Noisia comprise Dutch producers Thijs, Nik and Martijn. Largely regarded as one of the most distinctive, powerful acts to emerge in bass music, their production techniques are referenced and praised across the entire electronic music scene. Their extensive body of work also includes the game Devil May Cry and the Foreign Beggars collaboration I Am Legion.

No other producer packs a punch like AUDIO. From his tattooed drum & bass knuckles to his ruthlessly hard-hitting productions, Gareth Greenall embodies the spirit of D&B. Uncompromising, inherently underground and refusing to play games, the South London artist’s diligence, creativity and lack of complacency has inspired mass respect from every possible corner of the scene.

Four albums, countless 12”s and over 15 years deep into his limit-pushing adventures, Gareth continues to surge at the very forefront of the sound he’d first experienced as young Londoner tuning in to Colin Dale’s eminent Abstract Dance Kiss FM sermons. Instant jungle entrenchment: he hurled himself into the fray. Vinyls, Reason, illegal raves… The boy – whose mum brought him up on a strict diet of ABBA and Queen – grabbed any angle and any opportunity to get involved.
From ringing up and booking Ed Rush for a party above a pub in Croydon off the back of mobile number on a test press … To scoring a job as in-house studio engineer at legendary rave distributors Alphamagic where he studied the dark art of dynamics at a masters level: Audio wouldn’t – and still won’t – settle for anything less than full immersion.

His own production stripes stretch back to just after the turn of the century when he found himself at the helm of Resonant Evil. Demonstrating their power with a debut on the genre-defining Renegade Hardware, over the course of two years they scorched the repertoires of Moving Shadow, G2 and Outbreak. As Resonant Evil’s brutal bulletins wound down, Audio was winding up. Carving his own path with his own rules, he was soon snapped up by early neuro pioneers Tech Freak Recordings who gave him the opportunity to stretch himself creatively and broadcast his first long playing message. Audio’s debut album ‘To The Edge Of Reason’ showed the world he could cater for experiences beyond the dancefloor yet convey the same attitude and defiant dynamic he’d become synonymous with as a DJ and on 12”s. It was so well received; within a year he was signed by Ed Rush and Optical and for five years became an intrinsic member of the Virus family.

Audio’s work on Virus is where he really developed momentum. Already an established headliner across Europe, his productions and reputation became a global phenomenon, leading to tours in every territory. This reputation was compounded by albums such as ‘Genesis Device’ and ‘Soul Magnet’ which spawned the mighty ‘Headroom’. One of the most influential and successful tracks of its time, it knocked chart-topping EDM star Avicii off the Beatport top spot, dominating the chart for a total of 13 weeks and setting the foundation for his final Virus album ‘Force Of Nature’. Released in October 2013, it threw the scene completely off-guard… No other producer has conjured two albums of such strong-armed quality within less than a year. Just as his debut album had pricked the ears of Virus, ‘Force Of Nature’ attracted Andy C’s Ram Records.

Kindred spirits, Audio and Ram Records are a natural fit: both D&B lifers, both as emphatic and enthusiastic about the scene as they were at inception, both dedicated to pushing drum & bass to its furthest limits creatively and sonically, Audio’s decorated career has leveled up once more. To Gareth, though, it’s business as usual; still immersed in production science (now using the unique Studio One set up) and still just as buzzed about slapping a dancefloor into submission with deadly double drops as he was when he kicked off, Audio’s unique punch is harder than it’s ever been.

T E C H ⅄  F U T U R Ǝ  S H I ꓕ

NEW LINKED OUT @neosignal
"FUEGO" OUT @neosignal
"EVERYDAY" OUT  @deadbeatsrecords

NEWS: http://lnk.bio/phace
PATREON: https://www.patreon.com/phace
MANAGEMENT: management@phace.space
BOOKING: 
francesco@primarytalent.com [EU | UK | ROW]
phace@decibel.life [NA | SA]

http://phace.space
https://offg-rid.com/ 
http://neosignal.de 
http://neu.wtf

Noisia Radio is now VISION Radio

Fresh episode every Wednesday via:
visionrecordings.nl/radio
@visionrecordings

C4C Recordings l VTO Records l Close 2 Death l BrainRave

We've moved all operations to @VisionRecordings

Store: http://store.visionrecordings.nl

Demos: visionrecordings.nl/demos

Electronica and bass music record label.
∴
Store: http://visionrecordings.nl
Radio: http://visionrecordings.nl/radio
Demos: http://visionrecordings.nl/demos

We moved all our operations to @VisionRecordings

Store: http://store.visionrecordings.nl

Demos: http://visionrecordings.nl/demos

Music For The Struggled Generation...


For all booking information (UK / EU / ROW) please contact:
tom@clockworkartists.co.uk

General Enquiries:
burroakmusic@gmail.com

Burr Oak is the collaborative Drum & Bass project of French producers The Clamps and Opsen (formerly of Signs), uniting their visions around a dark, cinematic strain of Neurofunk. With releases on imprints such as Trendkill, Eatbrain, Blackout and Cause4Concern, they craft high-impact music where ruthless sound design, rock energy and emotive songwriting collide.

Their debut album "Somewhere We Belong" on Eatbrain marked a turning point, an 18-track odyssey that firmly positioned Burr Oak at the forefront of modern neurofunk. The record unfolds as a narrative built around their outlaw alter egos Scruggs and Sonny Jim, blending worldbuilding, dystopian atmospheres and dancefloor pressure into a cohesive universe.

Through a series of EPs, including "Hawkeye" and "Zero Alpha", and their remixed LP "Somewhere It’s Reborn", Burr Oak has continued to expand this sonic lore, pushing their hybrid of industrial textures, emotional melodies and razor-sharp groove. Their catalogue extends further via collaborations and remixes for labels like Blackout and Evolution Chamber, notably the single "I Want You" with Magnetude and their acclaimed remix of Pythius' "Erase Me" on Blackout, which brought a particularly fresh and forward-thinking twist to the original, alongside numerous high-profile reworks for scene heavyweights.

Rooted in the intensity of 90s alternative music and driven by a "music for the struggled generations" ethos, Burr Oak treats each release as a self-contained chapter: a blend of narrative, sound design and impact that looks unapologetically toward the future of Drum & Bass.

NICK REFLEX is following