Stockholm-based composer and musician Linus Hillborg has an interest in compositional techniques born out of limited computing power and sample memory. Residue is a collection of weird, darkened and solitary sounds derived from such practices, including soundtracks and ambiences from early bootleg games - heavy on FM-synthesis, repurposed samples and microtonality - as well as music of past presents and future pasts constructed in a similar vein.

Ksiesyc - Smieszki
Martin Galway - Title (Parallax)
Kanako Kakino - Floe (Ace Combat 3: Electrosphere)
Matt Seldon - Suburban Symphony (DreamWeb)
Paul Ruskay - Great Wastelands (Homeworld)
Minako Hamano - BSL Ambience (Metroid Fusion)
Gregory Alper - BGM 10 (Darkseed)
Steven O’Brien - The Wardrobe (Only If)
Zhèng Yi - Green Hill Zone (Somari)
Keiichi Suzuki/Hirokazu Tanaka - Deeper Into Ness’ Unconcious (MOTHER2 ギーグの逆襲)
Ksiezyc - Dychana
Aydin Esen - Induan
Ellen Meijers - Rupture Farms, extracted ambience (Oddworld: Abe’s Oddysee)
Theodor Kentros - In Girum Imus Nocte Et Consumimur Igni
Kelly Bailey - Town, extracted ambience (Half-Life 2)
László Hortobágyi - Bhairavi
László Hortobágyi - The End
Shahin Souri - Discord
Kelly Bailey - Canal, extracted ambience (Half-Life 2)
Brenda El Rayes - Min dikt tillbaka
Kazunaka Yamane - Doppelganger (Double Dragon II)
Yuzo Kishiro - Tunnelway (Bare Knuckle III)
Haruhiko Souno - Onryou Senki, extracted audio (怨霊戦記)
Mathieu Serruys - Phosphorescent Landscapes
Sonja Tofik - The Earth Spirit
Linus Hillborg - Atlashamnen
Moonilena - Arasole Rain
Zurich 1916 - The Children’s Song
KABLAM - bryt
Keiichi Suzuki/Hirokazu Tanaka - Cave of the Past (MOTHER2 ギーグの逆襲)

Extracted sounds and music have their source game listed in parentheses.

Residue w/ Linus Hillborg - Radio Ma3azef

Spotify: https://sptfy.com/queimada

'Myself/Other' is the new EP from Queimada, the Valencia-based sound designer and artist Marco Colocci. @queimada77

Following his established musical aesthetic based on massive electroacoustic samples and granular synthesis practice, Queimada shaped a project that conceptually draws from the idea of Id and Es, decomposing himself into the musical process.  The concept’s duality recreates itself in the ontological aspects of the sonic material used in the EP’s compositional process and results in a unique structure that alternates harsh deflagrations and eerie events.

Mastered by Tom Tommers at YourOhm Studio B @tommers-agu
Artwork by Nicolas Berger behance.net/nicolasschaffer
Graphic by Alberto Cattani

Support

Maggot

Petit Singe - Bengala Raciti

Charlie Morrow - "Toot! Too" LP (R41)
http://www.recitalprogram.com/toot-too/
http://www.recitalprogram.com/purchase/

R41 Charlie Morrow - "Wave Music II – 100 Musicians with Lights (1978)" from Toot! Too LP

made between Helsinki - Kiev - Jyväskylä

mixed by Riku-Pekka Kellokoski

emotional coil

FEELS

Kingdom Hearts II - Simple and Clean (NNOA YOUTUBE RIP RMX THING)

I woke up and realized...it was a very quiet storm.

____________________________________________
transient backflashs of an Ego*.
granulated, stretched and + anatomized by luxxuryproblems.

