Watch the video:

https://kandinskynoir.bandcamp.com/video

Guitars: Robin Schulte
https://www.facebook.com/robin.schulte.75

Mixed and Mastered by: Modern Nihilism Recordings
https://www.facebook.com/ModernNihilismRecordings

Artwork Model: Marta C. 
https://www.instagram.com/spatkaufberlin/

Shadows of wonder
Tempting to bite us
Victims of sympathy.

Time and its demons,
Face the delirium,
Face how we fade away.

Wrath encompasses,
Frames of the past,
A mania to be displayed.

Desperate holding
Onto these corpses,
Time does not heal instead.

Verweile doch,
Du bist so schön!
Verweile dort,
In deinem Fluch!

And we're leaving Opfera,
We forsake this sudden grace,
In these violent moments,
Loss is the medicine.

And we're ready to depart,
No room for empty regrets
In this rising horror,
Godspeed, your innocence.

Shaking hands grasp
A mirror to vanish
Image of this decay.

Time and its wonders
Conceal repentance,
Till we will slip away.

Verweile doch,
Du bist so schön!
Verweile dort,
In Deiner Flucht!

And we're leaving Opfera,
We forsake this sudden grace,
In these violent moments,
Loss is the medicine.

And we're ready to depart,
No room for empty regrets
In this rising horror,
Godspeed, our innocence.

OPFERA

Enjoy and  sit back and relax....just a normal lullaby of the l'maburg. this is pretty outdated so you'll have to forgive me. This song is not by me nor is the art all credits go to bakoozla on yt go check them out!

I'manbrugs (unofficial) lullaby

Game Genre: RPG
Screen: The Final Encounter
Resources:
V Slot: Ph'th'kuh's Throat Balm (Singing!)
P Slot: The Bear Hammock 29-F (I used 9 different sword samples and did a variation in terms of timing [not just 2 and 4 counts])


ENTER THE LEVIATHAN:


Cut Scene - Beginning
* Siren: (Laughing) - You said you wanted more didn't you?! Well my dear, patience is a virtue.
Hero: Your eyes betray you siren, I see in them the same fear that every person sees before you drag them to these depths. My fate shall be different. 


Verse 0.5:
Feeding the sounds of silence, this kind of kindness is mindless
Down here existence is timeless, you'll have it down to a science
Open those eyelids, tonight you'll dance with the Siren
Our love will guide us, your souls are priceless, let's explore those vices


In a crisis like Isis, I'll transform into a perfect likeness
Like a virus inside us I'll consume your crude defiance
My guidance will be your reliance through all the bias
I'm not Midas in the sightless, but I will get you all to riot!!!


Bridge:
Drown thy love in blood; the price I pay // We'll play this neverending game
Consume thy heart, the art of our ballet  // Your souls, my prey, you will obey


Verse 1 / Singing Underlay:
You want it, I got it, Come and get it, you won't regret it
I must admit; there is no greater bliss, once you submit
You'll find peace deep within my abyss
Release this beast sealed with a kiss
* Lore the lord a shore, distort his sight tonight; I WANT YOU TO FEEL THIS
You won't quit it, You gotta have it, you'll never get it
Once you permit it, you can't resist it, I'll be thy witness
Transmit your frivolous forgiveness in this stillness
For you will drown in your soul's grimness
* Cast away the pain, ignite this sacrifice; I WANT YOU TO FEEL THIS
A love you can't fake
A pain you can't shake
A dream you can't wake
A life I will take
A will I will break
I am your mistake
* No escape from fate, Your crown I will surround; I WANT YOU TO FEEL THIS
A hatred I will turn
A cure I will learn
A truth I will yearn
A death you can't earn
A foe you can't burn
I am your concern
* Reign this soul's domain, torn and left forlorn; I WANT YOU TO FEEL THIS


Inner Monologue:
Thirteen have fallen to this One.
I didn't know what I'd become!
I was only here for fun!
It is you who has chosen this fate to succumb.


Verse 1.5 / Singing Underlay:
I've done nothing wrong
I'll help you grow strong
You're where you belong
Your life I'll prolong
Our love will live on
Give into my song
* Forge the light at night, I see the stars align; I WANT YOU TO FEEL THIS
My power grows strong
you've done nothing wrong
This pain I'll prolong
I'm where you belong
Give into my song
You want more, c'mon!!
* Born to bear this tome, I've chosen fate to endure; I WANT YOU TO FEEL THIS


Cut Scene - End
* Hero - This isn't what I wanted! This ends here!!!
* (SirenSeraph) - Crying which slowly turns into laughter

VPC7, Round 2

2 Cannonz [SirenSeraph, PSX] - Enter The Leviathan

One of my favourite tracks from my new album Goji - available on all platforms!

Bandcamp - https://ulvo.bandcamp.com/album/goji

Spotify - open.spotify.com/album/2cOXtFQWEs…oLRVqzFIBiPCBlOg

Bandcamp

Leaving

A track from the 2021 CD 'Magneto Mori: Vienna' on Canti Magnetici.

