BIO:
Composer/ musician/ curator/ writer. Recordings on Divorce/ Heavy Fog, Entr'acte, Orange Milk Records, Never Anything, Scissor Tail Editions, Notice Recordings.

Chamber and solo work performed by Esprit Orchestra, Eve Egoyan, Arraymusic, Quatuor Bozzini, Madawaska String Quartet. Electronic work commissioned by AKOUSMA Festival, appeared at the MoMA with installation piece Tentacle. Work also programmed at the Technische Universitat (Berlin), Sonic Arts Research Centre (Belfast), Musicacoustica Festival (Beijing), Soundplay Festival (Toronto). Harvestworks Festival (NYC)

Recipient of the Canadian Music Centre's 2011 Toronto Emerging Composer Award & Canadian Electroacoustic Community's Jeux De Temps Competition (2008). Awarded Canadian Music Centre's Norman Burgess Fund to create a work for solo harp for young performers with educational guidance from Lori Gemmell.

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Composer and classical guitarist experimenting with mixed media.

Alex Eddington is a composer of experimental and not-as-experimental music for concert stage, electronic media, theatre and dance.  

He is also a writer, theatre performer, music/drama teacher and professional opera surtitlist.

Find out more at www.AlexEddington.com
 
Alex's compositions have been performed by professional ensembles like the Toronto Symphony Orchestra and Continuum Contemporary Music, and student musicians at organizations like the Suzuki String School of Guelph.

Alex has performed his own original theatre across Canada on the Fringe Festival circuit, and created music/sound for more than 20 theatre and dance productions across the country.

Alex’s music has been recorded by the Scarborough Philharmonic Orchestra and
released worldwide on their album Canadian Panorama.
His piece "Bubblegum Delicious" was released on the Cambria label in November 2017.

Recent/upcoming commissions: Toronto Symphony Orchestra, Chronos Vocal Ensemble, Toronto Brass Quintet, Jumblies Theatre, Toronto Consort.

Created music for the play "Dark Heart" (Thought For Food Productions) in January 2018.

Naomi McCarroll-Butler is following