Name: I Think I Always Knew... - Nat Bartsch Trio by Nat Bartsch
Duration: 7 min 5 s
Description: From Nat Bartsch Trio's 2008 self-titled release

lovely piano music! <3 i will study these to boost my own contemporary piano music experiments :)

Well Nat its 2.30 in the morning after doing demos at home, i will def listen to the rest of your tunes, they're fantastic, well done

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Memum - Lapse Of Evolving Time

Journey

Surrounded by beautiful things

New modal sketches for the Deepchild pres. Acharné project. Hyperreal exploration of faux-piano tonality, artifice and artifact.

www.facebook.com/deepchildmusic

Deepchild pres. Acharné - "Burren Street"

Commissioned by the Northwest Film Forum in Seattle as part of their Puget Soundtrack series, Madeleine composed and performed a soundtrack to Hitchcock's classic film, The Birds.  

Bodega Bay

Tokyo’s flau record label cerebrate their 10-year anniversary with the 'Waltz Compilation'. The album was also called "A dance to draw circle" in Japan, with each artist producing an interpretation of the meaning of the waltz. 

Artists included span the globe from Europe, South America, Australia and Japan: Danny Norbury, Kanazu Tomoyuki, Ensemble 0, Fábio Caramuru, Otto A. Totland, Rayons, Sophie Hutchings, Frédéric D. Oberland, HAU (Henning Schmiedt + aus), Takeo Toyama and MayMay.

Pre-order:

www.flau.bandcamp.com/album/circles
www.flau.jp/releases/circles/

Circles

Grannys Waltz

Otto A. Totland - Grannys Waltz

Hoshiko Yamane 
3rd solo Album "Threads"
release from 1631 Recordings on 15.06.2018

https://1631recordings.bandcamp.com/album/threads

Original version by You Tube
https://youtu.be/4ToxJB_S-IE

What We Should Protect(Strings Quartet version)

From Nat Bartsch Trio's 2008 self-titled release

I Think I Always Knew... - Nat Bartsch Trio

‘Suspended In Silence’ is the second in a series of three completed albums presenting a new, more melodic direction for Hipnotic Earth. Continuing with spacious, evocative and immersive drone-based tonalities, the vast majority of these pieces are one-off improvisations that were recorded during the mornings of mid-2018 in the wine country of California. Here there is a love for not remembering how a song is made. The modus operandi is quite spontaneous, be it the recording process or sound design and mixing of additional colors afterwards. Simply in the moment with no agenda, this music strives for eternal endings and slow rotations around an axis of serenity. During the recording of these tracks birds and other creatures would sometimes meander into the apple orchard where the studio is located. They seemed to be drawn to the music as if they wanted to be on the album and occasionally, their wish was granted!

The Gentling

For my lovely wife Hollie on Valentine's.

I Think I Always Knew... - Nat Bartsch Trio

Nat Bartsch

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