A new selection from the collection playlists Anders 1 to 9 and new Tracks.

Anders I

[UNDER CONSTRUCTION]

Fantaisie track (courte) series no. 577

infinitely open ... except for the beat, no beat, or not enough to call it a beat, or too many of them either in succession or concurrent.

created: 2025/06/30

These tracks were uploaded in May and June 2025,
except for the following, older ones:
. . .

Capitalized tags are SoundCloud's suggestions.

Happy listening!

* Soundcloud time: 1 year = 12 - 23 months.

[TO BE COMPLETED]

hk_fantaisies_tracks_577

Best of SoundCloud July 2025

Like 3

Clinical Voodoo

from the 2021 reissue of Eukaryotik's 2006 album "Zoological Pardons" (https://listen.rubbercitynoise.org/album/zoological-pardons)

Zoological Pardons

Lw Bdgt Actn Mv 1992

Eukaryotik ~ Lw Bdgt Actn Mv 1992

Duo piece for Piano + Dispositive (eccentric rotating mass vibrating motors - amplitude: from 6G to 13G} & MIDI Keyboard.

Piano & MIDI Keyboard: Henrique Vaz 

"In 1947, the composer Conlon Nancarrow—frustrated with human pianists and their limited ability to play his rhythmically complex music—purchased a device which allowed him to punch holes in player piano rolls. This technology allowed him to create incredibly complex musical compositions, unplayable by human hands, which later came to be widely recognized by electronic musicians as an important precursor to their work.

A similar interest in seemingly impossible music can be found today in a group of musicians who use MIDI files (which store musical notes and timings, not unlike player piano rolls) to create compositions that feature staggering numbers of notes. They're calling this kind of music "black MIDI," which basically means that when you look at the music in the form of standard notation, it looks like almost solid black"

- MICHAEL CONNOR {http://rhizome.org/editorial/2013/sep/23/impossible-music-black-midi/}

Score Follower:
https://www.youtube.com/watch?v=hxhIoxRU0xk

Samples from the score:
https://www.facebook.com/henrique.vaz/media_set?set=a.10203245645969268.1073741833.1452650501&type=3

░▒▓█ Black MIDI [2013] - for piano & MIDI keyboard {or disklavier}.

One more.  :)

Decided to go outside, and record a clip.  The SQ-64 is just sending some triggers over, and one pitch CV.  The rest is all done on the synth itself.  Reverb and Delay from ZOIA.

StrohModular-OneMoreOtherThingHeeHeeHee

Old modular sounds and tunes that weren't created on my own modulars.  :D

216 - NoiseRingCV

NY02.2

Wilhelm Matthies & Senglar - Mental Box

Renis – Weight of memory, pulse of renewal.

With deep, bass-heavy textures and glitch-laden rhythms, Renis channels the sonic gravity of acts like dark, immersive, and emotionally charged. This instrumental track unfolds like a foggy recollection: fractured, but still pulsing with life.

The beat lurches forward with intent, dragging shards of the past into the present, only to melt them into something new. Glitch elements crackle like static in a dream, while thick, brooding tones anchor the listener in a sense of moody reflection.

Renis is not just about looking back—it’s about rebuilding, piece by piece, from what remains.

Renis

Авторська версія української народної пісні «Ой, у гаю при Дунаю» в інтерпретації співачки Ana Danch - дієвий спосіб популяризації української пісенної культури. У підсумку вийшла надзвичайно ніжна й мелодійна фолькова пісня з осучасненим звучанням. Магічний вокал співачки переносить слухачів до гаю біля річки Дунай, де звучить чарівна музика. Ця пісня розповідає про те, як дівчина сумує за своїм миленьким, викликаючи в серці тугу та самотність. Пісня «Ой, у гаю при Дунаю» увійде до майбутнього альбому «Українська Душа».
__________________________________________________________________________________

Ой, у гаю при Дунаю
Соловей щебече
Він і свою всю пташину
До гніздечка кличе
Ой-тьох-тьох, він тьох-тьох-тьох
Соловей щебече
Він і свою всю пташину
До гніздечка кличе!
Ой-тьох-тьох, він тьох-тьох-тьох
Соловей щебече
Він і свою всю пташину
До гніздечка кличе!

