petit-déjeuner sucré

Electro

see it all

My music

Fink

black sandsss

in bed

lazy downtempo vocal electro

UNKLE - Heaven

Now available as a bonus track on 'The Inevitable End':
http://royksopp.com/music/the-inevitable-end

’Running To The Sea’ and ‘Something In My Heart’ are in essence both expressions of compulsion and its strong, often uncontrollable, persisting pull. Dependence is a returning theme in our music 
-B+B

The equally elegant singing on b-side ‘Something In My Heart’ - a melancholy, synth hybrid - is provided by Jamie of cult orchestral pop ensemble https://soundcloud.com/the-irrepressibles.

Something In My Heart (feat. Jamie Irrepressible)

Same story but better quality.
http://www.facebook.com/JamesBaxterMusic

Ocean- John Butler Trio

The Danish-born Berlin-based singer-songwriter Agnes Obel landed a pan-European hit with her disarmingly beautiful debut album ‘Philharmonics’. After seven weeks at #1 in Denmark and hitting the Top 10 in both France and the Netherlands, the deluxe double CD version of the album will be released in the UK on May 2nd on Play It Again Sam.

Entirely self-produced and performed, ‘Philharmonics’ opens with the instrumental piano piece ‘Falling, Catching’ which sets the tone for Obel’s classically inspired songwriting. The next track, ‘Riverside’, flows with a depth of emotion embedded with further character by Obel’s love of combining her sweet melodies with carefully considered lyrics that evoke the song’s innate sound. ‘Just So’ works a similar trick, its blend of melancholy and optimism perfectly encapsulated into the opening line ‘Black turns beat me bright.’ Elsewhere, with ‘On Powdered Ground’, ‘Brother Sparrow’ or her interpretation of John Cale’s ‘Close Watch’, she melds different moods and atmospheres, all indelibly linked by the brittle majesty of her music.

The deluxe edition of the album adds a second CD featuring six tracks recorded at Obel’s recent acclaimed residency of sold-out shows in Copenhagen and five instrumental piano performances.

As a child, Obel was subconsciously guided into music by the influence of her mother and father, who would play and listen to a blend of the classical greats, folk music like Jan Johansson and the timeless sounds of Roy Orbison. After discovering the likes of Portishead and Elliott Smith as a teenager, she began writing her own piano-based songs, but it wasn’t until she moved to Berlin in 2006 that she began recording an album.

Many of the songs on ‘Philharmonics’ have subconsciously found an audience through their use in film and television. ‘Just So’ soundtracked a Deutsch Telekom advert, which gave Obel the unusual combination of having a song that everyone knew while having almost no profile as an artist herself. But soon opportunities presented themselves and continue to do so. One of Obel’s earliest breaks came when three of her demos featured in cult director Thomas Vinterberg’s film Submarino – ‘Riverside’ earned her a Robert Award (Denmark’s equivalent of the Oscars) for Best Song of the Year. Her music also reached a bigger North American and international audience when ‘Riverside’ was used in Grey’s Anatomy.

iTunes extended Obel’s profile further by requesting an exclusive release of ‘Philharmonics’ and highlighting Obel on the home page of their North American website. The attention of the press has been consistently positive with Vogue and culture magazine Telerama producing in-depth features in France, while Obel will also feature in both the North American and European issues of TIME.

Official website – www.agnesobel.com
Official facebook – www.facebook.com/agnesobelofficial
Official twitter - www.twitter.com/agnesobel
Official youtube - http://www.youtube.com/agnesobel


Agnes Obel - Riverside (Lulu Rouge Remix)

Ghostworker - The Morning (Acousmatic Mix)

ORDER the album 'Music for Confluence' on CD/LP/DL: www.erasedtapes.com/store/index/ERATP036 (vinyl edition out April 1, 2016)

ORDER the LTD. EDITION 7" incl. Digital 14-Track Bonus Score Release 'MUSIC FOR GRACE AND MERCY' or DOWNLOAD here:
http://erasedtapes.com/store/index/ERATP035

CONTEXT: New-Berliner Peter Broderick has established himself as a composer in his own right, may it be as a touring member in Efterklang, collaborating with label mates Nils Frahm and Dustin O’Halloran, or most recently, working on the Last Night soundtrack with Clint Mansell. His innate gift as a musical medium, picking up any instrument to turn his musings into songs, has won the 24-year old American composer many hearts worldwide.

‘A songwriter of beguiling depth' – The Sunday Times

'Painfully young and unnervingly talented' – The Economist’s Intelligent Life

‘A precociously talented, classically trained multi-instrumentalist’ – The Independent

Following on from his contemporary dance scores Music For Falling From Trees and Music For Congregation, November 28th, 2011 will see Broderick return with a brand new work released on Erased Tapes Records, entitled Music For Confluence. Created for documentary filmmakers Jennifer Anderson and Vernon Lott, the soundtrack takes the listener through waves of stark emotions.

The release of Music For Confluence will be preceded by the double A-side single Old Time / Solace In Gala on November 7th and includes an exclusive digital 14-track bonus score entitled Music For Grace And Mercy – a film of Haitians helping Haitians.