Magneto Mori: Vienna

Non - Existent Days

Welcome| Kanye West Type Beat| Free

2021-08-24

NLS - 2021 - 08 - 24

we cannot save you

we won't save you from the dark
we won't save you from the weather
we can't save you from a vengeful god
we can't save you ever

we won't save you from these leaders
we put 'em there
and should you ever need us
we won't be there

to protest is illegal
don't you dare complain
to live under the eagle
resistance is in vain

in vain

In Vain

This work wouldn't count as "12-tone music" even though it is based on an extraordinary tone row recently discovered by the composer.  And it also wouldn't count as "tonal" even though it unabashedly deploys some triadic harmonies.  And it's also not one of those pieces that pushes to the boundary of atonality or, though primarily atonal, flirts with suggestions of root progressions.  

To explain: there are about half-a-billion 12-tone rows total, and still about  10 million when you count only up to the usual transformations.  But this row
[ 0 3 1 9 2 8 10 11 6 5 4 7 ]
enjoys a unique, 1-in-10,000,000 property.  Consider the ten internal 3-note sequences 
[ 0 3 1 ], [ 3 1 9 ], [ 1 9 2 ], [ 9 2 8 ], [ 2 8 10 ],  [ 8 10 11 ], [ 10 11 6 ], [ 11 6 5 ], [ 6 5 4 ],[ 5 4 7 ].   They all turn out mutually
so different each-to-each that you can't mistake one sequence for a transposition of another even if some or all of the notes get nudged up or down a semitone!  So that means, in principle, the listener can know where she is inside the row even with only dodgy relative pitch!

Multiply by 7 and semitones turn into 5ths.  So instead of using the original row to control pitches, this piece uses the related row [ 0 9 7 3 2 8 10  5 6 11 4 1 ] roughly speaking, to control key centers.  Since this new row stands to the cycle-of-fifths as the original one does the chromatic scale, now instead of inflecting up or down a semitone,  you get to replace any chord note with its dominant or subdominant.   The result: no collision between the 10 3-chord progressions can occur, no matter what the substitutions. 

The hidden skeleton of this work comprises four statements of the second row (but overlapping, and with the middle two transposed). Thus one may think of the work as 40 variations, each exploring one of the 3-chord sequences, but with constant substitution as described above.  Each variation consists of 15 phrases (for no particular reason).  But the phrases move from low to high,  making them easy to count off when you first try to follow the structure.  Eventually your ear will just "get it" and after a few listens you'll find you don't need to count to hear the harmonic changes that distinguish each variation from the next.

Altocumulus stratiformis translucidus undulatus, for solo piano

Song origin: 

Sir Black’s face went mik-pale as he exited his time machine into a new dimension. 
“Why is this time machine broken and sending me to other dimensions?” he asked, scratching his head.
A dismember voice from a dark hall creeped in saying, “Yeeowser, sur! We thinks youssa torn between Earths.”
Sir Black spun a circle. “Who said that?”
“Tee Hee. Tee Hee…” replied the same incourprial voice.
Sir Black’s breaths quickened and his voice shook. “Who are you? Show yourself.”
“I am a splinter. A shadow on the wall. The dark abysmal shadow swarming from the hall.” the creeping voice said.
“I have a knife,” Sir Black warned.
“Oh, sweet little girl, I can not save you from your pain. Bear me no ill will for I cannot save me just the same. Ooowee! I says, I cane not… no sur-reee I cane not save yuhhhhs!”
Sir Black’s brow furrowed. “Who are you calling a little girl? I'm a grown ass man, my good sir.”
“Whhaaaahhhhtttt?” howled the voice. “No. no. no. Not again. Bleak nightmares! An ode to something I once adored.”
“Haunted voice of this torn between Earths, you be too vague and nebulous.” Sir Black said.
“Bleak nightmares,” the voice said again. “An ode to something I held before.”
“Tell me please, who are you?” Sir Black begged with folded hands.
“Oh, yousa want our name sur? Yousa want to know? Foul intrusion of meat and blood and other moistness wants our name?” the agitated voice asked. “I am nightmare Governor Urth.”
“Stay away. This is the last knife!” Sir Black replied. 
“Wait. Did you say the ‘last’ knife?” the voice asked.
“I did.”
“Eeeek!” The fleeing voice trailed down the hall. As it faded, a clank of tin smacked upon the floor. It rattled to a soft silence. Sir Black walked to the shiny round object and held it to the dim light. Upon it read, master reel of Blackurth the imfamous industrial metal band's, You Creep In.
Sir Black rushed to his time machine and quickly disappeared. 

Song lyrics: 

You creep in blood-shot eyes.
You creep in, but this is the last knife.
You creep in slither slide.
You creep in, but this is the last knife.
Splinter is the shadow crawling on the walls.
The dark abysmal shadow’s swarming from the halls.
Sweet little girl, I cannot save you from your pain.
Bear me no ill will, for I can’t save me just the same.
Sweet little girl, I cannot save you from your pain.
Promise me that you will not save me from my pain.
Bleak nightmares. An ode to something I once adored.
Bleak nightmares. An ode to something I held before.

You creep In

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2 Cannonz [SirenSeraph, PSX] - Enter The Leviathan

NerdcoreVPC