Ой, у гаю при Дунаю
Там музика грає
Бас гуде, а скрипка плаче
Милий мій гуляє
Ой-тьох-тьох, він тьох-тьох-тьох
Там музика грає
Бас гуде, а скрипка плаче
Милий мій гуляє!
Ой-тьох-тьох, він тьох-тьох-тьох
Там музика грає
Бас гуде, а скрипка плаче
Милий мій гуляє!

Ой, у гаю при Дунаю
З тою самотою
Плачу, тужу, ще й ридаю
Милий за тобою
Ой-тьох-тьох, він тьох-тьох-тьох
Соловей щебече
Він і свою всю пташину
До гніздечка кличе!
Ой-тьох-тьох, він тьох-тьох-тьох
Соловей щебече
Він і свою всю пташину
До гніздечка кличе!

Ой, у гаю при Дунаю
Соловей щебече
Він і свою всю пташину
До гніздечка кличе…

Ой, у гаю при Дунаю

your on my bass cd2

Techno ist Liebe Meatin with 909 HMUA2 Release Version

Dope cool man-ryonthemic
https://soundcloud.com/rquinlan48
California stop（ryonthemic&Tot.masa)
Words,vocals-ryonthemic
Beat,prod-Tot.masa
Peace&Love from us both🙏🙏

California Stop feat. ryonthemic

Poem, guitar, melody: Poet Peter, aka @user-264930040
Voice and photo: Oddrun
Studiowork: Arne Hiorth

Peter`s own words :
"I am blessed with a treasured friend whose name is Sue.

Sue is the very embodiment of humanity. Kind, selfless, giving, loving, unassuming, warm, smiling, understanding. Were you lucky enough ever to meet Sue, you’d never know that she carries a heavy burden carefully, and gently tucked away in a very private place within her heart.

This song is for Sue, and all mothers who, like her, have lost a son in the most tragic of circumstances, with no opportunity to help, hold, comfort or say goodbye."

Solace


When first you nestled in my arms and my eyes met with yours

A bonding fused in love, that could never be undone.

Sheltered you from harm as childhood lightly ran its course

Giving thanks to God above for the blessing you’d become.



Of your blossoming maturity I watched with glowing pride

Reaching for your touch to find that now we’re worlds apart,

Stolen by fate’s cruelty, that wrenches yet inside

Ever present in my mind, forever in my heart



As angels wrapped in heaven, soon our eyes shall meet and then

In the sanctity of peace we’ll find solace once again.



And now I live by memory tides that flood tomorrow’s shore

Your image resting in my palm, lifts my spirit gently, where,

The strongest, warmest love abides and shall do evermore

A love bestowing soothing calm upon my silent prayer.



Though the space between is wide as the celestial abyss

I keep a special place aside, from which I promise only this

As angels wrapped in heaven, soon our eyes shall meet and then

In the sanctity of peace we’ll find solace once again.

Solace. 1234567890. Oddrun Eikli.

“Dying Lumen (Flickering Hope)”
A slow descent into dimness—where light still exists, but only as memory.
The piece unfolds like a shadow stretching across time, carried by deep, sustained tones and barely-there harmonics.
There is no climax. Only the gentle unraveling of something once certain.
What remains is a feeling: not absence, but the fading trace of presence. A mournful hush, suspended in sound.

Dying Lumen

Garden

heriajofug

released in Jan 2025 - https://nomatesensemble.bandcamp.com/album/i-am-never-freer-than-when-i-am-with-you. 


Then She Reaches for the Gun was formed in 2021 by Mat Ward. At its essence is sound collage, Ward invites musicians, sound artists, poets and anyone interested to send him files to be used, abused and showcased ‘as suggested by the work’. They are not always musical but field recordings, spoken word, engine noises and drunken rants. Animals participate a lot too! The raw material is arranged with one phrase asking for the next in an alchemical and intuitive process that will most often feature dozens of tracks weaving in and out of each other, colliding, harmonising, arguing and laughing along the way.

Both the aesthetic and the compositional methods use what Frank Zappa called Xenochrony - the mixing together of separately recorded and rhythmically opposing musical phrases to create polyrhythmic and polytempi compositions.The work also features fragmented story telling with the human voice (in many languages) appearing unannounced throughout the tracks offering up snippets of thoughts, conversations, jokes and existential angst. The absurdity of humanities desperate claim to have any real understanding of its place in the universe is revealed through the recorded follies and genuine emotions of the artists. The project is a celebration of chance, diversity and community. It pays homage to all musical tastes and genres whilst maintaining a sense of humour and irreverence that is needed to stay sane in the climate of  21st Century contemporary culture.

