Beat Lab is a radio show featuring exclusive mixes and fresh bass music from artists across the globe. We broadcast every Thursday night at 9:30 PST at https://bit.ly/BeatLabRadioLive

Peep Beat Lab Radio Merch at Shop.BeatLabRadio.com

Residents
@MattWaxBLR
@softclipmusic
@Welterw3ight
@Goodwilldotwav
@NaralyBass

Graphic Artist
@nspekktor

Indolent sounds. Thick vibrations. Sweet melodies. Sticky connections. A naturally flavored substance... prepared by such a group.

All organic ingredients from: 
~ @dunks
~ @thomas-workshop
~ @kotekmusic
~ @woodyard

WWW.ONCEATREEMUSIC.COM

✖ @JAYLIWOLF 
✖ @HAYDENWXLF

Spotify JAMS: http://smarturl.it/tfh-spotifyjams

THE FUNK HUNTERS
@WestwoodRecordings | Canada

BOOKINGS:
USA: mary.allen@unitedtalent.com
CAN: grant@midnightagency.com

MANAGEMENT:
mgmt@thefunkhunters.com

Tour Dates: https://smarturl.it/tfh-shows
Spotify JAMS: http://smarturl.it/tfh-spotifyjams

Dirtwire is a traveler’s collage of Earth-borne instruments and electronic sounds foraged from Electric Forest to the mountains of Tuva. From their home on the west coast of the United States to far-flung destinations all over the world, these troubadours are welcomed for speaking the most unifying language there is: music.

Every live set is a magician’s surprise show, an invitation to experience instruments that are usually heard only as samples in electronic music. It is a celebration of the art of the instrument, not just the sound you can record from it. Future revival, swamptronica, spaghetti-step, electro-twang — whatever you call Dirtwire’s music, what matters is that you can dance to it, as sure as a lizard dances in the desert.

Dirtwire, comprised of lifelong friends and musicians Evan Fraser, David Satori, and Mark Reveley, are touring now in support of their new record “Road Goes All Night”. The road goes further yet, friends. Come see where it leads at a show near you.

Visit http://dirtwire.net for more info. Email MRunner@paradigmagency.com to have us over to your neck of the woods.

Big love and thanks for the reposts, favs, and share love. 

David Satori & Evan Fraser & Mark Reveley

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

niknaknectar is following