Name: Deviation by Natt Malone in Ladat’s Support Feb’25 vol.1
Duration: 4 min 40 s
Description: Songs written, performed, recorded and produced by Natt Malone (c) 2023 All right's reserved.

Good and pleasant listening. Nice soft rock, good vocals.

The track has a good sound, very well defined different parts and a very remarkable chorus

Ladat’s Support Feb’25 vol.1

Rise

Deviation

The Music Video for Mr. J is out now: https://youtu.be/HWQ-U_8Aen8

In her new song Inyha takes us on a journey to the 7th heaven of love on the wings of Mr. J. But even if love can give us wings, it cannot free us from our own chains, it can only give us the will and energy to do so for ourselves. This is the image Inyha paints with her handmade sounds and arrangements in melancholic, nostalgic colors and a dreamy 90ies touch.

Mr. J

Mercury Mind

This is a song about all we lose as time passes by and the only thing we can do is ...endless dreaming, lyrics written by Badtripp Inc, music worked out together with the Suno AI, and this is not to far away from the original song I recorded primitively and then the tape got lost. So this is a song with Lyrics from a very Human source and Music made by a Machine.

Time passes by

Exploring the darker side of romantic love in the modern era. Influences include early British Metal and early American Gothic music. At times harmonically dischordant with a moody and haunting vibe

The One To Call (Live Version) - John Goldrust

The Story

Im actually pretty stupid haha, and hopelessly romantic. I fall for too many people and thats a downfall cuz I get hurt. tbh I should stick to my own, then id be safer! but, unfortunately Im too silly for that x3... dslffweojfiweo 

anyways new music soon prolly, gonna see how this performs cuz sc loves guitar tracks from me for the algorithm for some reason lol

letter to the valentine that wont hear this song or my heart prod perry pressey n kerel

Empty rooms make louder sounds
than bombs ever could.
My bed's still warm but I'm not there
haven't been for good.

Phones light up with "how are you?"
Each pixel burns through.
I've got responses stockpiled high:
None of them are true.

I'll be fine, like static air
when radio waves die.
I'll be fine, like vacant eyes
in a porcelain lie.
I'll be fine, supposedly,
Like flowers pressed in formaldehyde.

Coffee's cold before it burns,
Time splits at the seams.
The mirror shows a person there
Who's nobody it seems.

Every "just reach out" feels like
Hands through heavy glass.
I'm here, I'm gone, I never was—
All three statements pass.

I'll be fine, like dead sea salt
That forgot to float.
I'll be fine, like autumn leaves
That never wrote their note.
I'll be fine, theoretically,
Like stars that burned out centuries ago.

There's an art to absence
That nobody taught.
I've mastered disappearing
While staying in one spot.
My lungs remember breathing
But forgot to tell my chest
Now even nothing's something
I fail to possess.

I'll be fine, like church bells in
An abandoned town.
I'll be fine, like paper boats
That learned how to drown.
I'll be fine, apparently,
Like prayers in empty sound.

They say the void stares back but mine
Just keeps looking through.
I've got a PhD in Hollow,
And the walls do too.
My pulse keeps perfect rhythm with
The silence in between.
I'm here, I promise, just like all
The things you've never seen.

I'll Be Fine

Here you'll find an acoustic version for the  famous RoomRock Channel: https://youtu.be/gZagqZsVVrs

Based on an idea by Daniel Bethlem @dani-l-bethlem (Boogie Dogs https://open.spotify.com/track/3JeSU8hfLmEbHJ8yd6YYkh)

I changed it into country rock style, a bit like Neil Young on the Tonight's The Night record (my favourite one), rewrote the lyrics, changed one or two chords and added a chorus, with the Hank Williams kind of singing (at least trying to):

VERSE 1
Well I wonder, wonder why you keep on hurting yourself
It’s been goin' on for too long
And I wonder, wonder why you don’t accept my help
It seems so very wrong
Even on a summer’s day you don’t see the sun
I hardly recognise my girl, where has she gone?