*formerly released EP by @Luis Ake. 
//Track 3 based on fragments of "Ego"
//Track 2 based on fragments of "Flag In The Wind"
//Track 3 based on fragments of "Real"

luxxuryproblems - alucinari

the ability to learn all the languages in existence is useless if you are not listening properly, there will always be some lack of understanding.

so, in that case there are 2 options at your disposal: learning an universal language or simply buying a POLYGLOBOTTE

get it now for a one-time payment

Igen & Onejgn - In Tro Duzione

Take it easy bud
available on lxvlxv.bandcamp.com
8/7/2020

Take it easy bud

Mosquito Climb

(Z)erpents – Black Mold and Hot Springs, Taipei - 黑黴與溫泉，台北

This is a soundtrack; close your eyes - you can see the film. While the camera strains, image wobbling, making the most of a lack of light, there are riots in the streets; armored vehicles blasting water cannons; a teenager in a bandana kicks a tear gas canister back toward the line of cops. Natural disasters; a wall of water washing cars from the street; half-finished skyscrapers collapse; cracks opening in the earth’s surface. 

這像是電影配樂，在閉上雙眼之際便能清楚看見這部電影。鏡頭過濾、晃動，將所有的光去除。街上的抗爭、武裝載具發射加壓水砲、穿戴頭巾的少年將催淚瓦斯踢回警察防線之中。天災襲來：雨牆沖刷街上的汽車，未完成的摩天大樓接續倒塌，將地表鑿出了個大洞。

Like a soundtrack, you can feel the music abruptly shifting from one scene to another, unheralded, uncued, shifting direction like a school of fish or a mob of protestors. At first it’s just the drums spattering rapidly forward, traditional snares and kicks alongside muted dull cymbals and rattling pans and trash can lids. Then a raucous, enraged saxophone, maddened beyond belief and REFUSING to shut up, suddenly appears running alongside the drums. Rhythmically, the two are locked, though they still both feel like they’re being played while falling down a long flight of stairs.

你可以感受到聲音瞬間切換至另個場景，似電影配樂般 - 無預警、毫無保留的的轉換方向，如魚群或抗爭群眾。最初只是鼓聲快速的擊濺，傳統的小鼓、大鼓伴隨銅鈸、鏗鏘作響的鍋碗及垃圾桶的蓋子。然後，喧囂盛怒的薩克斯風捉了狂，和鼓聲一同奔馳 — 極力抗拒、無法停歇。 雖在節奏上彼此緊密同步，但感覺起來卻像是他們演奏於 — 蹣跚跌落的瞬間。

When it’s just the drums and the sax, angry beyond reason, there’s still a very tangible emptiness, a space within the sound. And when (Z)erpents want to fill that space, they do – with big fudgy slices of guitar. What the guitar has in common with the drums and the sax is an element of relentlessness, although this is expressed as long cloudy drones rather than furious action. It’s a threatening undertone like a dark cloud that refuses to break into unavoidable rain.

當只有鼓和憤怒的薩克斯風時，聲音中仍有些明顯的空間和留白，一層又一層、毛烈成片的吉他和弦便將整個空間填滿。吉他與鼓、薩克斯風一樣充滿混亂強烈的元素，但並不是憤怒的方式，而是以雷雲層般厚重的遠長延音，像是為即將襲來的暴雨所下的警示：你將無法避免。

But it!

01 Liminal Triad

@nemerov

Budapest-based Nemerov returns to EXILES, pushing forward his experiments and explorations on codependent structures, atonal harmonics and vibrant movements. ‘Automated Dances’ presents fragmented, sorrowful beats, constantly redefined by human intentions, system limitations, underlying errors and logical conditions.

Focusing heavily on FM synthesis and highly percussive patterns, ‘Automated Dances’ presents sonic tensions, struggles and Nemerov’s ambiguous approach towards conventional electronic dance music. Following his previous release ‘Six Recital Pieces’ on Czaszka Rec., AD features deep dives into an ever-mutating stream of digital patterns that sound like pieces of glass falling on a metal cube.

music by Gábor Gyulai
artwork by Hargi Csík
mastered by Roland Nagy

www.instagram.com/hellohargi/
www.instagram.com/y_nemerov/

Buy Album

Nemerov - AD05

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║        ∫ (Ψ ⋅ ℵ₀ ⋅ Φ) dΩ ≈ 🜂 + 🜄 + 🜁 + 🜃                               ║
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Kingdom Hearts II - Simple and Clean (NNOA YOUTUBE RIP RMX THING)

NNoa