Then She Reaches For The Gun is

Humans

Adam Meredith - Ford XD with XF front mods/Voice
Ambient Annie - Electronica/Field Recording/Voice
Andrew Harper - Field Recordings
Angostura Elwar -  2 x Behringer CRAVE analog synths/Yamaha P200 electronic piano 
Antonella Eye Porcelluzzi - Text/Voice
Ariad Music - Clarinet/Percussion/Piano
Axel Weiß - Electric Guitar/Robot Voices
Banalytic - Experimental Electronics
Belial Pelgrim - Digital Strings/Electronica
Brendan Corey Benson - Electric Guitar
Carolyn Wigston - Voice
Chicago Word Brigade - Electronica
Dan Hewins - Bass Guitar
Dane Renshaw - Drums/Voice
Dani Kirby - Keyboard/Piano/Voice
Dylan Banks - Intonarumori/Voice
Frank Wilke - French Horn/Trombone/Voice
Garbage Truck Disco - Drum programming/Electric Guitar/Joyous Pop Punk
Glenn Ward - Electric Guitar/Skyhooks
Hakan - Moog Voyager XL
Hverheij- Drums/Electric Guitar/Synth
Johnny Python- Bass Guitar/Drum Programming/Electric Guitar/Text/Voice
JZsuperstar - Electric Guitar/Field Recordings/Keyboards
Lady ElectroTrek - Organ
Libby Laksmi - Jazzy Loops/Synth Bass
Loop(c)y - Electric Guitar
Malo Bernard-O’Meara - Drums
Maxx Black - Guitar/Ukulele
Minimal Drone Girl - Cat Wrangling/Field Recordings
Oberlin - Eurorack/Piano
Paolo D’Emilio - Electronica
Paul Miller - Electronic Percussion/Keyboards/Phat Electro Bass
Phil Bywater - Saxophones/Voice
Raul Mainer - DAW Programming/Heavy Metal
Robert Jefferson - Akai Rhythm wolf/GakkenSX-150 ll/Korg Kaosilator/Percussion
Rosin Dust - Violin/Field Recordings
Sarah Megahertz - Speedway Noise
Scratch Kelly - Beats/Electronica
Stan Magendanz - Electronica
Ten Atmospheres - Field Recordings/Synths
Texmex Shaman - Electric Guitar
The Windscale Blues Experiment - Clarinet/Flute/Saxophones
Timothy Korstad - Demons/Electronica
Thomas Bergheim - Bass Guitar/Electric Guitar
Tobias Schmitt - Electronica/Processed Organ/Text
Tuonela - Demons/Electronica
Vartch - Drones/Things/Trousers (not T-shirts)/Voice
Widar’s Spiritual Front - Electronica/Ms Pacman
W:I:L-o’ the-wisp - Bass Guitar/Electric Guitar/Electronica
Wivresse - Electronica/Voice
Zanshin - Acoustic and Processed Drums

Mat Ward - Arrangements/Bass Guitar/Double Bass/Field Recordings/Intonarumori/Marimba/Noise/Percussion/Piano

Dogs
Boogie
Brophy
Buddy
Hancho
Jack
Momo
Neska
Poldo
Senna
Shyamsundara
Star
Oily (cat)
And many cows from Milis, Sardinia

Cooking Hard Boiled Eggs in a Cheap Motel In Adelaide part 3

Dark psytrance apocalypse with golden horn energy blasts & fractal doom. Tastes like candy - hits like hellfire. #Psytrance #DarkPsy #DoomsdayDrop

The Doomsdale

DREAM REMASTERED (PITCH DOWN)

Beached Boys (Magician Anthology 2025 CD1 Track 01)

DJ H-YÖRÜK-Force remix 1934

Silent Tears

Music and things that might sound like music by Mat Ward. Noise Art/A  Piano and Bass Duet with Dani Kirby/A 50 plus member Art Ensemble called Then She Reaches The Gun/Deep Research Into Luigi Russolo and his Intonarumori .. thats just the stuff I post regularly : ) Thanks to everyone thats ever stopped by. Music is The Best!

Cooking Hard Boiled Eggs in a Cheap Motel In Adelaide part 3

No Mates Ensemble