly twelve years ago, I invited this mysterious artist from New York to make me a Halloween-themed mix, which I published here as Music For Masquerade. Today, I am premiering two tracks for you from his upcoming album on Past Inside The Present, titled Ghost, to be released, of course, on Halloween. This is now his ninth full-length release, in which the spirits roam in our world, leaving their voiceprints on abandoned reel-to-reels to be discovered and played back. And as the twenty pieces and vignettes recede and fade away, all we are left with are the memories imprinted on our hearts and minds. The memories of those who are long gone... long gone. As we will be some day.

Read more on Headphone Commute:
https://headphonecommute.com/2024/10/29/black-swan-somewhere-but-here-and-time-loop/

Ghost

Somewhere But Here and Time Loo

TRACK PREMIERE : Black Swan - Somewhere But Here And Time Loop

Clarinet & Acoustic Guitar by Declan Haughian
Artwork by Will Ulrich
out via @wave-of-endorphins

WOE008 - Haven’t Touched The Earth In A While

Haven’t Touched The Earth In A While

Haven't Touched The Earth In A While

I hope my gentle compositions will help you relax. Let the soft, cushiony synth progressions mixed with tranquil piano improvisation, strings and rich harmonies guide you to place of peace and content. 
Thank you for taking the time to listen to my work which is also my passion.

Redshift

kind of proud to share these 11 songs from the Future, made with Mona Ellis and Alouma Aves. Water Memory is a experimental transmedia album related to my novel "The Other Version" (L'Autre version de l'Histoire") hope my first science fiction book will be published soon....
Remember the water, messages could flow to you

Rosika

Taken from PERILS - S/T (Pathway010)
PERILS is Benoît Pioulard and Kyle Bobby Dunn.

Mutual admirers of each other’s work, Thomas Meluch (Benoît Pioulard) and Kyle Dunn (Kyle Bobby Dunn) endeavored to put together a collaborative recording that ruminates on painful realities, disappointments, and transitioning to new homes, in the hopes of finding a coping mechanism to bring them through to the other side.
PERILS began auspiciously in 2012 at transitional points in these artists’ lives. Kyle was living in a small town called
Belleville, Ontario trying to complete Kyle Bobby Dunn and The Infinite Sadness (Students of Decay) and coming to grips
with the fact that this great endeavor was at its end. Given the enormity of the record and the emotionally and physically
exhausting process of recording the album, Kyle found himself drained with unforeseen questions and confusions. Working only at night, Kyle immersed himself into this newfound nocturnal work, finding a path in the midst of wondering. Thomas, meanwhile, was in a state of literal transition: uprooting from the UK and relocating to Seattle during the recording process of PERILS. In a state of flux, nearly drowning under the anxieties of living on uncertain ground, Thomas channeled these emotions into musical escapades. Thomas recorded in his spare moments, sending sonic puzzle pieces one by one to Kyle, who would in turn explore the musical sentiments Thomas had shared, adding his own billowing sounds to the seething mix.
The ten pieces created for this release are culled from a poutine- and whisky-fueled trudge through the dark corridors of an as-yet undiscovered or possibly imaginary mystic temple. Commencing with the shimmering guitar and tape loops of “Colours Hide My Face,” the album crawls out of the grooves with a slow-churning turmoil, coaxing the listener to embark along its path. The dirge-like guitar clang and vocals of “(Dead in the) Creekbed Blues” could be an 18th century blues standard emitted from a buried radio. On PERILS, Thomas Meluch and Kyle Bobby Dunn lock arms and together chart the upheaval in their lives to bridge the liminal gulf between the once-was and the soon-to-be.

PERILS - Flaw

Kaziwa

Porya Hatami & Arovane - Feer

Focusing on experimental genres, we aim to provide a space to share in the creative process and spread the experience of inner exploration through musical expression.

Open to the Sea - If One Moment Could Be My Entire Life (Pt 1 & II)

Fluid Audio

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