Doetsch isn’t hard to pronounce, you just have to know how.
He’s been DJing for two years, starting out in free parties with drum and bass and eurodance.
Now he’s exploring the bouncy sounds of acid house and UK garage.
You can feel his ADHD in his sets: easily bored, he jumps quickly from one track to another — but not without dancing a little to each one.
He likes to be surprised, and to surprise you with completely unrelated tracks from disco/funk classics to hip-hop bangers or absurd French remixes.
He mostly just wants to make you dance the way he wishes he could, if he weren’t the one in control.

Bringing a refreshing sonic architecture in a diverse body of work spanning across film, television, and commercial work, Belgian-born composer Peter Baert’s talents also encompass orchestration, electronic music, and music production.
 
After creating a 30-minute-long demo for Golden Globe-nominated David Oyelowo years previously, Baert recently scored the Selma actor’s directorial debut feature The Water Man, co-produced by Oprah Winfrey. “Music and sound in film has always been important to me, which is why I consider myself lucky to have met composer Peter Baert when I did. We first crossed paths when he was the sound engineer on another project I was working on in Belgium, and he had previously shared a music demo of his compositions that I just couldn’t shake,” says Oyelowo. The score orchestrated by Matt Dunkley and recorded in a special set up within Galaxy Studios in Belgium during the COVID-19 pandemic. The Water Man is now playing in U.S. theaters and will be available internationally on Netflix later this year. Baert is currently scoring Lost Luggage, a Belgian primetime fictional series based on the 2016 Brussels bombings.
 
In 2018, he scored the Ensor Award-winning documentary exposé Breathless about the hazardous but surprisingly still booming asbestos industry, as well as the 2017 Belgian film Façades, directed by Kaat Beels & Nathalie Basteyns, which was pre-selected for the European Composer Awards and was also nominated for an Ensor Award.
 
In 2006, Baert co-founded Raygun – a commercial sound studio in Brussels working in advertising, television, and film; which he owns and runs together with his wife Liesbeth.
 
He is also the proud father of three daughters.

Getting my groove on........ now and then.

Releases on:
Basswalk Rec. - Miami
Puchero Rec. - Costa Rica
Locked Rec. - Belgium
Vainglory Rec. - Canada
Beat Control Rec. - Brazil
Arch44 Music - UK
Fresh2Death Rec. - UK
4Club Rec. - Germany
Tretmühle - Germany
CLSRM - Germany
Nachtexpress Rec. - Germany
Mad Music Rec. - Germany

contact:
lomar@madmusicrec.com

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