Name: Sub Rosa by Neu Gestalt in Ellis2
Duration: 4 min 31 s
Description: Track from forthcoming album Weightless Hours

hey, very nice track, was just thinking guitar would go great over the top of this.. 

@carlos1111: Thanks for taking the time to listen to so much Carlos

be sure-you have it this special touch from above that pours from beyond into the chosen ones that would listen quietly to the stream

@nick-59: Stop it!!!  You're too kind!!  ((^_>^)  Thank you, Nick. 

@neu-gestalt: i think this when it was played only thought that came to my mind, but then I saw that you were playing .. deep sounds really hard to appreciate what they are actually consciously .. sometimes I'm so to speak in a trance and I do not know, this happened to me, thank you for the journey ... beautiful work

You have a real talent for creating a minimal sound that has such a textural depth that keeps your interest throughout :)

@lbsand: Many thanks for your kind comment... The sound a little like passing trains in the distance is the magpies outside my window detuned.. other background sounds across tracks are often outside near where I make music, at the docks near where I work or from the river on the way there.

Ellis2

A patch played on LinPlug's new synth Spectral. The recording consists of two instances of the same patch that are mixed in post-recording. Spectral is a very nice new synth, but it is complicated (for me) to get reliable results without polishing it up in the mix.

Glittering dawn (Zz3)

Akari is the third album from Tokyo duo Illuha. Following 2011’s debut Shizuku (12k1067) and 2013’s Interstices (12k2028), Akari takes the next artistic step for the band. While Shizuku was recorded in the US and completed separately by the artists, Interstices captured the duo creating their exceptionally detailed music together live during a Japaneses tour. Akari, in turn, is the first studio album where Illuha recorded and mixed together, throughout the entire process. The beautiful st-robo studio in Tokyo put a collection of amazing equipment at their fingertips, from vintage mics and outboard gear to a vast collection of instruments, both acoustic and electronic. Their writing sessions were numerous and long with details meticulously obsessed over for nearly a year. The result is the most bewildering music Illuha have created to date. An album swimming with the most delicately tactile sounds and instrumentation that draws the listener in with hushed, motionless attention.

While Illuha’s Corey Fuller and Tomoyoshi Date are often drawn to the most sparse notes of Rhodes and Wurlitzer electric pianos, acoustic grand piano and guitar, the breadth of instrumentation is partially what makes Akari so abosrbing. They have succeeded in creating their own universe of sound, so beautifully recorded, where each element not only has its own space but connects and interacts so fluidly with the other sounds. It is as if they are placed perfectly by nature, the compositions are fluid and organic, a far cry from anything calculated or structured. It is this open space that the music exists in which in turn defines the music itself. There is ample room to breathe within this forest of gentle tines, bubbling analogue synthesizers, clicking percussion and quiet field recordings. This is subtlety at its most refined; hushed without being saccharine, distant without being morose.

Akari is the Japanese word for light. Conceputally the duo used this word as a guide, as if they were searching through the dark, trying to keep the light alive, as if one is cradling a candle doing everything in their power to keep it alight in a storm. It is this almost visceral sense of sheltering, of protection, that gives Akari a very human and personal sound whose intensely deep focus is as impressive as it is arresting.

Akari

Structures Based on the Plasticity of Sphere Surface Tension

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Structures Based On The Plasticity Of Sphere Surface Tension

This very expressive bass synth patch for Native Instruments FM8, called "Moog bass" by Andreas Franz, inspired me to make this tune in a mellow chill out but still rhytmical style. The flute patch I made out of two female vocal samples from the DreamVoices pack for Alchemy.


Talk sweetly in the night

CD - SOFT REC https://softrecords.bandcamp.com/album/different-streams

TAPE - GRAINS OF SAND RECORDS http://wearegrainsofsand.com/product/eus-postdrome-saaad-different-streams-tape

Out Feb 23 
(both physical edition include 3 digital bonus tracks) 


EUS, Postdrome & Saåad - The Only Path

Another sound sketch. Begun whilst trapped by snow for a month and written in a studio that was a toasty 10 Celsius. I had to pause once the temperature dropped to 6 Celsius.

