Play it loud (Latin Funk) by Juan Laya & Jorge Montiel

Social Criticism in Lauryn Hill's 'Doo Wop (That Thing)'
Lauryn Hill's song 'Doo Wop (That Thing)' is an empowerment anthem and a sharp social critique, released in 1998 as part of her acclaimed album 'The Miseducation of Lauryn Hill'. The song addresses themes of self-respect, sexuality and the dangers of being carried away by appearances and materialism.
In the first verse, Hill speaks directly to women, warning them about the dangers of allowing themselves to be used by men who are only interested in 'that thing'. She criticizes the idea that women must conform to standards of beauty and behavior in order to be accepted or loved, mentioning 'hair weaves like Europeans' and 'fake nails done by Koreans' as examples of how women are pressured to conform to external standards. The artist also references religious and historical figures, such as Jezebel, to illustrate the consequences of straying from one's own principles and values.
The second verse is directed at men, criticizing those who prioritize material possessions and status over their responsibilities and relationships. Hill calls out toxic behaviors such as domestic violence and irresponsible fatherhood, and questions how these men can hope to succeed in life if they are not right on the inside. The song ends with a dialogue that reflects on the difference between love and being in love, suggesting that true love goes beyond the surface and accepts a person as they are. 'Doo Wop (That Thing)' is a powerful reminder that self-respect and integrity are key, and that we should be aware of the pitfalls of materialism and objectification in interpersonal relationships.
So...
Enjoy this Remix.....

FNX Omar - Doo Wop

Warm Waves Vol.1 is our Various Artists compilation for the spring season. A carefully curated selection of warm grooves and deep sounds to welcome the brighter days ahead. Let yourself drift into smooth rhythms, soulful textures, and laid-back vibes perfect for sunny afternoons and cool evenings. Dive into a sonic journey that captures the essence of spring with Deep House at its finest.

Available⏎

Tracey Cooper - Dance of the Soul [Deep Clicks]

Man ! GRooVe Me !

Great great rework of Marlena Shaw's Classic

California Soul (Bobby Cooper Edit)

I'll be honest, I had forgotten about Samuel Jonathan Johnson until i heard Theo Parrish play it recently. I used to spin the LP years ago but my copy got lost or beat. Soon as I heard it I made a call and sorted out the 45, just an amazing solid Groove on Sweet Love, you cant help but feel it. The flip 'Reasons; is the other great track from the same Columbia LP 'My Music' . First time on 45 for both of these, once they are gone that is it. Disco Essential

ORDER NOW

Ath025A  Samuel Jonathan Johnson - Sweet Love

THE HEADHUNTERS - GOD MAKE ME FUNKY - EXTENDED VERSION BY LKT

Track available at Traxsource: 
https://www.traxsource.com/title/1087921/nyc-disco-the-45s-vol-1
iTunes: https://itunes.apple.com/us/album/nyc-disco-the-45s-vol-1-ep/1450462201

NYC Disco - The 45s Vol. 1

I Can't Stop (Louie Vega Original Interpretation Mix - 7" Version)

John Davis & The Monster Orchestra - I Can't Stop (Louie Vega Original Interpretation 7" Version)

Unidisc Radio: Disco Funk & Electro Boogie Classics - The Roots Of Dance Music.

Disco Funk & Electro Boogie Classics - The Roots Of Dance Music. Since 1977, the Unidisc Music catalog has continued to expand and now includes some of the most influential dance releases of all time. Tune in and discover the pioneers who laid the foundation for techno, house, and modern electronic music.

Subscribe now for the perfect mix of chart topping hits and rare deep cuts from the legendary Prelude, Solar, Mirage, Megatone, Prism, Emergency, WMOT, Phase II, Groove Merchant, H&L, Avco, Becket, Amherst and many more. All of the music featured is available to buy on Beatport, Traxsource and Unidisc.com.

Unidisc Radio 002 - Funky Dance Music -

D-Train "Music"
Shalamar "Right In The Socket"
Bohannon "Let's Start The Dance" Remix
Cloud One "Disco Juice"
Mantus "(Dance It) Freestyle Rhythm"
Muzique "In The Bush"
Carrie Lucas "I Gotta Keep Dancin (Keep Smiling)"
Patrick Cowley & Sylvester "Do You Wanna Funk"

Stream

Unidisc - Radio - 002 Unidisc Radio - Disco Funk & Electro Boogie Classics

Coming Soon on vinyl 100 copies only- Featuring Lloyd Croft on drums!
Tikka 002

Lorilee - Smoove Rework

As one of the longest standing independent record labels in the US, Nervous Records has built its reputation through a willingness to take chances on new sounds and new producers. Nervous was the first American label to sign and release tracks from such dance industry luminaries as Armand Van Helden, Paul Van Dyk and Nuyorican Soul. This spirit has enabled Nervous to build a catalogue of hits that spans the complete range of underground dance and hip hop genres.

The label was famous almost immediately when it started back in 1991 because of its eye-catching, very distinctive cartoon character logo. In addition the first three releases were produced by Roger S., Kenny Dope, and Todd Terry respectively, representing the three best house producers of that time. By 1992 Nervous was featured in magazines like Billboard, DJ Magazine (cover story), Mixmag, and ID, hailed by all as the “Sound of New York nitelife.”

