Buy the album 'Black Sands' now on:

Ninjashop: http://bit.ly/LWm3Uz
iTunes: http://itun.es/ib66T8
Amazon: http://glnk.it/1d6


Black Sands Remixed

Bonobo - 'Eyesdown' (Preview Edit)

Hello Hello New Tune Uploaded For Free Download
Kill Emil - What the rain takes away 
From new Beatquick Release ''We like it raw vol 2''

https://beatquick.bandcamp.com/album/we-like-it-raw-vol-2



"We Like It Raw Vol. 2" is the 19th release from BeatQuick and a sequel to the first "We Like It Raw" compilation. 
Continuing in the tradition of the first installment this is a sequence of unreleased tracks and collaborations from all of the label's artists. 
Enjoy listening. 

Free Download

Kill Emil - What The Rain Takes Away

check v1 60 bpm

released May 25, 2017 
2017 Kendra Morris 

Production and Guitars - Jeremy Page, 
Jeremy Siegel - Bass 
Sam Merrick - Drums

End Times

Pre-order: https://LifeAndDeath.lnk.to/Displaced

Various Artists - Displaced Soundtracks

Release Date: November 3rd, 2017
Label: Life and Death
Format: Vinyl / digital
Cat #: LAD030

A1 Artefakt - Magnetic Midnight
A2 Black Merlin - OPI
A3 Appleblim - Sacred Rowan Grove
B1 Stimming x Lambert - Trafic Aérien
B2 Kink - Megadrop
B3 Fango - Nung
C1 Axel Boman - Just Imagine (Part I & II)
C2 Duncan Gray - Smelly Little Man
D1 Simian Mobile Disco - Hades Rocket
D2 Redshape - Theme
D3 Danny Daze - Orb

Seven years into its celebrated journey, Life and Death assembles its third and most adventurous compilation to date - Displaced Soundtracks.

For the first instalment in a new series, DJ Tennis has given free rein to some of his most trusted contemporaries, enabling many of today’s most respected dance music producers to display their hidden talents as composers. Gathering music from a long-aborted film, the collection stands as another bastion of Life and Death’s perpetual evolution.

Duncan Gray embraces dissonance, Black Merlin, Appleblim and Artefakt go interstellar and Fango channels post-punk squat music. Hades Rocket showcases the expertly-sequenced synth work that has graced Simian Mobile Disco’s illustrious career, while Redshape revisits all the right sides of 80’s Wave and Library music. Danny Daze and synth-savant KINK embrace non-standard tempi with great success, while Axel Boman delivers sitar-laced gospelhouse without a bass drum. Elsewhere, your favourite producer’s favourite producer, Stimming, team’s up with pianist Lambert and the pair learn to fly.

Inspired and challenging, Life and Death ventures into their eighth year confidently, constantly evolving without compromise.

Pre-order

Stimming x Lambert - Trafic Aérien (Displaced Soundtracks)

from 'Facades' [CD|10''|DIGITAL]
Denovali Records · den290
available on all formats at [http://www.denovali.com/orsonhentschel]

Only six months after his sophomore album, which has showcased a "tense repetition of short phrases, often building big, dramatic pieces starting with a single stuck-in-the-machine sound" (Decoder) and an "analogue cyber trip-hop of an impressive depth of focus as an acoustic furniture for an apocalypse lounge" (Groove), Hentschel returns with a two-piece EP showcasing yet another aspect of his musical spectrum. While the first two albums featured only instrumental tracks, "Facades" are the first two pieces in which Orson Hentschel works with text as a main musical element for his composition, although he approaches vocals from a rather particular perspective.

For Hentschel, the spoken word is always music and thus not different than any other instrumental input or sound layer. Consequently, he is only interested in the sound of the spoken words on Facades, but not in any content they convey. The idea for Facades was born at a time when Hentschel was struggling with a writer's block for several days in a row. He realised that just writing about nothing was the only honest way for him to express himself through text as a medium. After doing some research on the subject he found John Cage's "Lecture on nothing" which has appeared in the book "Silence" (1961). This encouraged him to work out his idea and he wrote a German text which then Danhee Joe, an accidental acquaintance of his, translated into Korean and spoke with her warm voice. Thus Orson Hentschel used the text in the same way as he uses any sound material - it is transformed into something else, it is being alienated. The spoken words are embedded in repetitive and minimal-minded electronic sound layers which even penetrate primordial technoid territories. However, sticking to his trademark long arcs of suspense, the listener has to wait until the last two minutes of the second track for the first, cathartic beat.

Facades

Orson Hentschel - Facade I

4. Reinstatement - Hipcut

At the Rainbow's End

When All Is Over (Instrumental Version)

Release 1.0

Un Monde Sans Frime

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Out on Itunes on the 26/09/12
Mastered by Matt Colton Air Studios London
Champion Sound Music
Elastic Artists for Bookings

Ryan Vail - Sunlight (Original)

Unreleased track, first test with the new mpc renaissance.

Trip to Kyoto

Ninja Tune has established itself as one of the world’s leading independent record labels. Now a bonafide global music institution, synonymous with diverse, uncompromising releases and equally visionary artists—from breaking-through to GRAMMY-winning, internationally acclaimed acts—committed to pushing the boundaries of music.