A heavy fall

Inspired by the NASA probe New Horizions on its mission to Pluto, and beyond.
http://www.nasa.gov/mission_pages/newhorizons/main/index.html


To Pluto, and beyond

The sound reminding of a communicationradio transmission is played on the Roland JP-8000.

A Brown Scale Of Distances

From the Replica LP on Software Recording Co. / Mexican Summer (SFT010).
<a href="http://www.softwarelabel.net" rel="nofollow" target="_blank">www.softwarelabel.net</a>
<a href="http://www.mexicansummer.com" rel="nofollow" target="_blank">www.mexicansummer.com</a>
Purchase here:
<a href="http://www.mexicansummer.com/shop/oneohtrix-point-never-replica/" rel="nofollow" target="_blank">http://www.mexicansummer.com/shop/oneohtrix-point-never-replica/</a>



Oneohtrix Point Never - Replica

Digital postcard including a poetry &amp; artwork by Leonardo Rosado <a href="http://subterminal.tumblr.com" rel="nofollow" target="_blank">http://subterminal.tumblr.com</a>/
music by Romain Barbot, recorded in july 2011 at Sète, France
mastered by Gregory Hoepffner
<a href="http://feedbacklooplabel.tumblr.com" rel="nofollow" target="_blank">http://feedbacklooplabel.tumblr.com</a>/
Download it there
<a href="http://soundcloud.com/fblsoundcards/fpc012-a-recovery-wish-by-sa" rel="nofollow" target="_blank">[FPc012] A Recovery Wish by Saåad by FbL soundcards</a>
-------------------------------------------------------------
The unfinished man stood
Face down to the ground in a perfect symbiosis
Mumbling about the end of the world
While his body and simultaneously decays and regenerates 

Thoughts provoked and then extinguished

There is no now
Only wind
-------------------------------------------------------------



A Recovery Wish

from Collected Dust by Marcus FIscher (Tench, Jan 2012)

Cold Days

Lindstrøm - Call Me Anytime (Oneohtrix Point Never Remix)

18 with a bullet

Albert Speer : Vision of Space : BBC2

Sound: Jasmine Guffond
Video: Ilan Katin

Ana X is a site specific installation that utilizes projections and sound to form a dialog between us and the presence of those who may have once occupied the space, and perhaps still do.

Being aware of the historical significance of the building, we used light and sound as a method for touching the walls and columns of the room, allowing it to enter into a dialogue with the space.

video documentation: https://vimeo.com/58576082


Ana X

Track from forthcoming album Weightless Hours

Sub Rosa

A new piece by Jan Bang featuring Arve Henriksen taken from the forthcoming album "Narrative from the Subtropics" due for release on September 6, 2013.

Jan Bang: samples, programming
Arve Henriksen: trumpet, vocal
David Soler: guitar samples

Sinking Ship

“Altered Carbon”, was released in November 2008 on Alex Tronic Records (ATR) and is a collection of downtempo tracks, close to a purely electronic mood. “Weightless Hours”, released in June 2012, moved towards electro-acoustic territory and introduced the processed shakuhachi that has since become a key characteristic of my sound. On “Inside The Rain Chamber”, which will released 5 December 2014, I have worked to make my sound ever more textural.

Glyph, Artefact and Between Her Dreams are from Altered Carbon.  Curtain of Rust, Sub Rosa and Sheltering Skies are from "Weightless Hours". I use shakuhachi, guitar and fretless bass to make many of the textures on the latter and most of "Inside The Rain Chamber". 

The "Cloud Altlas" set features tracks that have not made it onto albums and are free downloads. 

My one minute pieces for the Vox Novus 60x60 project feature in the 2009, 2010 and 2011 International mixes as well as a 2010 UnTwelve (microtonal) 60x60. 
http://www.voxnovus.com/60x60/60x60_Dance.htm

Over the last couple of years, I have also been making remixes for Alex Tronic Records and Nice'n'nasty.

My mix work also appears on 'Fated Stars", featuring vocals by Asa Seljestad, on the album 'To Infinity' by Alex Tronic.

(Inside The Rain Chamber cover image by Natashah Azim)

Sub Rosa

Neu Gestalt

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