excellent!  love the sonic structure and the diverse textures.  Keeps me interested all the way

Stone Age (2022) for violoncello and electronics
Total Duration 8' 40" minutes.

Ensemble Holophony Project
Preview Full Score at https://www.panayiotiskokoras.com/compositions/
Studio edited mix © Panayiotis Kokoras

2022

Stone Age [cello & electronics]

Buy / stream digital: https://hypeddit.com/aromanice/lostrealms

"I live in a small scene-less seaside town called Southport in the North West of England where there isn’t much to do other than wander beaches, parks and dunes and nab vinyl from the record and charity shops with intent to make tunes. Growing up I've been exposed to all types of music from Jazz to Jungle, Easy Listening to Hardcore, you name it. I like all kinds of music and try to incorporate elements from multiple genres fused with my favourite heartbeat - breakbeat Jungle. Here I present to you a collection of tunes I’ve produced using an combination of software and hardware. Themes include procrastination, disgruntlement, isolation, quarrels and boredom. Ladies and Gentleman I present to you Lost Realms."
— @aroma-nice

Artwork by the amazing Payo Sanf: https://www.instagram.com/payosanf

Lost Realms

Digital

Aroma Nice — Lost Realms

Hope III (Interlude)

Speed Angels

https://maloca.bandcamp.com/album/speleogenesis

Wisconsin-based producer and drummer Chants (The Trilogy Tapes, Maximum Airtime, Astral Plane Recordings) meets master drummer Dave Schoepke on this all-drums LP for Brussels-based Maloca Records. ‘Speleogenesis’ blends live drumming with dub techniques and dancefloor-informed production, guided by imagery of a subterranean world. It’s a full-circle moment, as the two met when Chants (aka Jordan Cohen) took drum lessons from Schoepke during his teenage years.

The recording process began with Chants creating skeletal demos for Dave Schoepke to improvise on. Schoepke recorded many layers of drums and percussion, running some of them through his hardware synthesizers. Chants then shaped these recordings, resulting in the cavernous dub techno track ‘Pressure Slide’, the Brazilian-influenced ‘Ritmo Crudo’ and ‘Ritmo Puro’, and the uptempo, slippery dancehall dub of ‘The Quickstepper’.

Chants then assembled a new palette of samples from this core and constructed dancefloor-focused bangers like the hyperactive ‘Cyclone Rhythm’ and minimal 170 bpm ‘Rafter’, adding his own homegrown breakbeats. As the album took shape, the music kept evoking mental images of caves, tunnels, and underwater caverns that in turn influenced the final pieces. ‘Notes from Underground’ and ‘Speleogenesis’ present a more unfiltered view of Schoepke’s nuanced drumming. ‘Airbell Dub’ was also created using material from one of Schoepke’s meditative solo performances. Finally, ‘Cavernicole’ features both drummers in full duet mode, trading phrases over an insistent kick drum pulse.  

Credits :
released October 11, 2024
2024, Maloca

Music by Chants & Dave Schoepke
Artwork by Rémi Volclair
Mastered by Hypna

Speleogenesis

Chants & Dave Schoepke - Airbell Dub

DJ Tarba - The world has gone Mad Mix/Selecta 
-Illustration @maitreselecto

DJ TARBA - Healthy People Need Violent Music

injection w/ techchase x mengze - 15/10/2024

lúnasa is a dublin-based dj/producer who has become a much-loved figure in the irish club and festival circuit in recent years.

renowned for her technical precision, lúnasa’s sets traverse the deep and bass heavy sounds to the bouncy and uplifting seamlessly. her drum-centric productions combine the bleeding ends of multiple uplifting and introspective club-focused sounds, striving towards synergistic body music. if you haven’t checked her bandcamp yet, you’re missing out.

this mix is both an insight into lúnasa's daily listening as well as a taster of the kind of thing you can expect her to play in clubs, with plenty of drums as well as some bits of punk and folk working their way through the club-centric sounds. 

thanks to pauline for sending this over!

030.radio presents: lúnasa

Send request : info.seeksicksound@gmail.com or join our discord : discord.com/invite/suVpRBStmu www.instagram.com/seeksicksound/

quima - drema, 2024 
Buy: https://quima.bandcamp.com/

@quimamena

[Premiere] quima - drema

@va-le-ska sets are driven by an enthusiasm for ever-changing rhythmic structures, unheard sounds, vigorous stabs, and uneasy moods. On stage, Valeska seamlessly shifts from soft embraces to heavy hits. Her musical excursions have also been featured on cassettes for Leipzig's Prepaid Records label and on radio programs for Retreat Radio, n10.as and Radio Alhara. She has also curated several events at Leipzig’s Pracht and at Aquarium e.V., and co-founded the event series swish and the label Shell Tapes. 
Guest link https://www.instagram.com/natvalska/

Guest Mix by Valeska w/ Ice_Eyes (16.10.2024)

The work is contrasting aural places of intimacy and enclosure with expansive spaces and propagates through their interaction.  The title is borrowed from a painting by René Magritte, depicting two coffins seated in a mountainous landscape. The source materials for the work have been recorded with an 18 channel microphones arrange in a globe shape, encoded in Higher Order Ambisonics. The work was completed with the support of Musiques & Recherches at the Métamorhose d'Orphée studio during in the summer of 2024. 

Par une belle fin d'apres-midi (stereo reduction)

Connotations (2015) for string orchestra and electronics
Total Duration 9' minutes.

Ensemble Holophony Project
Preview Full Score at www.panayiotiskokoras.com/en/works.html
Studio edited mix © Panayiotis Kokoras

Connotations [string orch & elec]

Let Ur Mans Know

Finalist in SCRIME  2008 electroacoustic composition competition.

The material for the work was developed out of simple and short sounds that
accidentally occurred in the digital studio during previous work: (clicks, pops, digital
distortion et cetera). These sounds were transformed into more organic, gestural
material using mainly the GRM Classic plug-ins in a Pro-Tools environment. The
only field recording used in the piece is the sound of crickets, used here to
establish a nocturnal soundscape. This is in contrast with the otherwise rather
abstract sound world, which exhibits timbral characteristics perceptually related to
materials such as wood, metal, water and combinations of thereof.

Resurrection

Full track available from electrocd.com
electrocd.com/en/album/5984/Niko…poulos/Micro-lieux

Selection at Bourges Electroacoustic Music Competition 2008.

For James Mooney

Greek root poly, meaning "many", and choros meaning "room" or "space".

! Warning ! You should be fairly well acquainted with the convex uniform polyhedra and their symmetry groups, and somewhat well acquainted with the six convex regular polytopes in four-dimensional space and their symmetry groups, if this material is to make any sense to you.

The work was composed during a four week residency at the surround sound studios of the Culture Lab, Newcastle University. Many thanks to everyone at the Culture Lab for their support during the making of Polychoron.

Polychoron (Stereo Reduction - Excerpt)

Composer, Academic at Leeds Beckett University. MA Sonic Arts Lead Tutor. Music available from Empreintes Digitales. https://electrocd.com/en/album/5984/Nikos_Stavropoulos/Micro-lieux

Resurrection

Nikos Stavropoulos

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