My favourite, out of the lot nikos. I think i detect the +bubbler. ; )

Ωραία δουλειά Νίκο, μπράβο!

Ta spases pali Syntheti mou!!! thelw mathima...tutorial kanoniko!

Totally enoying this, Nikos, wonderful piece.

Wow! Such a fascinating noise and texture...

OMG, your sound is sensation. Very very impressive.

Stone Age (2022) for violoncello and electronics
Total Duration 8' 40" minutes.

Ensemble Holophony Project
Preview Full Score at https://www.panayiotiskokoras.com/compositions/
Studio edited mix © Panayiotis Kokoras

2022

Stone Age [cello & electronics]

Tente de réguler ta température tel un iguane avec ces 2 nouveaux riddims écailleux au possible. Il fait chaud dans le désert avec Stacktrace.

Mastering by Qant

🦎 FREE DL 🦎

Stacktrace - Temperature

Hope I (Interlude)

Speed Angels

Send request : info.seeksicksound@gmail.com or join our discord : discord.com/invite/suVpRBStmu www.instagram.com/seeksicksound/

Xtanki - Fim da Rave
Amen LX, 2024

@xtanki
@amenlisboa

pre-order: https://amenlx.bandcamp.com/album/fim-da-rave-future-first

pre-order

[Premiere] Zero & Xtanki - Extent (Y.L.S. Remix) (out on Amen LX)

Send request : info.seeksicksound@gmail.com or join our discord : discord.com/invite/suVpRBStmu www.instagram.com/seeksicksound/

V/A - Sed De Rito, 2024 
Buy: https://altacostura.bandcamp.com/

""Sed de Rito" marks the 3rd release from the Buenos Aires-based label Alta Costura. For this V/A, we go on an excursion to the depths of active minds in tired bodies. From ambient to juke, this compilation is made to listen in electric mornings."

@altacostura2050

[Premiere] Kodex - Pajaritos (out on Alta Costura)

https://maloca.bandcamp.com/album/speleogenesis

Wisconsin-based producer and drummer Chants (The Trilogy Tapes, Maximum Airtime, Astral Plane Recordings) meets master drummer Dave Schoepke on this all-drums LP for Brussels-based Maloca Records. ‘Speleogenesis’ blends live drumming with dub techniques and dancefloor-informed production, guided by imagery of a subterranean world. It’s a full-circle moment, as the two met when Chants (aka Jordan Cohen) took drum lessons from Schoepke during his teenage years.

The recording process began with Chants creating skeletal demos for Dave Schoepke to improvise on. Schoepke recorded many layers of drums and percussion, running some of them through his hardware synthesizers. Chants then shaped these recordings, resulting in the cavernous dub techno track ‘Pressure Slide’, the Brazilian-influenced ‘Ritmo Crudo’ and ‘Ritmo Puro’, and the uptempo, slippery dancehall dub of ‘The Quickstepper’.

Chants then assembled a new palette of samples from this core and constructed dancefloor-focused bangers like the hyperactive ‘Cyclone Rhythm’ and minimal 170 bpm ‘Rafter’, adding his own homegrown breakbeats. As the album took shape, the music kept evoking mental images of caves, tunnels, and underwater caverns that in turn influenced the final pieces. ‘Notes from Underground’ and ‘Speleogenesis’ present a more unfiltered view of Schoepke’s nuanced drumming. ‘Airbell Dub’ was also created using material from one of Schoepke’s meditative solo performances. Finally, ‘Cavernicole’ features both drummers in full duet mode, trading phrases over an insistent kick drum pulse.  

Credits :
released October 11, 2024
2024, Maloca

Music by Chants & Dave Schoepke
Artwork by Rémi Volclair
Mastered by Hypna

Speleogenesis

Chants & Dave Schoepke - Airbell Dub

lúnasa is a dublin-based dj/producer who has become a much-loved figure in the irish club and festival circuit in recent years.

renowned for her technical precision, lúnasa’s sets traverse the deep and bass heavy sounds to the bouncy and uplifting seamlessly. her drum-centric productions combine the bleeding ends of multiple uplifting and introspective club-focused sounds, striving towards synergistic body music. if you haven’t checked her bandcamp yet, you’re missing out.

this mix is both an insight into lúnasa's daily listening as well as a taster of the kind of thing you can expect her to play in clubs, with plenty of drums as well as some bits of punk and folk working their way through the club-centric sounds. 

thanks to pauline for sending this over!

