My Babe Don’t Care

Nineteen And Beyond: Paul Hardcastle 1984-1988

Just For Money (Breakers Version)

Checking

You got too much time on your hands
You keep checkin' up on your man
Think you better do what you can
Before I end up fuckin' your plans
Your plans
He told me you left him for dead
So we had a talk and he said
"You make me forget her instead"
You keep checkin' up on your man
Your man

[Chorus]
When you stalk my profile
When you stalk my profile
[Verse]
So you know he isn't comin' home
You check the location on his phone
When I ask him if he loves me so
He says
"Yes" and he doesn't say
"No"
Say no
You don't wanna hear it from me
So I guess it's really not my place
Just admit it
Babe
You're losin' face
When you keep on checkin' up on me
On me

[Chorus]
When you stalk my profile
When you stalk my profile
When you stalk my profile
When you stalk my profile

Composed : 2 August 2025 at 9:36

Checking

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Oooooh Revisited

Enjoy an atmospheric deep house and coffee lounge house journey with soulful grooves, melodic rhythms, and chilled club vibes. Perfect for work, relaxation, studying or your next sunset session.  

💽 Genre: Melodic Deep House / Organic House / Louge House
🎧 Vibe: Sunset, Study, Club, Lounge, Afterhours  
▶️ Don’t forget to like 👍, comment 💬 and subscribe 🔔 for more deep & melodic vibes!

VAIPERBEATS - Hearts in Motion (Coffee Lounge Vipes Vol. 1)

The Escorts - Make Me over

Credits
Mastered By – HW*
Mixed By – Rick Richardson
Producer, Arranged By, Written-By – Herschel Dwellingham

Re- work  by Alkalino ©

All rights reserved. ©

purchasing the song https://alkalino.bandcamp.com/track/escorts-make-me-over-rework

This song is loaded purposes only informative- All rights are owned by the author . ©

The Escorts- Make Me Over (Alkalino Rework)

WE JUST (KRYSTAL KLEAR BESTIVAL EDIT)

Blackbyrds City Life - Originally released on the City Life album in 1975, produced by the legendary Donald Byrd featuring the classics 'Rock Creek Park' & 'Happy Music'.

Up for the free Promo DL for my Soundcloud peeps for a short time only so grab it whilst you can!

WAV Bandcamp

The Blackbyrds - City Life (Dj XS Lost In The City Rework)

These samples are 96kbps.......so be nice and stay classy

Buy on Juno: https://bit.ly/2IZ6QAa
Buy on Phonica: https://bit.ly/2tWUDY2
Buy on OYE: https://bit.ly/2lYV3sw

Our vinyl only edits sub label HODSTASH is back with four cuts for the floor with tracks from label regulars Fouk, Snack & Harry Wolfman and a track from someone totally new SDWTRX.

HODSTASH004

Buy on Phonica

Fouk - Elephants Yeah

Track available at Traxsource: 
https://www.traxsource.com/title/1087921/nyc-disco-the-45s-vol-1
iTunes: https://itunes.apple.com/us/album/nyc-disco-the-45s-vol-1-ep/1450462201

NYC Disco - The 45s Vol. 1

I Can't Stop (Louie Vega Original Interpretation Mix - 7" Version)

John Davis & The Monster Orchestra - I Can't Stop (Louie Vega Original Interpretation 7" Version)

As one of the longest standing independent record labels in the US, Nervous Records has built its reputation through a willingness to take chances on new sounds and new producers. Nervous was the first American label to sign and release tracks from such dance industry luminaries as Armand Van Helden, Paul Van Dyk and Nuyorican Soul. This spirit has enabled Nervous to build a catalogue of hits that spans the complete range of underground dance and hip hop genres.

The label was famous almost immediately when it started back in 1991 because of its eye-catching, very distinctive cartoon character logo. In addition the first three releases were produced by Roger S., Kenny Dope, and Todd Terry respectively, representing the three best house producers of that time. By 1992 Nervous was featured in magazines like Billboard, DJ Magazine (cover story), Mixmag, and ID, hailed by all as the “Sound of New York nitelife.”

Nervous’ first major dance release came in 1992, with “Feel Like Singing” by Sandy B. Nervous decided at that point to focus its energy on expanding the label’s musical field. The label’s first step outside the house music arena was with the Brooklyn, NY-based rap group, Black Moon, whose single “Who Got The Props” virtually put Brooklyn back on the map as a center of hip hop. At the same time, the label decided to alter the Nervous character for this release, giving it specific hip hop characteristics, and calling the hip hop label Wreck Records. Massive success followed with the Wreck imprint, as hits soon followed by Smif-N-Wessun, and Funkmaster Flex.

Nervous decided to continue to expand its musical boundries in 1993 by signing Mad Lion, which would be the first reggae artist on the Weeded imprint. Once again, there was huge success as Mad Lion’s single “Take It Easy” sold over 250,000 units.

Meanwhile, the Nervous merchandise continued to produce massive sales numbers as it established itself as one of the most favored t-shirts for the youth cultures of America, Japan, and many European countries.

In 1994, the label decided it was time to move into the electronic genre, and started an imprint called Sorted. The first artist on that label was Josh Wink, who went by the artist name Winx. While Winx’s debut release was a critical success although not a major seller, Winx’s follow-up release “Don’t Laugh” became the American dance community’s most talked about single, and ended up selling several hundred thousand units worlwide. Subsequently Nervous released Winx’s debut album, “Left Above The Clouds.” This album was one of the first “electronica” albums to be released, and lead to Josh Wink being signed to Sony as an artist. Nervous also released an album by two Long Island based dj’s, DJ Micro and Vicious Vic. The album, entitled “Progress Into Our Future,” since became a seminal album for the crew of Long Island dj’s that currently dominate clubs with their hard trance sound.

In 1996, Nervous virtually single-handedly created a garage house music revival by releasing the debut solo artist album by house music legend Byron Stingily. Byron was formerly the lead singer of gold-selling group Ten City. His second single on Nervous, “Get Up,” went to number one on dance charts around the world, including the Billboard Magazine club chart in America.. For his album, “The Purist,” Nervous assembled an all-star cast of legendary House producers, including Frankie Knuckles, Masters At Work, David Morales, Basement Boys, Maurice Joshua and MK.

As the musical trends continued to evolve in the late 90’s, Nervous continued to create new imprints to remain at the cutting edge of all independent labels. Nervous Dog was created to accommodate the emerging harder-edged house sound of New York; Strapped was the home for uptempo, club oriented hip hop Party tracks; and Nervous Chill released the down tempo, jazzy grooves that are always in vogue in the newest restaurants.

The label also has had many successful tours over the years. One of the biggest was in 2,000, when the Nervous tour was sponsored by Playboy Magazine and KAMEL cigarettes, and featured DJ’s Jackie Christie, Razor-n-Guido and DJ Escape, along With PA’s by Nervous artists Byron Stingily, Charlotte And Kim English. In addition, Nervous created what became one of the Winter Music Conference’s most original Parties, the Nervous After-hours breakfast at Denny’s, which featured an International list of dj’s entertaining conference attendees at 5:00 AM while they ate their grand slam Denny’s breakfast.

In 2000 and 2001, the energy tribal sound dominated the US club and Nervous gave America’s club-goers four of the its most dominant anthems, “Skin” by Charlotte, “Ssst…Listen” by Jonah, “Unspeakable Joy” by Kim English and Dive In The Pool by Barry Harris featuring Pepper Meshay. During this same time, the label has also created many successful compilation series, among them “Hip Hop Independent’s Day,” and “Future Progressive,” and “Club Nervous.

As the hits grew in number, so did the value of the catalogue for sampling purposes. Nervous songs have been sampled in major hits by Mariah Carey, New Edition, Coolio, Flip Squad, Basement Jax, George Michael, Soulsearcher and more..

In 2006 Nervous gave the US one of the biggest dance radio records with What A Feeling by Peter Luts & Dominico, a track which won the 2007 WMC award for Best Euro Dance track. In addition, Nervous delivered the most memorable US underground track of the year with Ralph Falcon – I Need Someone, which was also number one club record of 2007 according to Billboard Magazine.

In 2008 Nervous had two of the top five most played records of the year at dance radio, with Bellatrax feat. Sophia May/I Can’t Help Myself and Every Word by Ercola featuring Daniella, and ended the year as the two most played label at dance radio in the USA according to Billboard Magazine.

Nervous has also made a strong foray into the compilation market, building a roster with some of the most credible house music. The past twelve months has seen full length cd’s from Oscar G, Ralph Falcon, Funkagenda, Mark Brown, Behrouz, Chris Lake, Starkillers & Austin Leeds, DJ Theo, Exacta and Marlon D. Second half of 2009 will see releases from Danny Krivit, Frankie Knuckles, Tom Stephan, Peter Bailey and Richie Santana and Anane (produced by Louie Vega. 

In the grand tradition of Nervous launching sub-labels to embrace the next sounds to take over Nitelife ... In 2011 we launched Nurvous Records.  With the Indie Dance / Nu-Disco sound that has erupted from England and is now barreling towards full speed in America, one of our primary goals is to provide innovative homegrown style; and bringing back emotion to the music, squashing the over-commercialized big-room invasion.

John Davis & The Monster Orchestra - I Can't Stop (Louie Vega Original Interpretation 7" Version)

Nervous Inc.