I've been thinking about it and I've come to the conclusion that we don't fix anything by having a soul. I am investigating in more practical fields, such as people, to form a new and updated religion. I was baptized and communed by them and I want to get rid of things that go against my interests. Actually, I'm selling it, but I'm not sure if it's here or not, or it's been stolen from me. As I do not see. But I leave it written here, in case any of those money devils were interested. Thanks for your attention.
The song is a farewell to someone I never knew.

I SELL MY SOUL:

Secrets

Bleeper

Long before September 11, 2001, there was a September 11, 1950; the birthdate of my wife Terry.  This song started out as a very personal musical portrait of her.  Debra became interested in the track after I sent it to her for collaborative consideration.  The result is something very special for the both of us and we hope you too.  In my playing, I address the intimate side of the song and day. In Debra's playing, she addresses the now much larger meaning of the day for our nation and the world. Ultimately I think what we are saying is that 9/11 is profoundly personal. Each of us, if were old enough to remember, know where we were, what we were doing the day the attacks occurred. The attacks also shook the world, world markets, world travel, and any and all sense of security.   Profound sorrow was draped over our country and any nation that called us friend.  "Stay With Me" is another way of saying "hold me close", "we need each other", and as the track picture suggests "forget me not".    A big "thank you" to Debra for lavishing her talent on this very personal song.    More of her beautiful music can be heard @debra_buesking.

Stay With Me (featuring Debra Buesking, piano)

My current take on this monumental track from the amazing saxophonist Julien Loureau. 
https://www.youtube.com/watch?v=_i9G_UvA1XU

Vodoo  House (Julien Loureau)

This was made on the occasion of being unexpectedly called back to full time work after some years of delicious semi-retirement.

Why Must We Toil

YT video : https://www.youtube.com/watch?v=-dZ6FGmnaMo

Zen Day / YT video (link in description)

2nd African themed track from the album Vibrations Empowered Within-
moodexhibit.bandcamp.com/album/vibrat…wered-within
1st African themed track - https://soundcloud.com/r-salchaks-mood-exhibit/mood-exhibit-song-of-serengeti

Mood Exhibit - Nomad Soul

Dystophia Zombieworld

Nag Mummy

Dance of the Deserted Spaces is composed using field recordings taken from four different locations across the globe after the Covid-19 outbreak resulted in mass public lockdowns. The sonic character of these places shifted dramatically once stripped of the dominance of human activity and previously hidden aural worlds built from nature, automated machinery, the reverberation of open space and the earth itself revealed themselves.
The piece takes these ‘background’ sounds and give them a stage of their own to dance, converse, expand and exist independent from their relationship to human presence. These normally unregistered noises evolve rhythmically and harmonically in an autonomous celebration
of sound itself.
The idea developed from my last night on duty at the museum I work for in Tasmania, Australia. With the museum suddenly closed indefinitely to the public I walked from gallery to gallery shutting down all but the most basic power and lighting systems and listened as the empty
building revealed a new sonic atmosphere of gentle creaks, air-conditioning and essential plant mechanics. There was a sense of spirit emitting from the vacant architecture and the ever working
but unchampioned infrastructure the allowed these places to be habitable.
The sounds of the museum were recorded that night and form the raw material for Dance of the Deserted Spaces along with field recordings sent to me from a deserted intersection in Brooklyn, the empty auditorium of an international school in Yokohama and the entrance to the Parc des Buttes-Chaumont in Paris.
Ideas of dystopia, harmony, freedom, tension and evolution are explored as the global sounds come together in defiance of cultural classification, revelling in the peopleless space and time.
Life and energy beyond the reductive parameters of humanity and society are given a platform to create a celebratory noisescape of the omnipresent sounds the secretly surround us.

Dance Of The Deserted Spaces

Music and things that might sound like music by Mat Ward. Noise Art/A  Piano and Bass Duet with Dani Kirby/A 50 plus member Art Ensemble called Then She Reaches The Gun/Deep Research Into Luigi Russolo and his Intonarumori .. thats just the stuff I post regularly : ) Thanks to everyone thats ever stopped by. Music is The Best!

Dance Of The Deserted Spaces

No Mates Ensemble