The official Old Time music video can be watched here: http://vimeo.com/erasedtapes/peter-broderick-old-time
The official Confluence trailer can be watched here:  http://vimeo.com/erasedtapes/confluence
The official Grace And Mercy trailer can be watched here:  http://vimeo.com/13145302

Erased Tapes Collection IV

Peter Broderick – Old Time

2024 update: you can download this for free now

Lana Del Rey - Blue Jeans (Eyela Beret Bootleg Remix) [FREE DOWNLOAD]

Fink - Sort Of Revolution (single) 
            Digital only release date: July 13 2009
            Video: http://www.youtube.com/watch?v=n8OH8Uautpk&feature=channel_page 
            
            Fink returns to tantalise your eardrums this Summer with lead single and title track from his brand new album, “Sort of Revolution”. As if the original wasn’t already an effortlessly classy, subtle and moving piece of work, Fink has enlisted label-mate Jason Swinscoe for a rare-as-hen’s-teeth Cinematic Orchestra remix. The single, available as a digital only bundle, also includes a genius spaced-out Dub remix from Sideshow, and yet another perfect piece of songwriting, delivery, and production from Fink in exclusive bonus track “Don’t Look Down”. 
            
            Fin Greenall, aka Fink, is among the more understated of the world's 'singer-songwriters', relying on uncompromising quality of work and an astounding stage presence, rather than major label marketing budgets. Swinscoe, likewise, is more keen on making music than chattering about it in the press. His career has, nevertheless, attracted superlatives from the outset, and includes collaborations with the likes of Fontella Bass and Roots Manuva, the re-soundtracking of Dziga Vertov’s classic “Man With A Movie Camera,” and a sell-out show at the Royal Albert Hall last year. Together they have crafted a miniature epic of love and longing… a velvet revolution indeed. 
            
            ZENCDS236P (single promo for press and radio) 
            
            1. Sort of Revolution (The Cinematic Orchestra Radio Edit) 
            2. Sort of Revolution (Radio Edit) 
            3. Don't Look Down 
            4. Sort of Revolution (Sideshow Dub) 
            5. Sort of Revolution (The Cinematic Orchestra Remix)
            
            ZENDNLS236 (available for download 13th July)
            
            1) Sort Of Revolution 
            2) Sort Of Revolution (The Cinematic Orchestra Remix) 
            3) Sort Of Revolution (Sideshow Dub) 
            4) Don't Look Down

Buy at Ninjashop: http://bit.ly/M63VXb
Download on iTunes: http://itun.es/i6jb3Qg
Buy on Amazon: http://glnk.it/1go

Sort of Revolution

Sort Of Revolution

Fink - Sort Of Revolution

Out The Blue (Ben Howard Cover)

Joker - The Vision (ft. Jessie Ware)

Growing Up

Years Around The Sun - Miles Away (Acoustic Edit)

Moby - Wait for me

Fink - Make It Good (Tennis & Tale Of Us Remix)

I've made this one just for fun....Cause i wanted to be able to play it on the floor...Hope you enjoy it!

Ben Howard - The Fear (Moonlight Matters Rework)

Fink - 'See It All'

Fink returns with the second single from his 3rd album of his Ninja Tune Records trilogy, “Sort of Revolution.” 

“See It All,” one of the album’s signature tracks, is blessed with falling piano lines, pulsing electric bass, and a driving rhythm which combines relentless propulsion with sublime subtlety. “Q&A” finds Fink in a deeply soulful and moody a cappella, building a tune from his own vocal parts - layers of harmony buzzing through your ears, as warm and rich as it is clever and hypnotic. Both of these tracks were recently recorded live on Fink’s latest Gilles Peterson Maida Vale session for BBC Radio 1, while the LP version of “See It All” has just been confirmed as the opening track on the season premiere on the longstanding and now infamous TV show CSI:NY. 

Remixes come from D*L*I*D (fresh from their stunning remix of Phoenix's "1901" single, this remix is only their second!), Emika (Ninja Tune's latest signing, bringing Berlin heaviness to the table), and Fink’s dub alter-ego, Sideshow (critically lauded and internationally sharing 12's with Martyn, remixing Appleblim, and releasing albums on Aus Music). D*L*I*D channels the spirit of J-Dilla, turning the original into a super-heavy head-nodder. Label-mate Emika turns the original into a dark and brooding epic that builds towards a huge finale – a la Massive Attack with serious skunk-paranoia. Sideshow once again showcases Fink’s production cred with an echo box and compression chamber, skillfully stripping the parts and fitting them together into brand new shapes. 

Fin Greenall, aka Fink, is among the more understated of the world’s ‘singer-songwriters’, relying on uncompromising quality of work and an astounding stage presence, rather than major label marketing budgets. A master lyricist and in-demand songwriter, having most recently co-written with John Legend for Legend’s ‘Evolver’ LP as well as two of Ninja Tune’s latest signings: Andreya Triana and Emika. Currently touring the UK with band mates Guy Whittaker on bass and Tim Thornton on drums, Fink is as hectic as ever with a tour of France throughout October; November spent in China, Hong Kong, and Vietnam; the USA in December; and Australia (including 3 headline evenings at the Sydney Festival) and Japan in January. 

See It All / Q&A, taken from the Sort of Revolution LP, is released on Ninja Tune records on 19 October as a download only.

Buy at Ninjashop: http://bit.ly/N19ZQp
Download on iTunes: http://bit.ly/M63VXb
Buy on Amazon: http://glnk.it/1go

See It All

Fink - See It All (Radio Edit)

Download: https://www.facebook.com/esteble/app_208195102528120

Free Download 

Ben Howard - Depth over distance (esteble remix) *Free Download at Facebook*

Air - All I Need

an edit i did recently for Fink's "Warm Shadow". Was quite hard, as i didn't want to ruin the original. I had some other plans with it that didn't work so well so this is more or less a "quantized" version of the original tune.

Fink "Warm Shadow" (Marcus Worgull Edit)

Ninja Tune has established itself as one of the world’s leading independent record labels. Now a bonafide global music institution, synonymous with diverse, uncompromising releases and equally visionary artists—from breaking-through to GRAMMY-winning, internationally acclaimed acts—committed to pushing the boundaries of music.