You caught my inner vibe on the go Boss, I danced as much as my shadow booggie over the beat. still swinging in on my dance shoeeee 💕💕💕

Weekly Wave

Time shift

This song is a major adaptation of the concept of the previous song. In electronic music, the way this song uses sound is mainstream. However, my aim is to express an individual soul. Since the sound is a collection of images, it is instead concentrated into one image. I feel an irony. Also, I couldn't create a bass phrase.

Counterattack of a Heart that Has Succumbed to the World (313)

This music has be been edited and mastered from an upload several years ago that needed new light shined upon it.  I hope you enjoy.

Someone Time Forgot (remastered)

My second collaboration with the fantastic Eclectic Collective. Thank you for this awesome experience, Josh, Ken, Stephen, JJ, and Tez!

Cast of characters:
Tea R. Sea @tea_are_sea -- Terry – Synthesizers, beats, composition
Llanpsych–@llanpsych –Tez– Fender Stratocaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Top T Classic
 electric wah guitar, mix, and production
J.J. Terrell-- @j-j-terrell—JJ-- Yamaha Genos 2 electric piano, tambourine, and triangle
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1– Custom five-string fretless bass

This song started as a basic, yet melodically very strong composition by Terry involving him playing a synthesizer over a beat he created. He first shared it with Stephen, as they are regular collaborators in their project, Texas Tea, which are worth checking out on both of their pages, as well. Stephen then turned it over the the Eclectic Collective to work our magic on it.
  Josh was first up to the plate with this one, adding his deep, five string fretless bass to Terry's rudimentary beat. Ken was next up, however, adding the driving drum beat you hear, for which he used Terry's beat as a template and augmented a full kit sound to it. Stephen followed Ken, adding his striking wah guitar part to the whole thing. Tez was up soon after with his searing guitar soloing towards the end. Last, but certainly not least, JJ added the soulful electric piano you hear giving it a funk throughout, as well as the tambourine and the cool triange dings. 
  Now that it was in the bag, we decided to ask Stephen to produce and mix it for us, which he did in his typical expert fashion, as well as the doing the mastering, too.
  This is our holiday offering to all our fans, friends, colleagues, and peers. While it's not particularly a holiday song, it's a good display of where we are musically, and shows some of the flavor we want to add in the new year. We hope you enjoy listening to this as much as we enjoyed creating it. Happy holidays to you, and many happy returns!

Tree Tops - w/ Eclectic Collective

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Bandcamp

Liar

Composition and Sampling collage by Synline.

Let's Talk About Love

Cast of Characters:
Joe Stroffolino-- @joseph-stroffolino -- Taylor 114ce acoustic guitar, main vocals, harmony vocals, lyrics, composition 
Llanpsych -- @llanpsych -- Tez – Fender HSS Telecaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Custom T electric guitar, mix, mastering, and production
Mistermark-- @user-432503709 -- Mark – piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string Fender Precision Bass with a plectrum 
 
This song began as one of Joe's, lyrically centered songs, which he wrote and filled in with VST instruments. He came up with the lyrics by sharing ideas with fellow SoundCloud musician Michele Ansani.
   Knowing that Josh is a fan of his work, Joe offered this song to him in hopes that he'd share it with the rest of the band. Of course, Josh jumped at the opportunity to work on his song, and immediately shared it with the rest of the group. 
  Ken went to work first, adding his driving, excting drums. Josh was having a hard time coming up with a good bass line for it, until Ken suggested that he use the power of the 1/8 note to propel it. Tez was up next with his clever fills you hear throughout the first half of the song. Stephen came along right after and matched Tez's energy for the guitar fills in the second half of the song. 
  It was still missing a solo in the designated spot, though, so Mark stepped up with his innovative piano solo you hear in the middle. If it sounds a little mechanical, that's because he's using an arpeggiator to achieve the effect. We thought it sounded good in a song about AI, though. 
  Once all the parts were dialed in, and Joe had gotten all his vocals tuned up, we asked one of our resident pros, Stephen, to mix it for us. He did that and mastered it, too, expertly, as always.
  This is the first song we've ever done with Joe, and don't expect it to be the last. We all really enjoyed putting together, in no small part because Joe is such a competent, receptive, and gracious collaborator. We all hope you enjoy listening to it as much as we enjoyed creating it. 
Original lyrics by Joe Stroffolino (and Michele Ansani):
When I was thirteen I picked up my first guitar
it was my mother's, it only had one nylon string 
I tried to play it like a rock star
I learned to play the Coca-Cola jingle
So I could teach the world to sing
When I was fourteen, I put on six new strings
I learned to play Beatles, I learned a Bob Dylan song
I sounded out of tune but I tried to carry on
At fifteen I wrote my first original tune 
So bad it sounded like it might have been written by a baboon
When I was sixteen, I got a new guitar for my birthday
The metal strings sawed through my fingers 
But I continued to play
And the calluses formed and every day I learned a brand new chord
I was obsessed with that guitar and I never grew bored.
I wrote songs every day and most of them were a mess
But I believed that through hard work, I could achieve success
Malcom Gladwell wrote a book that said it takes ten thousand hours
To become and expert at your craft
But now all it takes is two commands and an enter
And in two minutes you have ten versions of the same damn new song,
You just have to choose the type
folk, rock, rap, pop, metal, jazz, trap or blues.
You don't even need to write the lyrics, 
your push a few buttons let the AI choose.
And people will think your songs are great even though you didn’t write or play a single note.
When I was 20, I did my first concert, it was time
it occurred in a village square
there were four cats all friends of mine
I was still using the plectrum and sometimes I got the chords wrong
at thirty I finally wrote what I thought was a decent song
It had a very well thought out structure
And a catchy vibe and beat
It was overly verbose but when I played it people tapped their feet
In my forties I stopped wasting my time
Work was more fun I was doing just fine

AI Sucks! (Eclectic Collective with Joe Stroffolino)

This is the only live-recorded ballad I can put up here from the first album of Stytz Syndicate.
Line Up:
Stytz                             : guitar/leadvocals
Michael Roth                : harmonicas/vocals
Günther Reger             : saxophone/vocals
Claus Wengenmayr     : keyboards/vocals
Benno Richter              : bass
Jörg Schäfer                : drums
Lyrics                            : Pee Gee
Album Cover-Painting : Joachim Scheffler

Many people in the audience that night became teary-eyed hearing this song. 
The band gave it their absolute best and Stytz sang with heartbreaking intensity.

Thinkin´of the years we spent
Together...you and me
Goin´thru a constant change of ups and downs
I remember when we fell in love
A world full of colors surrounding us
We were happy all the time

It´s so hard to bear when words get in the way
So hard to bear when nothing`s left to say
So hard to say ...I´m sorry, it´s too late
I just fail to understand why
Our love´s come to an end

So afraid of losin you
I made a big mistake
But I know I have to realize
The feelings are gone
I can never change your mind
You made your own decision
Tryin´to find a way 
Leadin` back to yourself

It´s so hard to bear when words get in the way
So hard to bear when nothing´s left to say
So hard to say...I´m sorry it´s too late
I just fail to understand why
Our love´s come to an end

Our Love´s Come To An End ,  Stytz Syndicate

I can see further at night

special thanks for their acapella to : Ashes and Dreams
Additional voice " On sight"  thanks to :  Deadbitctrosa.....

Lyrics : 
The truth sure likes to sneak up on you
Yeah, the truth sure likes to sneak up on you

You got jump-scared so bad in your waking hours
You thought you were seeing stars
The truth sure likes to sneak up on you

Gonna see it, gonna see it, gonna see it, gonna see it
Gonna hear it, hear it
Only when you’re not listening

Gonna hear it, gonna hear it, gonna hear it, gonna hear it
Gonna see it, see it
Only when you’re not looking

It’s the same from Winnipeg to California
Punishing your intuition in the corner
It’s the same from Winnipeg to California
Punishing our intuition in the corner

The clue stuck to the bottom of a shoe
The mud trail she tracked through the living room
Told you what you already knew

The truth
The truth sure likes to sneak up on you
Yeah, the truth sure likes to sneak up on you
Yeah, the truth sure likes to sneak up on you

THE TRUTH. 🎧. Feat  Ashes and Dreams

Recording sessions from 09-03-2025 - 19-03-2025
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
Read 🎹🎹🎹  FOR THE CURIOUS
What did I play this with?
A very complex VST to use, but truly amazing... once you understand the method. You also need a very good ear.
DISCOVER THIS INSTRUMENT  (🇫🇷 🇬🇧): www.semantic-danielou.com/fr/ 
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks / Without AI
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork : Pier WILL
- Acknowledgements : Ableton-AKG-Arturia-Audacity-Cantabile-Focusrite
  Korg-M-Audio-MSI-Sony-SoundCloud-Teac-Techniks-Yamaha.
________________________________________________________________________


#Ambient #Movies #Experimental

░░curiosity░░

Chapter 229 of 266

This chapter was written and produced with one ear. Working through getting my right ear back to normal. The show must go on.

Enter the enigmatic world of "TAFFETA," a musical tapestry woven from the threads of dreams and tragedy. Born from a single night of profound dreaming, this ambitious project embarks on an exploration of the human psyche through the language of instrumental music.

This is a five-year project, comprising of what will eventually end at 266 chapters, each is a standalone piece of sonic artistry, "TAFFETA" unfolds like a novel, with each composition serving as a chapter in a larger narrative. Crafted with meticulous care and creative fervor, every piece is birthed within the span of a week, capturing the essence of inspiration in its purest form.

But "TAFFETA" is more than just a collection of songs; it's a journey of the soul. Set against the backdrop of loss and longing, the project follows the story of a woman who slips into a coma following the untimely death of her husband. Through the evocative power of music, listeners are transported into her world, where emotions ebb and flow like the tides of a restless sea.

Week by week, each chapter of "TAFFETA" unfolds on SoundCloud, inviting audiences to immerse themselves in its haunting beauty. From cinematic compositions to haunting electronic soundscapes, each piece adds a layer to the intricate tapestry of sound, weaving a narrative that transcends the boundaries of language.

As listeners embark on this sonic voyage, they are invited to ponder the mysteries of existence, to confront the depths of sorrow and the resilience of the human spirit. "TAFFETA" is not merely a musical project; it's an experience—a testament to the transformative power of music to touch hearts, stir souls, and awaken the imagination.

If you wish to take a dive into everything that has come before:
The TAFFETA Albums each contain 15 consecutive tracks and are available for free, exclusively on Bandcamp.

TAFFETA VOL. 15 releases on May 8th, exclusively on Bandcamp.

TAFFETA VOL. 14 is now available: https://belialpelegrim.bandcamp.com/album/taffeta-vol-14

TAFFETA VOLUMES 1-13 are all available on Bandcamp
https://belialpelegrim.bandcamp.com/

COVER YOUR TORSO WITH TAFFETA! Check out the official TAFFETA t-shirt!
https://belialpelegrim.bandcamp.com/merch/belial-pelegrim-official-taffeta-design

The TAFFETA Playlist is always kept up to date:
soundcloud.com/belial-pelegrim/sets/taffeta-a-266-part-musical?si=d46fc7ad1b50446dadc7ce3ffe1a1b02&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

TAFFETA | 229

Rage Mode is an inspired soundtrack mixing a 8 string guitar with analog synthesizer using an array a of pedal effects. The song was born mainly as a background sound for action scenes from video games or movies

Rage Mode

Just an idea based on another idea then another

Fractal Egocide

Make Your Move

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

Rock,Techno,Ambient,Metal,EDM etc...
There is no border.
Enjoy freely!

Liar

Negative Headphone

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