@cameronmichaelgraham: thanks so much man! is for listening on long afternoons in the sun x

Please use headphones or nice speakers with a subwoofer and keep in mind soundcloud, unfortunately, really compresses this file.

The electronics blooming from the acoustic in a symbiotic, intertwined creature like lichen.

Speaker Spit (2021-22) for large ensemble and electronics

A cover version of King Crimson's 'Starless', focused on an extracted motif from the song. 

Realised by myself (keyboard) and composer and guitarist Vladimir Gorlinsky, formerly known as a MEOW duo www.facebook.com/meowduo 

Recorded at a late night concert in a sports hall in Tchaikovsky city (Russia) in 2015.

MEOW - extract cover of King Crimson's 'Starless'

Multichannel fixed media
Binaural recording of the concert
21.05.22 - ZKM - Kalngdom

Poetica Liquida

for organ, pre-recorded ensemble (Cornetto, Recorders, Theorbo, Renaissance Trombone, Renaissance Organ, Choir, Percussion) and spatialized loudspeaker array

commissioned by Vancouver New Music

More info: https://stefanmaier.studio/tractatus-de-umbra-manus-2022/

Tractatus De Umbra Manus (1447): The Fifth Hammer (Excerpt, Live at Vancouver New Music, 2022)

Experimenting with long envelopes and slowly evolving timbres/textures.

Timbral Study 3

core is a feedback loop of the fsh-1 frequency shifter, inside the loop is c0 and mmf-1. modulated by r*s dsg. rhythm and pads itb.

something like a patch diagram: https://imgur.com/6oNm0yH

one output of the fsh-1 goes into the c0 delay (the delay is crucial in this patch, most of the sound gets produced here), the output of the delay goes into a limiter and then back in one input of the fsh-1.
another ouput of the fsh-1 goes into the mmf-1 filter in dual bandpass mode, from there the signal goes again into a limiter and into the second input of the fsh-1.
this is now the basic closed feedback loop, i listen to the mix output of the fsh-1.
by playing around with all the settings i get different tones, again, the delay is crucial here, how much feedback is determined by the limiter and general volume controls or frequency controls of all three modules... now to get a rhythmic patterns going i plugged this "bouncing ball" envelope into the second input of the filter, that is enough to only get feedback at the high portions of the envelope eg i get a rhythmic feedback pattern. variations in tone by manual control of the bandpass settings and the delay time plus occasional tweaks at the limiter section for louder or more distorted feedback. the patch is delicate, i tried to replicate it and i wasnt able to come close to these tones, but other great ones:) enjoy modular synthesis!

fsh1

NNOI - Open Air Camp - 2019
Festival für 12,756 Tonmusik, obskure Lehren & Organ der Weltbauchrednerloge.

Fr. 5. July / NIGHT
HERMANN BOHLEN (D)
ANDREA TAEGGI (IT)
TECHNOSEKTE(D) + Emilio Berné (IT)
LIMPE FUCHS (D)
JOACHIM NORDWALL & CHRISTIAN STADSGAARD (SWE)
MOWE (D)
+ DJ # ALLON KAYE (UK)

Sa. 6. July / DAY
SEIJI MORIMOTO (JP)
HIGH SEAT TOUR
ROBERTA PERZOLLA (DE) /LUIGI DI VENERE (IT)
JO (D)
FABIAN ROSE (D)

Sa. 6. July / NIGHT
MARC MARCOVIC (D)
ZA SIÓDMĄ GÓRĄ (PL)
IN CAMERA/CHRISTOPH HEEMANN (D)
SUSE WÄCHTER (D)
+DJ SCHLUCHT (D) / DJ SIGOURNEY (D)

So. 7. July / MORNING
DJ PAUL PAULUN (D)


Exhibition at "Brennerei" Zernikow:
(1000 meter from NNOI)
SEIJI MORIMOTO - breathing room

Entry: 15,-€ 1 DAY / 25,-€ WHOLE FESTIVAL

www.nnoi.de
https://www.facebook.com/nnoi.festival/

Gefördert vom Musikfonds e.V. mit Projektmitteln der Beauftragten der Bundesregierung für Kultur und Medien.

Moleglove - NNOI theme 1

organ improvisation and electronics
Memorial Church, Harvard 28.09.18
electronics, 2020

sunset, melt, down

mostly archived work- new sounds will be found at:
www.nicholasmorrish.com

sunset, melt, down

Nicholas Morrish

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