Caballos sobre cuerdas

Elle's Bells

#heartbreak #toxicrelationships #emotionalabuse #toxic #heartbroken #sad #love #betrayal 

I'll make it

Nova- Eosophobia 2024

Emerald / Frozen Days / Before The Future

Emerald /  Frozen Days /  Before The Future

This song is a bit campy. The core of this thing is pure Isley Brothers' formula from the 70s -- they had these no nonsense, hard slamming funk songs that just went on forever (and you want them to). And there's also a healthy dose of 80s/90s slinky funk guilty pleasures like Grace Jones, Sade, & Seal.

is it finally living this feeling inside
I waited for hours with a slow burning fire
now is not the time to evade in the face of desire

but that's how it goes when you hold the control does it feel right
you're letting it go and I know that you know are you satisfied

the rules of the game are so easily changed
let's be honest about it lonely hearts will stray
I am still willing but your love is failing me every night

oh but that's how it goes when you're running the show  how you feel it
you're letting it go and I know that you know I can't steal it

out in the city new hearts align   
but tonight I am only alive for yours and mine

Control

The track is inspired by the rise of AI in the ARTS.....which I see as coming from the "dark side". I don't condone it and am very much opposed to it. We can already see the confusion it has caused regarding copyright etc. I have no doubt that in the short term it will prevail, however "real" art will survive as long as all artists (musical and otherwise), continue to create. Not having a crystal ball, prevents one, maybe for the better, seeing how the future pans out.  
Meanwhile from a musician's/composer's aspect, I shall endeavour to play and create without the use of AI. Neither will I listen to it in any shape or form.
Alan



Don't Deal With The Devil

On The Waves Of My Memories

CAN’T YOU SEE
Vocals: Melissa (Ghosthack) Can’t you see
Brandon (Ghosthack) I don’t wanna go
https://www.ghosthack.de
Lillithe: Arrangement and Production
Paploviante: Remastering


Can't you see

2 IRISH JIGS PLAYED WITH MY NEW BANJO. ENJOY!!!!
Please subscribe my YOU TUBE CHANNEL: https://www.youtube.com/@aleriattimusic

2 BANJO JIGS

Dear Listeners I hope you will enjoy this work. 
No guitars were used.
You will hear only Fender Jazz Bass as lead instrument beside the synthesizers used to paint it even more colourful.
If you should make it beyond the solo in the middle of this track your efforts to stay online during the bass solo will be recognized with an ambient summer feeling at the end.
The birds I have recorded with my iPhone on my balcony.

And now Enjoy ;-)

N.O.B.S. II

Where Do We Go?

Get The Album

I'm not doing any music these days,so I thought I'd post one I did years ago. It's a cover of a Paul Ads song I've always loved.

Paul Adamson is a damn fine songwriter and I hardly ever record covers of other folk's work,but this one resonated deeply with me and still does after repeated listens.
I didn't lean too heavy on the production on this,because I wanted to allow the song to shine. I hope you enjoy and bring a few listens to Paul's cloud.

Words and music by PaulAds. Song covered by Davy Vance

Paul's music can be found here. @thefuneralcrasher

So Haunt Me - a song by PaulAds (The Funeral Crasher)

Rock, Rock, Rock and no Alternative …
Rock is not dead, you can validate the evidences here.
People who want to get mellow might be wrong on this site, but are more than welcome to take up some energy here 😀
I am playing guitar and Bass. Keyboards and Drums are programmed.
Mix and Mastering was done in the „N.o.b.S. Moonshine Studios“ in Mainz Germany.
Nearly everything had been recorded during the night, sometimes at daylight on weekends.