Video for Please Write Responsibly:
https://www.youtube.com/watch?v=c0k39FFV9xw

Subscribe to Granfalloon at https://granfalloonmusic.bandcamp.com... to gain access to the entire back catalogue including a tonne of exclusive music and video.

Credits:
This video was a collaboration between Really Really Final Final Productions and Look Woolly Films.

Music:
Richard Lomax - vocals/guitar
Molly Becker - violin
Andy Lyth - banjo
Daz Woodcock - bass/vocals
Dom Major - guitar

Calendar

Please Write Responsibly by Granfalloon

I felt like shit today when I woke up
But it’s happened enough times that I’ve learnt to get by
I go outside to feel the sun on my face
And if the suns not there
Well now we gotta pull out all the tricks

All of the tricks like
I’m here for a reason
And I’m gonna learn from the pain that I’m feeling
I could be happy if only I tried a little harder

All of the tricks like
Taking a deep breathe
Telling myself stop being so complex
I could be happy if only I stopped looking for the answer

I managed it today though I woke up
Thinking everything was scary everybody out to get me nooo  
Ooh brought up to chase heaven
I always came second 
And if God’s not there 
Well now we gotta pull out all the tricks

All of the tricks like
I’m here for a reason
And I’m gonna learn from the pain that I’m feeling
I could be happy if only I tried a little harder

All of the tricks like
Taking a deep breathe
Telling myself stop being so complex
I could be happy if only I stopped looking for the answer

It’s like cradling a baby screaming louder screaming louder
Come and save me from myself
Tired of scratching pennies on my mind 
‘Cos hey today could be the day I win
Crawling up a mountain like when I get up 
The view is gonna say it loves me back
But every day’s a new hack
Am I on the right track
What even is the right track 
Tell me what I’m supposed to do to fight back

Vitamin Be

Tricks

Off the back of their third release ‘CherrySevenUp’ along with a couple of popular remixes, the Liverpool collective have their fourth single lined up called ‘SHAKE!’ 

Moving a bit away from the broody, fat beats and riffs of their last singles; ‘SHAKE!’ Is a pogo jumping blast with bursts of percussion and cheeky lyrics sure to keep you bopping. 

Be sure to keep an eye on this one!

SHAKE! (Radio Edit)

Instruments used:
- Omnisphere 2
- FLEX
- NEXUS (my beloved "Blackhole Piano")
...percussion from an alternative living family while chopping wood (not to question their way of life!) 🙃

   Radio-Conversation & more by:
- Ghosthack Samples (https://www.ghosthack.de/origin/)

-------------------------------------------------------------

The atmosphere of Venus consists of ammonia, sulfur and nitrogen oxides. Humans must have lived there once.

🤔

the radio edit of our latest single 'Outta Your League'

BARSTAFF - Outta Your League (Clean)

TOF

Are you ardent?
In the MADNESS of war
Guarding his life with your DEATH
His SONG on your breath
Your LOVE for Him filling your heart
Are you still wild?
Can you take command?
O will you join the attack?
Fire true from horseback?
Let us ride all ye Redhats
& fill afternoon with our arrows
High & aloft
Fighting forever for Ekkor our God
Are you ardent?
Let us hear a tale of SONG from Hemlock now!

HEM

Centuries ago
On the shores of the world
Travelers tossed by a fault
Neath an ocean of salt
Washed up without bearings nor hope
And the Holy Forest throng
The uncanny birdsong
Called to them more than the reach
They abandoned the beach
Wandered into the trees
Where they joined in the chorus forever
Drifting in time
Castaways wed to the Wood
Speech & destinies all but forsaken
For music & rhyme
Artistic extremes and dreams leporine
Are you ardent?
Let us hear a tale of DEATH from Fury now!

FUR

I recall my first
Far from my worst
A man from the bigotted hordes
A Captain of sorts
At the Battle of Dáktylir
Fire had snapped my bow
So I rode him down
Drove him into a red oak
As he slashed at my throat
I crushed him back into the
Trunk with Ontario’s shoulder
Till his breastbone exploded
& a hundred branchfuls of snow
Shook down like confectioners’ sugar
His blood on my face
His dying eyes marking who’d furnished his fate
Are you ardent?
Let us hear a tale of MADNESS from Christoffel now!

TOF

Ah, quei giorni utopici giù in Toscana!
La poesia!
La musica senza finale!
Gallegiando sul maestrale!
E tanti amici demenziale!
Feci caprioli su Cheope in la piazza,
Tutt’applaudirono!
E por un solo momento,
Io sapevo cosa significa
Essere veramente singolare,
La bella del ballo, 
La Eterodossa!
Una sopra, n’una tra, billione
Cast’e doverosa ragazze scout in le gonne marrone.
Sei appassionata?
Let us hear a tale of LOVE from Hobby now!

HOB

O ye think me proud
But I know a tale
Round which your others will pale
All that SONG on your breath
All your MADNESS & DEATH
Very well, I will tell of a love so pure
Yet so insecure
Nothing could come of it but
Rivers of blood
A testament cut
In the breast of the mountain forever
A carving away
A breathlessly penitent hush
In the Song of the Forest forever
A pining away
A beautiful, terrible rush
To the depths of Creation forever
A falling away
A hopelessness manifest just
In the drape of an arm round a shoulder
& a heart that would break
But that it meant never seeing that face again...
Are ye ardent?

Are You Ardent?

Paralyzed

Music: Bsukmet
Sax: Steve Who? www.steve-nelson.co.uk
Artwork: Rofina Bronet
www.facebook.com/rofina.bronet
www.youtube.com/channel/UCVrIiqVePxe9uET4mm9Vd7w

Imniali: Forced Perspective

Beguile, Deceive, Smile, Repeat

Beguile, Deceive, Smile, Repeat feat. Steve Who?

pièce commandée et composée pour Bascaille, trio de percussion

"Bathmetry" est composée pour l’Instrumentarium microtonal constitué d'instruments accordés en quart et huitième de ton ainsi que de multiples systèmes d'intonations justes.

Tom Jacques, Noam Bierstone, et Antoine Létourneau-Berger

Bathmetry (2023)

Single / No Return

10.
First world problems. (Rogers, jackson, Genockey.)
Gemma Rogers - Vocals. 
Alfie Jackson - BVs, Guitar. 
Sean Genockey - Guitar, Bass, Piano, Programming. 
Produced by Sean Genockey.
Mixed by Sean Genockey.
Additional Mixing by Lux Pyramid. 
Mastered by Stuart Moxham.

First world problems.

Delicately quirky, movingly familiar. 

‘The inventive but familiar, simple but complex. She writes the kind of tunes that get inside your head and don’t let go' - BBC Introducing in the West

A consistently solid songwriter & musician at her foundation, Natalie Holmes has been releasing music both for herself and with others since 2010, with an unwavering energy for encouraging inward reflection and growth through her music. Beginning the journey with grainy covers on YouTube, Natalie now has countless EP’s and singles released under her own name, as well as extensive self-produced demo albums on Bandcamp where her close and connected fans support her. Not being satisfied with writing within the constraints of her own singer/songwriter persona, Natalie has written for a diverse range of electronic collaborations, covering D&B, Melodic Futurebass, Pop, Dubstep and Trance (the last being a genre she was introduced to when asked to tour with Trance legends Above & Beyond as one of their lead vocalists, performing at sold out venues such as The Hollywood Bowl, Sydney Opera House & Royal Albert Hall). Notable collaborations include her song ‘Zero’ with Oliver Smith on Anjunabeats (a song she originally uploaded as a demo for her Patreon community, with the Trance version reaching #1 in the iTunes Dance chart in over 15 countries), and ‘Doubt You’, an emotional melodic futurebass anthem that hit over 1 million streams in 3 months, with producers Cadmium & Rival.

Self-managed, Natalie has been taking her career with both hands and lifting all she can carry. From booking numerous headline tours, arranging support slots with the likes of Gabrielle Aplin, Ásgeir & Sam Brookes, festival slots including Isle of Wight, Live at Leeds & Barn on the Farm, to early on securing her first major sync with ice cream brand ‘Breyers’, the now 27 y/o musician has learnt a lot about navigating the industry alone. In her hometown too, Natalie has gained respect and admiration after multiple performances at Bristol Harbour Festival & Dot to Dot, alongside longstanding support from BBC Introducing in the West.

Focusing more on singles over the past few years, her song ‘Hideout’ received attention from Radio 2, Clash Magazine & Record of the Day, with Clash describing it as “an inspired return from a songwriter we will enjoy watching develop over the coming months and years”. As she writes more and more, Holmes knows she has more than enough material for an album or 3, but says she’ll ‘know when the time is right’.  In the meantime, she continues to release in small chunks, exploring genres and writing in as many corners as she can, including production library music for The Firm Music Group & Audio Network. “I need as many channels as I can with the amount I write. Lyrics are what stitch this world together for me, and being able to write in different contexts is how my creativity really thrives.”

Stemming from her need to spread an uplifting energy through music, Natalie started taking the live streaming world by storm when she started regularly broadcasting hours of on-the-spot inspired creativity on Twitch in late 2018. “The way artists and community are connected here is like nothing else I’ve seen in the ten years I’ve been pursuing a career. I can feel the excitement I felt when I wrote my first song and played my first gig like it was yesterday, and then partnered with the strength I’ve gained musically it’s a euphoric experience!”

Her latest project ‘Songs I Made When The World Changed’, out August 7th 2020, will see her finally manifest the confidence to officially release a body of work produced & mixed entirely by herself.

Tricks

Natalie Holmes

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