Deadline: 28th February 2024

All submissions to Haiku 529:

https://www.naviarrecords.com/naviarhaiku529-a-distant-mountain/

To participate:
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku382)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz
Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: www.naviarrecords.bandcamp.com

haiku #529: A distant mountain / Seen in the sunlight: / A desolate field

Another exploration of Neutone_Gen, with the source material being created from the text of the haiku itself ...

A distant mountain
Seen in the sunlight:
A desolate field

Haiku by Takahama Kyoshi: https://www.gov-online.go.jp/eng/publicity/book/hlj/html/202210/202210_12_en.html

For more information visit http://www.naviarrecords.com/about/naviar-haiku

more halF unusuaL

halF seeN [naviarhaiku529]

"Memories in a loop"

Music by Stu King
Korg Monologue
AudioKit Synth One
Tascam 414 MKII
Conductive Labs NDLR
Mixed in Cubase

Seen In Sunlight

Seen In Sunlight (naviarhaiku529)

This track was created for the Naviar Haiku group.
529
https://www.naviarrecords.com/naviarhaiku529-a-distant-mountain/

2024-02-22

A Distant Mountain ( Naviarhaiku 529 )

22Feb24

My naviarhaiku529 submission;
https://naviarlab.tumblr.com/post/742935142180487168/naviarhaiku529-a-distant-mountain
:D

A distant mountain [naviarhaiku529]

A track produced for the Naviar Records Haiku Challenge; 7 days in which to write and record a track in response to the haiku posted.

Seen In The Sunlight (naviarhaiku529) - Adrian Lane

Electronic composition, sounds created in Pure Data.

Desolate (naviarhaiku529)

A distant mountain
Seen in the sunlight:
A desolate field

Takahama Kyoshi was a Japanese poet active during the Shōwa period of Japan. He was the editor of the haiku magazine Hototogisu (previously edited by Shiki), where he promoted a more traditional style of haiku, as opposed to other popular schools which did not follow the pattern of seventeen syllables at that time.

Kyoshi also highlighted the symbolic function of the kigo (the seasonal reference), even though the more modern trends were already tending towards seasonless haiku.
Haiku by Takahama Kyoshi

desolate field [naviarhaiku529]

Naviar Haiku Challenge 529
https://www.naviarrecords.com/haiku-music-challenge/

A distant mountain
Seen in the sunlight:
A desolate field

A desolate field-naviarhaiku529

Again a contribution to the Naviar Haiku project

Distant Mountain (naviarhaiku529)

Credits:

- Playing from The Bird Fancyer's Delight ... recorder by @kate-gallaher and violin from @stellato-strings
- Synths in WORM Rotterdam by Itchy Ear & I

Image of the furthest star yet found, taken by the NASA/ESA Hubble Space Telescope.

This piece is a response to the latest @naviar-records haiku challenge. Here's the details about that:

'A distant mountain
Seen in the sunlight:
A desolate field'

Haiku by Takahama Kyoshi

Takahama Kyoshi was a Japanese poet active during the Shōwa period of Japan. He was the editor of the haiku magazine Hototogisu (previously edited by Shiki), where he promoted a more traditional style of haiku, as opposed to other popular schools which did not follow the pattern of seventeen syllables at that time.

Kyoshi also highlighted the symbolic function of the kigo (the seasonal reference), even though the more modern trends were already tending towards seasonless haiku.

This haiku poem is part of the Naviar haiku music challenge, where artists are invited to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre.

You have seven days from the posting of this haiku to submit your track. For information on how to make a submission, visit the Naviar Haiku Music Challenge page.

 
TO PARTICIPATE
 
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku529)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram.
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title.

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.
 
For more information visit http://www.naviarrecords.com/about/naviar-haiku

Submission deadline: 28th February 2024

Distant (naviarhaiku529)

Sound Fantasy on: 
A distant mountain 
Seen in the sunlight: 
A desolate field  

by: Takahama Kyoshi 
Naviarrecords Haiku Challenge 529

Distance

Distance_Naviarhaiku 529

Distance And Desire (NaviarHaiku529)

Naviar Haiku 529

A distant mountain
Seen in the sunlight:
A desolate field

Takahama Kyoshi was a Japanese poet active during the Shōwa period of Japan. He was the editor of the haiku magazine Hototogisu (previously edited by Shiki), where he promoted a more traditional style of haiku, as opposed to other popular schools which did not follow the pattern of seventeen syllables at that time.

Kyoshi also highlighted the symbolic function of the kigo (the seasonal reference), even though the more modern trends were already tending towards seasonless haiku.

Haiku by Takahama Kyoshi

Picture by Alessio Soggetti

Mountains Away from Here

Mountains Away from Here (NaviarHaiku529)

Created on iPad with AUM. Enhanced and mastered in Cubase 12 with Dawesome Love and Ozone 10.

Inspired by Naviar Haiku 529:
https://www.naviarrecords.com/naviarhaiku529-a-distant-mountain/

Photo by zenbytes (Heart Mountain, Wyoming, USA,  2023)

desolate mountain - Naviarhaiku 529

Composition inspired by haiku by Takahama Kyoshi

A distant mountain
Seen in the sunlight:
A desolate field

In The Sunlight

In The Sunlight - (naviarhaiku529)

Submission to Naviar Haiku challenge 529. Details here: https://www.naviarrecords.com/naviarhaiku529-a-distant-mountain

The haiku suggested end points and a journey but you decide if you start or finish in the desolate field.

Everything was created as one patch using the VCV Rack virtual modular environment, including the wind. Physical controls were mapped and the piece was recorded in one live take.

Distant Mountain - (NaviarHaiku - 529)

NAVIARHAIKU529

A distant mountain
Seen in the sunlight:
A desolate field

haiku: Takahama Kyoshi https://www.gov-online.go.jp/eng/publicity/book/hlj/html/202210/202210_12_en.html
image: Alessio Soggetti https://unsplash.com/photos/black-rocky-mountain-under-white-cloudy-sky-zxcBR3zNc7I
for the Naviar Records Haiku Music Challenge www.naviarrecords.com/about/naviar-haiku/

Distant Mountain Seen [NaviarHaiku529]

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku