Deadline: 24th May 2023

All submissions to Haiku 489:

https://www.naviarrecords.com/2023/05/17/naviarhaiku489-dividing-the-autumn-sky/

To participate:
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz
Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: www.naviarrecords.bandcamp.com
Subscribe/support the project: www.naviarrecords.com/support-us/

haiku #489: Dividing the autumn sky / Into two / A huge chinquapin tree

Seramind - Chinkapin Shii (naviarhaiku489) [Ambient, Chillout, New Age]

https://www.naviarrecords.com/2023/05/17/naviarhaiku489-dividing-the-autumn-sky/

naviarhaiku489 – Dividing the autumn sky

Dividing the autumn sky
Into two
A huge chinquapin tree

Takahama Kyoshi was a Japanese poet active during the Shōwa period of Japan. He was the editor of the haiku magazine Hototogisu (previously edited by Shiki), where he promoted a more traditional style of haiku, as opposed to other popular schools which did not follow the pattern of seventeen syllables at that time.

Kyoshi also highlighted the symbolic function of the kigo (the seasonal reference), even though the more modern trends were already tending towards seasonless haiku.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 24th May 2023

Haiku by Kyoshi Takahama https://www.masterpiece-of-japanese-culture.com/literatures-and-poems/haiku/takahama-kyoshis-haiku-poems

Picture by Will https://unsplash.com/photos/x1JObX8KM8w

Visit my other pages:

Spotify: https://open.spotify.com/artist/22xH66OU00shKM5kcwbAeK
SoundCloud: https://soundcloud.com/seramind
Discogs: https://www.discogs.com/artist/4709745-Seramind
Bandcamp: https://seramind.bandcamp.com
Facebook: https://www.facebook.com/seramind
YouTube: https://www.youtube.com/@seramind

Chinkapin Shii (naviarhaiku489)

This track was created for the Naviar Haiku group.
489
https://www.naviarrecords.com/2023/05/17/naviarhaiku489-dividing-the-autumn-sky/

2023-05-18

Dividing The Autumn Sky  ( Naviarhaiku 489 )

Check out the visuals on YouTube @ https://youtu.be/sM6-qQL5CNo

Dividing the autumn sky
Into two
A huge chinquapin tree

Haiku by Kyoshi Takahama https://www.masterpiece-of-japanese-culture.com/literatures-and-poems/haiku/takahama-kyoshis-haiku-poems

Picture by Will https://unsplash.com/photos/x1JObX8KM8w

For more information visit http://www.naviarrecords.com/about/naviar-haiku

visuals (YouTube)

halF dividinG [naviarhaiku489]

18May23

My naviarhaiku489 submission;
https://www.naviarrecords.com/2023/05/17/naviarhaiku489-dividing-the-autumn-sky/
:D

Dividing the autumn sky [naviarhaiku489]

Dividing the autumn sky
Into two
A huge chinquapin tree
(Takahama Kyoshi)
https://www.naviarrecords.com/2023/05/17/naviarhaiku489-dividing-the-autumn-sky/
Komposition975 KlavierTschzE-Bass

TschZ (naviarhaiku489)

Here'e this week's response to the weekly @naviar-records haiku challenge

Dividing the autumn sky
Into two
A huge chinquapin tree

Takahama Kyoshi was a Japanese poet active during the Shōwa period of Japan. He was the editor of the haiku magazine Hototogisu (previously edited by Shiki), where he promoted a more traditional style of haiku, as opposed to other popular schools which did not follow the pattern of seventeen syllables at that time.
Kyoshi also highlighted the symbolic function of the kigo (the seasonal reference), even though the more modern trends were already tending towards seasonless haiku.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 24th May 2023

Haiku by Kyoshi Takahama https://www.masterpiece-of-japanese-culture.com/literatures-and-poems/haiku/takahama-kyoshis-haiku-poems

Picture by Will https://unsplash.com/photos/x1JObX8KM8w

Into two (naviarhaiku489)

An electronic composition, sounds created in Pure Data.

Huge Chinquapin (naviarhaiku489)

naviarhaiku489

Dividing the autumn sky
Into two
A huge chinquapin tree

Takahama Kyoshi was a Japanese poet active during the Shōwa period of Japan. He was the editor of the haiku magazine Hototogisu (previously edited by Shiki), where he promoted a more traditional style of haiku, as opposed to other popular schools which did not follow the pattern of seventeen syllables at that time.
Kyoshi also highlighted the symbolic function of the kigo (the seasonal reference), even though the more modern trends were already tending towards seasonless haiku.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 24th May 2023
Haiku by Kyoshi Takahama
Picture by Will

Dividing The Autumn (naviarhaiku489)

"That which divides us..."

Gretsch Streamliner
eBow
Korg Monologue synth
Microcosm

Mixed with Cubase

The Dividing Tree

The Dividing Tree (naviarhaiku489)

Made for Naviar Records' 489th Haiku Challenge. Details at https://www.naviarrecords.com/2023/05/17/naviarhaiku489-dividing-the-autumn-sky/

Tree of two skies [naviarhaiku489]

Sound Fantasy on:

Dividing the autumn sky
Into two
A huge chinquapin tree

Naviarrecords Haiku Challenge

Autumn Sky

Autumn Sky_Naviarhaiku489

airy
Tag: vista
Tag: divided
Tag: haiku
Tag: naviarhaiku489
Tag: drone
Tag: atmosphere
Add tags to describe the genre and mood of your track

DividingTheSky(NaviarHaiku489)

https://youtu.be/nFlCmypblQo
Naviar Haiku 489

Dividing the autumn sky
Into two
A huge chinquapin tree

Takahama Kyoshi was a Japanese poet active during the Shōwa period of Japan. He was the editor of the haiku magazine Hototogisu (previously edited by Shiki), where he promoted a more traditional style of haiku, as opposed to other popular schools which did not follow the pattern of seventeen syllables at that time.
Kyoshi also highlighted the symbolic function of the kigo (the seasonal reference), even though the more modern trends were already tending towards seasonless haiku.

Trees and Tangents

Trees and Tangents (Naviarhaiku489)

Dividing the autumn sky
Into two
A huge chinquapin tree

Takahama Kyoshi was a Japanese poet active during the Shōwa period of Japan. He was the editor of the haiku magazine Hototogisu (previously edited by Shiki), where he promoted a more traditional style of haiku, as opposed to other popular schools which did not follow the pattern of seventeen syllables at that time.
Kyoshi also highlighted the symbolic function of the kigo (the seasonal reference), even though the more modern trends were already tending towards seasonless haiku.

Autumn sky Into two (naviarhaiku489)

I See The Tree, I See The Skies Naviarhaiku489

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku