ReEx 7

repost exchange 1

Muted Scapefulness

bulbo

Your Mix 10

Part of the album "Die Umrandung des Nichts".

Die Umrandung des Nichts

Langwandern

Embient - Chemistry

Turning Point is about breaking free from the past and embarking on a new journey.

Turning Point

A savory stew of Martin acoustic and Fender electric instruments :)

Fall Colors

Hi!
I am experimenting with shorter ambient pieces at the moment. It is kinda strange to use so few ideas and sounds in a song, but these kind of challenges are pushing you to new territories you might never see otherwise. 

Expect to see a bunch of new music in this style so i can give you a whole list of music to sleep / chill / study to. : )

Vanishing Waves

Cold Front

Bob Dylan wrote a 'Song to Woody' and put it on his first album.
Mike Scantlebury wrote a 'Song to Bobby' in 1986, a tribute to Bob and a tribute to his song to HIS hero. Just like Bob, Mike's song is written with a tune that sounds like his hero's style, and some of the words are reminiscent of the other, but, in fact, it's all original, even if sticking to the world of Folk Music, as it was in the 1960s.
Sure, it's a coincidence that there's a new film coming, detailing Dylan's experiences 1961-65, a totally creative era. More people than Mike Scantlebury (3rd) were inspired at that time, but how many have sat down and put their feelings into a poetic form.
(The form, of course, is Anglo-Saxon. Rhyming came to England from Italy in Shakespeare's day. Before that time, alliteration inside lines was popular, but only 'half rhymes' at the end of lines. Check it out. 'Decide' doesn't rhyme with 'road'. No, it's a half rhyme, where the consonants are similar but the vowels are different. Yes, differant.)

Bob Dylan song (Mike Scantlebury)

Lots of acoustic and electric guitar’s meshed with an up beat rhythm to liven up the mood just like a sunrise wakes you up.
Composer Fernando Melo
Guitars Fernando Melo

Acoustic Sunrise

Snow

New Single : Title: Rhythm Of The Night
By DJ AfterBass
Label: DistroKid
https://dj.beatport.com/artists/dj-afterbass/1256504
Follow my music on spotify - DJ AfterBass
2025 All Rights Reserved.

New release | Rhythm Of The Night | DJ AfterBass

WANATG@GMAIL.COM

In Agreement (Free Download)

Warm look from the past

"The Crowells were the first people I met who never said something was red. They'd say a thing was puce or mauve or magenta or vermillion and I wouldn't know if that was more like red or green. They called me color deaf." 
This lovely little story is published in The Next Whole Earth Catalog, 1980, p303, The Rising Sun, Neighborhood Newsletter. And this story inspired this tune. 

Color Deaf

Sayless

"That Far Forgotten Shore"* by classical composer Jeremias Langsämmer is a breathtaking orchestral journey, blending the grandeur of Western classical tradition with the evocative melodies of the Middle East. This sweeping soundtrack piece unfolds like a memory carried by the wind, its layered strings rising and falling like waves on an ancient shore.  

Deep strings introduce the theme, their rich, resonant tones imbued with longing, before swelling into a rich tapestry of sound—warm cellos, shimmering violas, and soaring violins weaving together in undulating phrases. Beneath them, deep, resonant percussion and plucked Middle Eastern instruments, such as the oud and qanun, add texture and depth, evoking sunlit dunes and distant, forgotten lands.  

The composition moves through shifting tides of emotion, from hushed, introspective passages to bold, cinematic crescendos. A hypnotic, rhythmic motif pulses beneath the orchestration, subtly mirroring the ebb and flow of the sea. The harmonies drift between Western tonality and modal inflections, creating a haunting, timeless atmosphere—both familiar and exotic, distant yet deeply human.  

"That Far Forgotten Shore" is a soundtrack for lost places, for whispered histories and unseen horizons—a piece that lingers in the soul long after the final note fades.

That Far Forgotten Shore [Orchestral | Soundtrack]

The February full moon is up on Feb, 12th ... time to present the accompanying tune. 
For more info see Annie: https://soundcloud.com/annie-dieu-le-veut/snow-moon.

Snow Moon

Hi, Please read my bio! New piece I made - any comments, feedback want to discuss anything at all - collaboration etc always love to connect with new artists... Also

Shortly Streaming on Spotify & Apple Music - Please subscribe!
music.apple.com/us/artist/trial-error/669928992
open.spotify.com/artist/0048EF6bNvCLUL7GmO2N3w
Thank you so much for listening and have a great day!

Sadness Within Updated

i don’t wanna lose this

Carpathian

Alt J-Hunger Of The Pine Flip

MIele.wav

A slow unraveling before the break. How curious.

"Really" is a leftfield electronic instrumental I made in the final days before a domestic violence incident that changed everything. It is the last song of the album and the relationship of seven adaptive years.

There are no lyrics here. Just ambient textures, downtempo pacing, and leftfield electronica tension. It doesn’t process pain. It precedes it, almost anticipating what’s to come.

Built on a foundation of lo-fi loops and intuitive mobile production, the track captures a moment of eerie calm. Created without conscious knowledge of the trauma ahead, it is still steeped in emotional weight.

It explores space, restraint, and discomfort using sound design to build a psychological atmosphere.

This is the sound of unspoken recognition. A shift. Once a symbol of safety, your buoy becomes the very weapon of your destruction. It evokes the sensation of holding your breath just a little too long.

"Really" opens the final chapter in the PXL arc, marking a pivotal turning point. It is not healing. It is the moment just before rupture.

"Really"

Really

A track from an upcoming EP that I've been working on
Also on Bandcamp right now- https://loosejoxx.bandcamp.com/track/same-light

Will be on all platforms soon and thanks for listening

Bandcamp

Same Light

original Music/Lyrics/Vocals: Neowakan
Written: 2013
Recorded: 2020

high days

I am the NerdWiser and I play the Synthesizer.
I make electronic music you can’t dance to.
🎧 plz! Thank you for listening.