Name: Beethoven: Quartet for Strings no 11 in F minor, Op. 95 : Allegro con brio by necmusic
Duration: 4 min 30 s
Description: New England Conservatory students Julia Connor (Violin), Sarah-Hadley Yakir (Violin), Jessica Pickersgill (Viola), Noémie Raymond-Friset (Cello) perform Beethoven’s Beethoven: Quartet for Strings no 11 in F minor, Op. 95 "Serioso" . Recorded live in Jordan hall, Boston, December 3, 2015.

enjoyable Chambermusic energetic in the Beethovens spirit

Gayane Ballet Suites Part 3  (Aram Khachaturian Conductor).mpg

The poignant 'Agnus Dei' from Bach's Mass in B Minor, with the alto part performed here on virtual trumpet ("The Trumpet" from Samplemodeling). Other instruments include 4 violins (solo violin playing duet with trumpet + 3 other violins playing in unison during trumpet tacits), cello, contrabass, and Baroque organ.

Bach:  Mass In B Minor, BWV 232 - Agnus Dei - Trumpet (updated 2016.06.03)

George Frederick Handel - First Movement from Harp Concerto for Flute Choir (arr. Nora Kile)

Ok, I'm really not sure how I feel about this. I knew of AI's capability of generating non orchestral music but I didn't think the nuances and complexities of orchestral music could be handled by AI just yet. I was wrong.

I spent the last few hours prompting AI (Udio.com) to generate this orchestral film music track.  I didn't compose a note of it. I didn't arrange it, I didn't mix it, I didn't master it but I did prompt and re-prompt many times (almost a hundred times), created many remixes and edits. Its not perfect/great by any means. Its a little generic sounding. There are glitches, there are questionable bow changes and weird musical choices among other things but overall, this blew my freaking mind. I have no idea how this works under the hood. But one thing I kept thinking about is its just a matter of time for developers figure out how to create sample/ai hybrid orchestral virtual instruments that can be molded exactly how the composer wants. And they will sound like the real deal, if properly composed, arranged and balanced of course.

This is wild. At this point I'm not sure yet if AI will replace composers in the future (that's a whole other intense topic) but I know it will provide them with amazing new tools to compose music with (not prompt but actually compose). Like how when full frame digital cameras made high quality film-making accessible to a lot of people. People still needed to learn how to use them and they needed to be creative and know what they're doing though to produce good results. New, more sophisticated and cheaper tools are around the corner! Maybe there will even be AI assisted composing tools (like AI assisted industrial design, AI assisted learning etc...). Cubase co-pilot?

But I could be wrong. What do I know.

Even the image I used for this track is AI generated.

AI Generated - The Love of AI's Life

The Masters Of The Roll - Rarities, Vol. 1

Symphony No.5: 1st Movement (Funeral March)

New England Conservatory students Julia Connor (Violin), Sarah-Hadley Yakir (Violin), Jessica Pickersgill (Viola), Noémie Raymond-Friset (Cello) perform Beethoven’s Beethoven: Quartet for Strings no 11 in F minor, Op. 95 "Serioso" . Recorded live in Jordan hall, Boston, December 3, 2015.

Beethoven Quartets

Beethoven: Quartet for Strings no 11 in F minor, Op. 95 : Allegro con brio

Beethoven: Quartet for Strings no 11 in F minor, Op. 95 "Serioso": Allegro assai vivace ma serioso

Mozart : Adagio and Fugue - I. Adagio

Antonio Vivaldi (1678-1741)
"Longe mala, umbrae, terrores"
Motet for soprano, strings and basso continuo. RV 629

Philippe Jaroussky, countertenor
Ensemble Artaserse

Schleswig-Holstein Musik Festival, Meldorf
2011-07-15

Broadcast on NDR Kultur 2011-09-04

via http://www.youtube.com/user/sjuli17

*******
Longe mala, umbrae, terrores,
sors amara, iniqua sors.
Bella, plagae, irae, furores,
tela et arma, aeterna mors.

Recedite, nubes et fulgura,
et sereno coronata fulgore
coeli, sidera, coruscate,
omnes animae super
terram et super astra
viventes, iubilate.

Descende, o coeli vox,
ex alto asperge nos,
tolle maerorem.
Resplende, o vera lux,
es tu secura dux,
sparge fulgorem.

Alleluia.

*******
Away with woes, shadows, terrors,
bitter fate, unfair fate.
Wars, plagues, anger, rages,
weapons and armour, eternal death.

Clouds and lightning be gone,
and crowned with the tranquil brightness
of heaven, let the stars twinkle,
let every soul from
the earth to the stars
rejoice and be alive.

Come down, voice of heaven,
and wash us from on high,
take away misery.
Shine out, true light,
you are a fearless leader,
spread your light.

Alleluia.

Vivaldi Longe mala - Jaroussky - via SJuli

Complete Recordings on Deutsche Grammophon 1959-1965 CD015

Beethoven - Symphony No. 9 in D Minor Op. 125 - Herbert Von Karajan

Robert Schumann: Fantasiestücke Op.73, Zart und mit Ausdruck.
Alberto Martos, cello.
Ambrosio Valero, piano.

Robert Schumann: Fantasiestücke Op.73, Zart und mit Ausdruck

New England Conservatory educates and trains musicians of all ages from around the world, drawing on the talent and deep reservoir of experience of our distinguished faculty. We are dedicated to inculcating the highest standards of excellence and nurturing individual artistic sensibility and creative growth. Understanding that music is one of the transcendent expressions of human civilization, NEC aspires to ensure it a central place in contemporary society. Additionally, we present over 1,000 free concerts a year in our world class performance spaces which include historic Jordan Hall.

Beethoven: Quartet for Strings no 11 in F minor, Op. 95 : Allegro con brio

necmusic

Recent comments

Agi

Related tracks