VERSE 2
Well I don’t know don’t know why you have to pull yourself down
No matter what I say
I don’t know, don’t know why it got so cold in this town
We haven’t come a long way
You might need someone else to ease your pain
You  can’t work it out alone with a misty brain

CHORUS: 
Well the fire, went out too soon, I’m walking to the lake, gonna howl at the moon
And our song, went out of tune, not like we sang it on our honeymoon

VERSE  3
Well I don’t know don’t know why you keep on hurting yourself
You know it’s hurting me too
And I don’t know don’t know why you put my heart on the shelf
What misery have you been through?
I need to find a friend and write a different song
Feels like it never ends, yeah this one is getting too long

CHORUS: 
Well the fire, went out too soon, I’m walking to the lake, gonna howl at the moon
And our song, went out of tune, not like we sang it on our honeymoon
Remember your lust for life at the blue lagoon, am I the reason, you’re so sad and blue
And our song went out of tune, not like we sang it on our honeymoon

Cellar Aged Wines

Hurting

You Used Me

A collaboration by Featherstone Massacre and Boblivion. We hope you like it

raison d’être

We ain’t going anywhere

A SHORT PIECE FOR À CAPPÈLLA
Music by Overdrive
All voices performed by Mick Jimenez

This is my small contribution to the à cappèlla music genre. There is no AI here; everything was composed from scratch and in the old-fashioned way. The baroque fugue lessons taught by late Sister Xavier, a cheerful nun who was my piano teacher when I was nine, were especially useful here. 

All vocals were performed and recorded by the talented Argentine musician Mick Jimenez Barr, a baritone singer who also helped choose the best phonemes for this little piece.

In addition to being an exceptional singer, Mick is a bassist, guitarist, keyboardist, and fan of bands such as Queen, The Cars, and The Beatles. Check out Mick's pages on Soundcloud and Fiverr and listen to his unbelievable vocal performances:
https://soundcloud.com/mickyjbarr
https://www.fiverr.com/mickybarr

Hope you enjoy the song.

A Short Piece For À Cappèlla



Slept enough
You get up
Smiling pictures on the way
Kids are crying 
For your time
But iced coffee take their place
But oh it’s fine
They’re alright
Least that’s what friends always say

It’s ok

In your echo chamber
Full of fun house mirrors
Makes you deaf, dumb, blind
To what’s right outside
Yeah, all your friends
Are looking just like you
Because beauty filters 
Can ignore the truth

In an echo chamber
Do do do do 
Echo chamber
Someone Hear Me?

Dinner time
Tow the line 
Take a picture of your plate
Pour the wine
By the pint
Numb your painful wedding ring
But you smile
All the while
Cause there’s no room for the tears

Or the fear

In your echo chamber
Full of fun house mirrors
Makes you deaf, dumb, blind
To what’s right outside
Yeah, all your friends
Are looking just like you
Because beauty filters 
Can ignore the truth

In an echo chamber (Echo)
Hey!
Do do do do 
Echo chamber (Oh no)
Hey! 
Someone Hear Me?

With all that makeup you've joined the circus
Hiding all the trouble that’s below the surface
Hoping the whole world won’t think you’re worthless
So you buy some leggings and another purse

But it just gets worse 

In your echo chamber
Full of fun house mirrors
Makes you deaf, dumb, blind
To what’s right outside
Yeah, all your friends
Are looking just like you
Because beauty filters 
Can ignore the truth

In an echo chamber (Echo)
Hey!
Do do do do 
Echo chamber (Oh no)
Hey! 
Someone Hear Me?

In an echo chamber (Echo)
Hey!
Do do do do 
Echo chamber (Oh No)
Hey! 
Someone Hear Me?



Echo Chamber

Ladat, born Ladislav Tesar, is Litomerice (Czech republic) native, body and soul, who writes and composes his music in Chatel-St-Denis, Switzerland. Ladat is not a band in the true sense of the word, but rather a musical project that emerged in 2019 as an escape from reality, because things go better with music.

Ladat's musical odyssey defies conventional labels and freely blends elements of rock, folk, country, and jazz into a rich and genre-bending style that invites listeners to explore the diverse spectrum of influences that shape his emotional and diverse compositions.
As an experienced composer and lyricist, Ladat weaves stories that deeply resonate with audiences and offers a captivating and immersive musical experience, where each song is an expression of boundless passion, creativity, and an unapologetic celebration of musical diversity.

Since 2021, Ladat has been collaborating freely with the Slovenian A7 Recording Studio and musicians around guitarist and drummer Blaž Pavšič, such as Uroš Mohorič (guitar), Gregor Alič aka Hanson or Peter Beznec (bass), and singers Anton Premec, Kristina Jelić, Maja Štebih, Hana Pavšič or Oliver Neff aka Titanic Jack.

Deviation

Natt Malone

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Ladat

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