030.radio presents: lúnasa

@va-le-ska sets are driven by an enthusiasm for ever-changing rhythmic structures, unheard sounds, vigorous stabs, and uneasy moods. On stage, Valeska seamlessly shifts from soft embraces to heavy hits. Her musical excursions have also been featured on cassettes for Leipzig's Prepaid Records label and on radio programs for Retreat Radio, n10.as and Radio Alhara. She has also curated several events at Leipzig’s Pracht and at Aquarium e.V., and co-founded the event series swish and the label Shell Tapes. 
Guest link https://www.instagram.com/natvalska/

Guest Mix by Valeska w/ Ice_Eyes (16.10.2024)

The work is contrasting aural places of intimacy and enclosure with expansive spaces and propagates through their interaction.  The title is borrowed from a painting by René Magritte, depicting two coffins seated in a mountainous landscape. The source materials for the work have been recorded with an 18 channel microphones arrange in a globe shape, encoded in Higher Order Ambisonics. The work was completed with the support of Musiques & Recherches at the Métamorhose d'Orphée studio during in the summer of 2024. 

Par une belle fin d'apres-midi (stereo reduction)

Full track available from electrocd.com
electrocd.com/en/album/5984/Niko…poulos/Micro-lieux

The title of the work reflects the sound synthesis and treatment techniques as well as the qualities of the sound  textures employed here. The events portrayed in this piece are fictitious, and any resemblance to real events, past, present, or future, is entirely coincidental but highly probable. The work was realised at the composer’s home studio in the fall of 2011.

Granatum (Excerpt)

Connotations (2015) for string orchestra and electronics
Total Duration 9' minutes.

Ensemble Holophony Project
Preview Full Score at www.panayiotiskokoras.com/en/works.html
Studio edited mix © Panayiotis Kokoras

Connotations [string orch & elec]

Let Ur Mans Know

Finalist in SCRIME  2008 electroacoustic composition competition.

The material for the work was developed out of simple and short sounds that
accidentally occurred in the digital studio during previous work: (clicks, pops, digital
distortion et cetera). These sounds were transformed into more organic, gestural
material using mainly the GRM Classic plug-ins in a Pro-Tools environment. The
only field recording used in the piece is the sound of crickets, used here to
establish a nocturnal soundscape. This is in contrast with the otherwise rather
abstract sound world, which exhibits timbral characteristics perceptually related to
materials such as wood, metal, water and combinations of thereof.

Resurrection

Full track available from electrocd.com
electrocd.com/en/album/5984/Niko…poulos/Micro-lieux

Selection at Bourges Electroacoustic Music Competition 2008.

For James Mooney

Greek root poly, meaning "many", and choros meaning "room" or "space".

! Warning ! You should be fairly well acquainted with the convex uniform polyhedra and their symmetry groups, and somewhat well acquainted with the six convex regular polytopes in four-dimensional space and their symmetry groups, if this material is to make any sense to you.

The work was composed during a four week residency at the surround sound studios of the Culture Lab, Newcastle University. Many thanks to everyone at the Culture Lab for their support during the making of Polychoron.

Polychoron (Stereo Reduction - Excerpt)

Remix of "Barbajia" by Seagit Arc, available on Antimateria Sonora
https://antimateriasonora.bandcamp.com/album/seagit-arc-half-emotion-remixes-as008

Barbajia (Tristan Arp Remix)

Composer, Academic at Leeds Beckett University. MA Sonic Arts Lead Tutor. Music available from Empreintes Digitales. https://electrocd.com/en/album/5984/Nikos_Stavropoulos/Micro-lieux

Granatum (Excerpt)

Nikos Stavropoulos

Recent comments

Azz

Irma Catalina Álvarez

fuini

fuini

Related tracks