DESTROY WITH SCIENCE is Aotearoa based Matt McKegg’s response to the overly produced, studio-focused electronic music so common on dancefloors these days. Instead, he’s taking it back to the roots of dance music, finding the vibe entirely in the moment, right there in the room. 

Matt performs using a modular / hardware synth setup, live sequenced via custom software running on a Raspberry Pi. Prepare for some eartingle infused analog techno bangers and the odd dancefloor nostalgia remix to keep things interesting.

Andrew Aversa (a.k.a. zircon) is an award-winning, covert-ops audio specialist with headquarters located on the outskirts of Baltimore, MD. His top-secret blend of cutting-edge electronic-organic sound design, sonorous composition, and ultra-polished production values have yielded dozens of credits in the realm of video games (Monkey Island 2: Special Edition, Super Street Fighter II Turbo HD Remix, Soulcalibur V), TV (Heroes, Skins, MTV, Touch), film, advertising and other media. As the recording artist zircon, he has written, produced, engineered and collaborated on over 15 albums.

The continuously-expanding array of zircon albums and EPs has met with both critical and popular acclaim – Impulse Prime achieved a dual victory at the 2006 Just Plain Folks Music Awards, winning “Best Techno Album” and the single “Tomorrow” winning “Best Techno Song”. This victory was repeated at the subsequent 2009 JPF Awards, with Antigravity’s “Depth Charge” taking “Best Techno Song” again, as well as the #1 spot of “Best Techno Song of All Time” at Garageband.com.

A lifelong fan of music, film scores and video games, Andrew’s background in music began in classical piano but soon evolved to include computer-based music production shortly before his departure to college. This led to a powerful thirst for knowledge and self-improvement, a thirst that has yet to be quenched as he continues to devour composition and production techniques every day. Thanks to this liquid background, Andrew integrates in his music a formidable arsenal of influences ranging from electronic artists like BT, Prodigy, Hybrid and Pendulum to film composers such as James Newton-Howard, Hans Zimmer, Danny Elfman and many more.

A true sound-scientist at heart, Andrew is the lead producer and co-founder of Impact Soundworks, a sound design & sample library development company with an enormous list of users all over the world, including some of the most well-known video game, television and film composers in the industry. If he is not designing a new collection of critically-acclaimed instruments for this company, he can be found concocting synthesizer presets which are similarly widely-used.

Andrew is frequently sighted teaching student composers and game developers at Drexel University or otherwise assisting fellow musicians in the fields of production, mastering, and sound design.

Rameses B (pronounced Ram-sees Bee) is a UK-based producer shaping electronic music with cinematic, emotive soundscapes. From euphoric drum & bass to chill liquid, phonk, and wave, his tracks balance energy and atmosphere - futuristic yet nostalgic.

Since 2010, Rameses B has built a loyal following worldwide through releases on labels like Monstercat, NCS, Liquicity, Hospital, Seeking Blue, and Hexagon amassing millions of streams and carving out a signature style that feels both nostalgic and forward-thinking. His tracks often balance the euphoric and the introspective - music for the dancefloor as much as for late-night reflection. 

His music has featured in games like Rocket League, Descenders, and OSU!, as well as TV shows - Strong support from the gaming and creator community due to the prolific catalogue that includes free to use music.

Always pushing boundaries, Rameses B explores new internet-born genres such as angelcore, witch house, phonk, and ambient music, expanding his palette and fusing these genres while staying true to his melodic, storytelling roots.

-̦̲͛̚R̞̥̍͝Ȍ̞̱̎B̢̲͑͝-̘̱̌͝O̭̳͑̆-̬̮͆̃T̗̫̂̃E̮̭̽̕K̤̃͒͜N̦͙̾͘-̟̹̇͠Ŏ̡̠̄-̜̗͌̐L̖̜̀̍O̫̭̔̊G͚̹̓͝Ǐ͓̮͒É̢̠̀S̨̛͍̏-̪͉̋̄

I'm just a robot that makes computer music.
Most current Projects: @jimhallmusic
Everything available to listen to here is now considered public domain.
I no longer own or claim ownership to any of the works published here.
Works made for others are still copyright there respective IP holders.
Otherwise, said works are now part of the ether.
May the ether build upon them and encourage the creativity and evolution of others.

Contact: 
jimhallmusician@gmail.com
https://twitter.com/JimHallMusic

Gear: 
M-Audio Oxygen 61
Line 6 Toneport UX2

Software:
Cubase 10
SQ8L
VOPM
OBXD
Dexed
TAL-U-NO-LX
JM-1 Linndrum VST
Tweakbench Peach/Toad/Triforce
Korg Polysix/MS20/Wavestation/Legacy Cell

it's music from the womb to the tomb

management: Palmer@11E1evenGroup.com
personal: ben@subtact.com

I make a chiptune every day. Hopefully it will  help me to be less terrible at music (and life in general). Been doing it since July 2016
Contact: marksparlingmusic@gmail.com

Wubstep don't make no sense. #TeamMDK

My Discography: http://www.morgandavidking.com/music

Nimphious is following