Nervous’ first major dance release came in 1992, with “Feel Like Singing” by Sandy B. Nervous decided at that point to focus its energy on expanding the label’s musical field. The label’s first step outside the house music arena was with the Brooklyn, NY-based rap group, Black Moon, whose single “Who Got The Props” virtually put Brooklyn back on the map as a center of hip hop. At the same time, the label decided to alter the Nervous character for this release, giving it specific hip hop characteristics, and calling the hip hop label Wreck Records. Massive success followed with the Wreck imprint, as hits soon followed by Smif-N-Wessun, and Funkmaster Flex.

Nervous decided to continue to expand its musical boundries in 1993 by signing Mad Lion, which would be the first reggae artist on the Weeded imprint. Once again, there was huge success as Mad Lion’s single “Take It Easy” sold over 250,000 units.

Meanwhile, the Nervous merchandise continued to produce massive sales numbers as it established itself as one of the most favored t-shirts for the youth cultures of America, Japan, and many European countries.

In 1994, the label decided it was time to move into the electronic genre, and started an imprint called Sorted. The first artist on that label was Josh Wink, who went by the artist name Winx. While Winx’s debut release was a critical success although not a major seller, Winx’s follow-up release “Don’t Laugh” became the American dance community’s most talked about single, and ended up selling several hundred thousand units worlwide. Subsequently Nervous released Winx’s debut album, “Left Above The Clouds.” This album was one of the first “electronica” albums to be released, and lead to Josh Wink being signed to Sony as an artist. Nervous also released an album by two Long Island based dj’s, DJ Micro and Vicious Vic. The album, entitled “Progress Into Our Future,” since became a seminal album for the crew of Long Island dj’s that currently dominate clubs with their hard trance sound.

In 1996, Nervous virtually single-handedly created a garage house music revival by releasing the debut solo artist album by house music legend Byron Stingily. Byron was formerly the lead singer of gold-selling group Ten City. His second single on Nervous, “Get Up,” went to number one on dance charts around the world, including the Billboard Magazine club chart in America.. For his album, “The Purist,” Nervous assembled an all-star cast of legendary House producers, including Frankie Knuckles, Masters At Work, David Morales, Basement Boys, Maurice Joshua and MK.

As the musical trends continued to evolve in the late 90’s, Nervous continued to create new imprints to remain at the cutting edge of all independent labels. Nervous Dog was created to accommodate the emerging harder-edged house sound of New York; Strapped was the home for uptempo, club oriented hip hop Party tracks; and Nervous Chill released the down tempo, jazzy grooves that are always in vogue in the newest restaurants.

The label also has had many successful tours over the years. One of the biggest was in 2,000, when the Nervous tour was sponsored by Playboy Magazine and KAMEL cigarettes, and featured DJ’s Jackie Christie, Razor-n-Guido and DJ Escape, along With PA’s by Nervous artists Byron Stingily, Charlotte And Kim English. In addition, Nervous created what became one of the Winter Music Conference’s most original Parties, the Nervous After-hours breakfast at Denny’s, which featured an International list of dj’s entertaining conference attendees at 5:00 AM while they ate their grand slam Denny’s breakfast.

In 2000 and 2001, the energy tribal sound dominated the US club and Nervous gave America’s club-goers four of the its most dominant anthems, “Skin” by Charlotte, “Ssst…Listen” by Jonah, “Unspeakable Joy” by Kim English and Dive In The Pool by Barry Harris featuring Pepper Meshay. During this same time, the label has also created many successful compilation series, among them “Hip Hop Independent’s Day,” and “Future Progressive,” and “Club Nervous.

As the hits grew in number, so did the value of the catalogue for sampling purposes. Nervous songs have been sampled in major hits by Mariah Carey, New Edition, Coolio, Flip Squad, Basement Jax, George Michael, Soulsearcher and more..

In 2006 Nervous gave the US one of the biggest dance radio records with What A Feeling by Peter Luts & Dominico, a track which won the 2007 WMC award for Best Euro Dance track. In addition, Nervous delivered the most memorable US underground track of the year with Ralph Falcon – I Need Someone, which was also number one club record of 2007 according to Billboard Magazine.

In 2008 Nervous had two of the top five most played records of the year at dance radio, with Bellatrax feat. Sophia May/I Can’t Help Myself and Every Word by Ercola featuring Daniella, and ended the year as the two most played label at dance radio in the USA according to Billboard Magazine.

Nervous has also made a strong foray into the compilation market, building a roster with some of the most credible house music. The past twelve months has seen full length cd’s from Oscar G, Ralph Falcon, Funkagenda, Mark Brown, Behrouz, Chris Lake, Starkillers & Austin Leeds, DJ Theo, Exacta and Marlon D. Second half of 2009 will see releases from Danny Krivit, Frankie Knuckles, Tom Stephan, Peter Bailey and Richie Santana and Anane (produced by Louie Vega. 

In the grand tradition of Nervous launching sub-labels to embrace the next sounds to take over Nitelife ... In 2011 we launched Nurvous Records.  With the Indie Dance / Nu-Disco sound that has erupted from England and is now barreling towards full speed in America, one of our primary goals is to provide innovative homegrown style; and bringing back emotion to the music, squashing the over-commercialized big-room invasion.

John Davis & The Monster Orchestra - I Can't Stop (Louie Vega Original Interpretation 7" Version)

Nervous Inc.