Transmissions from the Polish psychedelic underground.

More info: @adammajdeckijanicki.

“João Alegria is an essential figure in the Portuguese underground music scene. With a prolific career spanning over a decade, the guitarist – as he prefers to be called – embodies artistic commitment, resilience, and a deep devotion to crafting dark, experimental soundscapes. The numerous albums the Lisbon-based musician has released testify to a sonic vision akin to its object of study: unhurried and unperturbable, yet continuous and tempestuous."

— João Morado (Beats for Peeps, Cosmofonia, Jazz.pt)

“You paint for fame & status, I paint for freedom & awareness”, reads one of the vertical graffiti that Mr.Paradox Paradise painted on some Berlin building. Likewise, there is nothing in João Alegria’s art that is done with the intention of fame or likes. He spent more than a decade editing with recognition limited to the “community” of sound nomads. “I’ve been doing this for some time and I don’t have a very wide audience”, he admits. However, who knows, knows. And who knows, like it. João Alegria’s music is for connoisseurs. Perhaps that will always be the case.
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However, the unique contours of his art, combined with a stubborn aesthetic consistency and prolificacy, are the characteristics that simultaneously nest and vitalize it. The unconditional and obstinate way in which this “guitarist” – as he likes to be called – has created his work is a rare case of perseverance. His motivation? It’s not entirely explicit, but somewhere between the love of music and the physiological need to create lives the truth of João Alegria. If he lives because he breathes, he seems to make music because he has to live. One senses in his speech an inevitability of cathartic genesis that surreptitiously emerges between the lines like a figure wandering through the night.
João Alegria can also move through the shadows, but his music definitely points to the heavens, full of verticality” 

– João Morado (Beats for Peeps, Cosmofonia, Jazz.pt)

I am a french film music composer
https://ravishardja.com/

577 Records is proud to be celebrating its 24 year anniversary.  The legendary music master Daniel Carter was one of the first people 577 cofounder Federico Ughi met soon after arriving in New York from Italy in 2000, after a brief stint in London.  It was a meeting of like minds and shortly thereafter the two started a series of house concerts at 577 Fifth Avenue in Brooklyn, the apartment where Federico was living at the time. The spontaneous nature of the concerts along with the incredible caliber of the deep downtown underground music they were able to present inspired them to bring the unique nature of what they were doing to a wider audience and they founded the label 577 Records to further that mission. 

577 Records started the New York Forward Festival in 2015 to mark the momentous occasion of Daniel Carter’s 70th birthday, now with festival editions happening in Morocco and Italy as well, and the international residency program Sounds of Freedom, in which active musicians are awarded the opportunity to develop their own sound, skills, and improvisation concept.

100% of profit from the sale of most of these albums goes to the musicians.

 

 “Guided by a mission to capture the ephemeral, to keep jazz relevant, and to foster a collaborative community of artists, the music 577 releases is timeless, masterful, and mystical.” - Bandcamp

“the music of new possibilities, full of spirituality and introspection, an alternative that did not need volume or screaming at the top of your lungs to position itself, and coupled with a deep sense of pulse and the blues.” - Free Jazz Blog

“577 Records, the musical home of the daring and the brave” - All About Jazz


577 Records
Brooklyn, New York
www.577records.com
©+℗ 2025

“The aim of art is to represent not the outward appearance of things, but their inward significance”

Led by versatile soundartist Dirk Serries this is a haven for the free and wilful :  featuring music that originates from a fascination for free improvisation and modern minimal music.

"Nobody knows it but A.J. Kaufmann is a national treasure of Poland." - David Bixby.

Die Rote Erde (Red Earth / Czerwona Ziemia) is A.J. Kaufmann’s psychedelic experiment, solo or with guests. Inspired by Burroughs, Krautrock, MacLise, Free Jazz & early industrial, it blends guitars, synths, samples, tapes & field sounds into noise, drones, punk, ambient & kosmische.

Followers of a new wave of jazz