Once upon a time there was a small astronaut
on a journey through space.
He flew through countless asteroid fields,
discovered new planets and species
and traveled to the edge of the universe.
From time to time he came back to earth
to tell the stories of his epic adventures…

Booking: ￼￼fernab.booking@gmail.com
Contact: barnabass@web.de

Here to change the world through music and spirituality with like-minded souls we call family. Find our events and join the movement...

www.thegardensofbabylon.com/links

Promo: ciozmusic@gmail.com

I'm an italian producer and dj class '92 from Bergamo (Italy) based in Berlin.

"if I share an apple with you we will have two half apple, if I share an idea with you we will have both two ideas".

Artist: @martin-cozar
Title: My Mind EP

Track list:
1. 1977
2. My Mind
3. Niksen
4. Lights Out

Label: Kiosk I.D.
Catalogue number: Kiosk I.D. 044
Release Date: December 12, 2025

Buy Link: https://kioskid.bandcamp.com

Follow & Support:

Kiosk I.D.
SC: @kioskid
FB: facebook.com/KioskIDMusic
Bandcamp: kioskid.bandcamp.com/releases
Beatport: beatport.com/label/kiosk-id/80379
IG: instagram.com/kiosk.id

Martin Cozar
SC: https://soundcloud.com/martin-cozar
FB: https://www.facebook.com/martin.cozar
Beatport: https://www.beatport.com/artist/martin-cozar/874521
Spotify: https://open.spotify.com/intl-de/artist/2L7kud2OEMcErUcqhdpvAJ
IG: https://www.instagram.com/martin_cozar/

About:
Argentine-born, Barcelona-based producer Martin Cozar returns to Kiosk ID with his four-tracker ‘My Mind.’ Building on the funky modernism of Resilience—his split EP with Gespona—and a commanding peak-time remix for Manucho’s Idea Reset, Martin Cozar now steps fully into the spotlight with a solo EP that tightens his artistic identity. My Mind delivers razor-sharp groove work, stripped futurism, and a captivating brand of dancefloor energy that shines through inventiveness and viscerality.

Opening track ‘1977’ unfolds like a widescreen dreamscape, with suspended fields of synths arcing over a warmly booming, long-tailed sub-bass. Heaving synth sweeps, melodically intricate arpeggios, and fluttering square waves paint a morphing, hypnotic canvas that floats across the periphery. Deeply meditative, but suited for the almost-peak-time with a throbbing groove and dynamic sub-bass, 1977 is a slow-burning journey that wraps warmly arcing, spaced out melodics around a tight rhythmic core.

‘My Mind’ turns the focus to the floor. Funky and razor-sharp in its sophisticated modernity with stripped-to-the-bone drum structures, the title track channels Martin Cozar’s retro-futurist edge through ominously
squelching basslines and pulsing stabs, arranged in a spacious, expertly crafted, and darkly oscillating Indie Dance framework. Every element clicks into place, yielding a high-voltage groove that radiates raw, physical
energy: stripped-down machine funk with a dark, circuit-bent twist.

With ‘Niksen,’ Martin Cozar crafts an eclectic groover that cycles effortlessly through percussive moods. Crackling with icy atmospherics one moment and sweltering in hazy Western guitars the next, Niksen traverses shifting textures anchored in a stripped lead theme that transforms the tracks’ dynamic soundscapes into pure dancefloor class.

Closing cut ‘Lights Out’ dives into grungier, more tactile territory. Shuffling, blown-out acoustic drums and mangled guitars collide with a peevish lead synth that escalates through morphing iterations, finally exploding into bursts of erupting electricity. Raw and groove-heavy, Lights Out channels untethered energy into a gritty, kinetic framework—tech’n’roll with a beautifully organic feel.

Across ‘My Mind,’ Martin Cozar delivers four distinct tracks—each a self-contained microcosm of motion across gritty floor energy, razor-sharp Indie Dance, and booming after-hour rollers. The result is a hypnotic,
meticulously engineered suite that feels both instinctive and deliberate, and succeeds in walking the fine line between the physical and cerebral demands of the dancefloor.

As a producer, musician, DJ and serial collaborator, Chris Schwarzwälders distinctive style of deep, restrained house is hard to pin down, but you’ll always know it’s him when you hear it. 

Born in Frankfurt am Main in the 80s, he started playing hiphop in the 90s. While making beats on his MPC2000, he dropped into Offenbach’s Robert Johnson club and fell in love with techno. 

In 2009, Chris moved to Berlin and started DJing at KaterHolzig, where he found a group of people who thought about music in the same way he did. In contrast to the trends of the late 00s, the sounds being made from this little paradise on Berlin’s river Spree were slower, softer, and more soulful than a lot of what was being played in clubs at the time. 

It was here that Chris began to cement his reputation as both a solo producer and collaborator, who was capable of bringing his trademark sounds to a whole number of side-projects - many of which have gone on to play to crowds around the globe. He joined the Feathered Sun collective in 2013, together with a group of friends including Acid Pauli, Nu, Jo.Ke and Raz O’Hara. Dreamy, groovy and often improvised, the collective represented a special kind of musical freedom in which a group of producers came together to create something new in a singular, live moment. 

At the same time, Chris’ friend Mira was making moves of her own, and they started to play back-to-back sets, soundtracking the legendary Monday mornings of KaterHolzig, and now, Kater Blau. The two, who are both residents at Kater Blau, have now been playing together internationally for almost a decade, and have formed a common musical understanding that translates throughout every one of their sets - deep, clubby and melancholic. This partnership has also carried on into the studio, where they have collaborated on numerous hits. 

His most light-hearted side comes out in collaboration with Iannis Ritter, where the two musicians take on a weirder, more melodic & electro approach than Chris’ other proejcts. 

If you were to ask him, Chris would describe himself as reserved, logical, rational, melancholic and humorous. Which is why you’d never hear him telling you about the hundreds of nightclubs and festivals he’s played around the globe, or the number of hits he’s had with his productions. If you’re lucky though, Chris might tell you about his favourite synthesizers, and get lost in a conversation all about electronics and sound. Which is exactly where Chris wants to be - lost in electronics and sound.

All tracks are made with a lot of love and a bit of grass,
Rémi

REBA U500 / BARCELONA / 20.12.2025



REBA
contact: promo@remcord.com
Booking: marcos@dskonnect.com

Ede’s story reads like an electronic music fairy tale, one that is beautifully inspiring and indicative of the transformative power of music. His journey is driven by the freedom and inclusion inherent in dance music. A transcendent moment on the dance floor at Panorama Bar led to a total shift in his life - taking a leap of faith to leave his successful career, and hometown, moving to Berlin to make music. Amazingly, his first release was signed to the label of his dreams - Innervisions - followed by a second release with Correspondent. A widely respected artist who has appeared on some of the industry’s most influential labels. Along the way he has developed his own personal sonic identity, which remains present in everything he does - emotive, heartrending, impeccably produced and made to fill the dance floor with positive energy. Driven by the purity of a life-changing dance floor experience, his unwavering dedication to making and playing music remains steadfast and forms the nucleus of a remarkably successful entrance into electronic music. Wherever he goes next it’s certain to be full of love, joy and optimism…

http://LeaveYourAutograf.com

Press:
hunter [at] thealtvision [dot] com

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