Part of the team that builds @Auxy—the mobile studio

GIVING UP AIR OUT NOW
https://the-temper-trap.lnk.to/GivingUpAir

GIGS
https://The-Temper-Trap.lnk.to/Gigs

Moshi Moshi Records started off as a hobby in 1998. Set up by three friends who had jobs working for major record labels. It was intended as a way of working with the bands that they loved but which didn’t fit in with the agenda of the day-job taskmasters. Early single releases from Zan Lyons, Kathryn Williams & Pedro and J Xaverre earned the label some plaudits. And sold a few records. Over the next five years Moshi Moshi slowly started to build a reputation for interesting, slightly leftfield, low-key releases. Then in 2004 things changed. For a start Moshi stopped being a hobby and became a fulltime job. Very soon after, Hot Chip and Bloc Party arrived and Moshi Moshi quickly became a name known to more than a few. Chart success followed with Yeti and The Rakes and higher-profile album releases from Architecture In Helsinki and Au Revoir Simone helped lift the label onto a new level. Then from 2006 onwards came artists such as Hot Club De Paris, Tilly And The Wall, The Wave Pictures, Slow Club, James Yuill, The Drums, Summer Camp, the list goes on.

In late 2006 the two remaining Moshi Moshi founders decided they wanted to get back to their one-off 7” release roots and the Moshi Moshi Singles Club was born. The intention was to try and release one 7” each month by a new up-and-coming artist. It would be limited to 1000 and only be available in a select group of indie stores. The artwork would be restricted to one colour and be designed by the bands themselves. Now some 40+ releases later the singles club’s roster makes an impressive list – (including) Kate Nash, Late of The Pier, Friendly Fires, Lykke Li, Florence and The Machine, Kindness, Dananananayckroyd. Disclosure. In 2011 Moshi Moshi expanded its remit by partnering up with some very talented young A&R folk to set up the imprints Tender Age, Not Even, Apricot and Dream Beach. Working under the Moshi Moshi umbrella these new labels have already yielded a clutch of exciting releases by artists from as far afield as Kenya and Seattle.

At the same time as running the record label Moshi Moshi Management has been quietly guiding the career of Metronomy and Slow Club as well as producers Ash Workman and Ollie Bayston. From 2012 this side of the business started to expand dramatically and now features a sizeable roster of emerging artists.

Looking back on the Moshi Moshi roster (particularly since the label ‘went fulltime’ in 2004) it’s a collection that bears comparison with any of its peers. For a label run by two people with no financial backing, it’s nothing short of an inspiration.

Snap Judgment is a weekly storytelling radio show and podcast, hosted by Glynn Washington. Snap mixes real stories with killer beats to produce cinematic, dramatic, kick-ass radio. Snap’s raw, musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling… with a BEAT!!  Snap first aired on NPR stations nationwide in July 2010. Snap Judgment is now aired on over 400 public radio stations.

Radiolab is a show about curiosity. Hosts Jad Abumrad and Robert Krulwich use state-of-the-art sound design, mind-bending story-telling, and a sense of humor to ask big questions and blur the boundaries between science, philosophy, and human experience. Radiolab is produced in New York at WNYC, and heard on over 300 public radio stations across the country.

www.mute.com

Mute was founded by Daniel Miller in 1978, and since then has signed and developed some of the world’s most influential recording artists – including Goldfrapp, Liars, Moby, M83, Erasure, Depeche Mode, Nick Cave & The Bad Seeds, Laibach, Yeasayer and Richard Hawley – and become home to a crop of emerging talent and recent signings such as Cold Specks, Polly Scattergood, Big Deal, Beth Jeans Houghton, Josh T. Pearson and Apparat.

Whilst maintaining a firmly eclectic roster, from the earliest days of The Normal, Fad Gadget and DAF through to the techno era with artists such as Plastikman / Richie Hawtin and Speedy J, and to the present day with electronic artists such as Diamond Version and Maps, the label has always been a champion of electronic music.

Mute is also home to the catalogue of a host of seminal artists such as Can and Cabaret Voltaire.

The Economist was founded in 1843 "to throw white light on the subjects within its range".

For more from The Economist visit http://shop.economist.com/collections/audio



Hi, my name is Alex. I like Sound. Founder & Chairman, SoundCloud.

The Bugle is the ultimate pan-global audio home of international satire. The show is a weekly eruption of comedic comment about the world’s most, and least, important news stories.

Eric Wahlforss is following