Have a Seat in the Magic Tree consists exclusively of processed sounds of the mixtur-trautonium

Have a Seat in the Magic Tree - Electroacoustic Music

In respons to this weeks Haiku Challenge, 515.

Last bloom before autumn
Stares back at me with a smile
My younger brother

Haiku by: John Wright  https://soundcloud.com/thgirwnhoj

Picture by: Katerina Kerdi https://unsplash.com/photos/silhouette-photograph-of-forest–YiJvbfNDqk

Autumn Stares at Me

Autumn Stares At Me (NaviarHaiku515)

More on this 622nd weekly Disquiet Junto project, Know the Shadow (The Assignment: Use recently discarded material to make something new), at: https://disquiet.com/0622/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0622-know-the-shadow

Know the Shadows

Disquiet Junto | Know the Shadows - disquiet0622

trommel faining

Another exploration of Neutone_Gen, with the source material being created from the text of the haiku itself ...

A distant mountain
Seen in the sunlight:
A desolate field

Haiku by Takahama Kyoshi: https://www.gov-online.go.jp/eng/publicity/book/hlj/html/202210/202210_12_en.html

For more information visit http://www.naviarrecords.com/about/naviar-haiku

more halF unusuaL

halF seeN [naviarhaiku529]

"Memories in a loop"

Music by Stu King
Korg Monologue
AudioKit Synth One
Tascam 414 MKII
Conductive Labs NDLR
Mixed in Cubase

Seen In Sunlight

Seen In Sunlight (naviarhaiku529)

Sound Fantasy on: 
A distant mountain 
Seen in the sunlight: 
A desolate field  

by: Takahama Kyoshi 
Naviarrecords Haiku Challenge 529

Distance

Distance_Naviarhaiku 529

Composition inspired by haiku by Takahama Kyoshi

A distant mountain
Seen in the sunlight:
A desolate field

In The Sunlight

In The Sunlight - (naviarhaiku529)

two layers of live guitar processed through tracktion "novum"; two layers of guitar harmonics and fretboard noise fed into neural dsp plini x; one channel of church organ and another of frozen strings; efx fragments and subsonic reverb for depth.

[naviarhaiku532] wordless

YT: https://www.youtube.com/watch?v=qtBl_m2Bdwg

Part of the Naviar Haiku Challenge
https://www.naviarrecords.com/naviarhaiku533-flowing-along/

a soap bubble-naviarhaiku533

Movement 11 from my 2020 exhibition 'La morte mi troverà vivo' (death will find me alive). I dont know where to start or finish with the story of this piece - if you want the long version please go to bandcamp https://nomatesensemble.bandcamp.com/album/la-morte-mi-trover-vivo  there 3 essays on the exhibition in the notes and of course the whole work which is 90 minutes long. This piece for Intonarumori was the starting point for the show, written and recorded to be played at Luigi Russolo's grave as a form of 'calling ' to his spirit. La morte mi troverà vivo is a kind of sonic seance where i composed music as an evocation and used occult number theory to manipulate field recordings to capture what i term an 'imagined response from the spirit world'. The work was made in Italy July/August 2019 and exhibited in Hobart Tasmania in Jan/Feb 2020. I will post visual links and more info at a stage, though of course its a sound installation (i managed to get the whole room to softly rumble with speakers installed out of site in the walls and under the floor)so there isn't heaps to see. :) Thank you all, sorry to ramble !!

Distance_Naviarhaiku 529

noble-earths

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