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Day is a DJ, producer and musician from Palm Springs, California. He formed the Innernational Crew with DJ Rip One in 1995, and had subsequent appearances with Innernational on Return of the DJ III & Laid in Full. He has worked with Stones Throw recording artist Aloe Blacc and Clutchy Hopkins, as well as remixes for Quantic, Alice Russell, People Under The Stairs and more. He has shared the stage with artists from Amy Winehouse to Eminem in a career spanning the last decade and a half, as well as frequently touring the continents of Asia, Europe, North America, South America and Australia as both a solo artist and representative of Red Bull Music Academy and a regular of the world famous Do Over. He has released various singles as a solo artist, most notably "Four Hills" which was nominated for "Track of the Year" by Gilles Peterson's Worldwide show on BBC Radio 1 and used by DC Shoes for their PJ Ladd ad campaign. He currently hosts a weekly Thursday night party at The Ace Hotel Palm Springs.

It was in 2011 that Dutch pair Lars Dales and Maarten Smeets quickly broke through in the electronic music scene. Since then they have become known for their widescreen approach to making and playing club-ready grooves. From deep to disco, tech to soul, they join the dots between the past and the present with their own sense of storytelling and do so in clubs around the world, as well as in their studio. House might be the root of the Dam Swindle sound, but it takes nourishment from a much wider world of music. 

Still now, their breakthrough tunes such as ‘The Wrap Around’ and ‘The Break Up’ receive countless plays on dancefloors all over the world and the duo has made timeless music such as their 2023 disco-house bomb ‘ That’s right’ and 90’s throwback banger ‘Allright – just a tribute’ that became one of the hits of the 2024 festival summer. Dam Swindle has built a trademark sound, while still evolving and maturing their craft in various musical niches. Their landmark 2018 album High Life shows a broad musicality from the duo and this is even more so on their highly anticipated 2025 long player ‘Open’.  ‘Open’ features countless collaborations with high-profile artists such as Dutch pianist Joep Beving and New York-based Ethiopian vocalist Haile Supreme, and sees the duo flex their sound from ambient electronica to synthwave, hiphouse and more. 

Since 2013, the pair has also established their record label Heist Recordings as one of the key independent labels for underground dance music, while also releasing music on other underground mainstays such as Aus Music and Classic Music Company. Heist is more than just a label, though - it is a breeding ground for talents old and new; somewhere talent is nurtured and allowed to develop. Label showcases and special projects such as the yearly Roundup EP; where all artists from the past 12 months remix each other after a random selection process, furthers the family vibe and helps Heist stand out from crowd. Artists such as Cinthie, DJ Sneak, Crackazat, Tesfa Williams, Makèz, Pépé Bradock, Matthew Herbert, Ge-Ology, Byron the Aquarius and many more have all contributed, proving that it is a place for unrestrained creatives to be free with their own sonic visions. The label looks as good as it sounds, too, thanks to visual artist Bas Koopmans's standout artwork designs. 
 
Proof of Dam Swindle's widescreen approach to production is their long and talented list of collaborators, which includes the likes of acclaimed musician Tom Misch, US talent Seven Davis Jr., instrumental collective Jungle by Night, plus Marc de Clive-Lowe, Jitwam and Lorenz Rhode. Next to their own originals, a broad spectrum of artists have asked Dam Swindle for some of their special remix magic: on labels like Strut and Soundway they have reworked the legendary Pat Thomas, aka the ‘Golden voice of Africa,' and gave his single ‘Yamona’ a contemporary electronic edge, as well as The Mauskovic Dance Band’s track ‘Space Drum Machine’ and plenty more artists like Kerri Chandler, Mayer Hawthorne and Tom Misch. As their talent for bridging genres from all over the world continues to attract global attention, high-profile projects keep rolling in from all points on the musical globe. 

Dam Swindle are famously avid collectors of both old and new records, and it shows in their DJ sets, which keep you on your toes as they move freely through the broad world of house music with skillfully blended moods of soulful techno, acid, breaks, disco and more, all to create those special moments that crowds never forget. It is for that reason that their name has become a real stamp of authority and invention in the dance music world. Whatever they do, then, this pair do with irresistible charm.

"Slakah the Beatchild", or “Beatchild” as he is now known, has been making our heads nod with his signature soulful sound since the inception of his iconic Soul Movement Volumes I (2008) and II (2012). A compilation series of elegant, feel-good soul and hip hop written and produced entirely by Beatchild and featuring noteworthy artists such as Drake ("Bad Meaning Good", "Share"), Glenn Lewis ("Number 1"), Divine Brown ("Crate Love") amongst others.
In an unexpected shift of sound Beatchild followed up with an album under a new moniker - The Slakadeliqs. "The Other Side of Tomorrow” (2010) was a critically acclaimed album which pulled from hip-hop, soul, folk, pop, psychedelic rock - pretty much any sound found in a dusty crate of vinyl. Beatchild seamlessly blurred genre boundaries and created a sound for our future by drawing from the past.

Beatchild is often referred to as a genius in the studio and he has consistently blessed us with exceptional music that leaves his fans in eager anticipation for his next release. The always consistent; never predictable Beatchild has a natural, instinctive response to music. As a multi-instrumentalist, producer, vocalist and song-writer, Beatchild pays keen attention to the entire process, skillfully combining sounds and beats that infuse his music with a distinctive charm and appeal while remaining honest and genuine.

His unique sound is born from both the mind of a producer and the heart of a songwriter. Beatchild creates a unique feeling in his listeners with every composition. His desire to evoke feel-good-vibes of joy and solace shines through in every song. With Beatchild there are no singles. Every song is timeless and unique and his trademark sound is crystallized on every album. Whether you love him as Slakah, as Beatchild or as the Slakadeliqs, you will love his 7th solo album “Unselfish Desires”.

The highly anticipated EP “Unselfish Desires”  is another expectedly unexpected sound that has become Beatchild’s signature style. His ability to tastefully blend diverse styles while hailing in the signature mellow tone of his voice in "Dance For Love" and well-woven lyrics "Adapting" give us yet an intergalactic experience through space and time.  A multi-instrumentalist, Beatchild pays keen attention to the music production process, skillfully combining heterogeneous sounds and beats that spice his music with a distinctive charm and appeal.

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