https://movement.radio/show/no-thoriental-no-exotic-ep-22-2023-04-18 ///// https://youtu.be/4OtzuizVsAc ----   EPISODE DESCRIPTION
"Serhat’s work has long been characterized by what it  rejects: global biennials that turn artists and their work  into emblems of the exotic; the promotion of tourism that  does the same to a country’s citizens; the establishment  of economic bonds between nations by and for their elites, under the guise of what he calls “dialogue fetishism.” Beğenal, a program of concerts, video screenings, performances, and political theatrics shadowing Istanbul Biennial, is the latest project to take up these criticisms. Pronounced almost like “biennial,”  beğenal is Turkish for “if you like it, buy it”; the project’s  logo is a man-as-red-star caricature vomiting up various  corporate-style logos, responding to the biennial’s slogan — courtesy of Brecht: “What Keeps Mankind Alive?” — with “This Is How Mankind Pukes!” But Serhat  is no mere refusenik. For the last year, he has been spearheading the International Roaming Biennial of Tehran, a nomadic exhibition of work that has traveled to Berlin, Istanbul, and Belgrade .. The biennial’s inaugural theme is Urban Jealousy. During a trip to Tehran in 2001, while he was working on the soundtrack to a documentary called Tehran”  

Bidoun Magazine - Noise, Winter 2010 (Middle East and its diasporas)

2serhat5bz No Thoriental No Exotic Ep.22 (18.04.2023)

Saz-e Shekaste (broken instrument) Live 07 Roma (improvisation)

The new music and sound performance by Ali Ostovar explores working with objects associated with his memories from the past, especially in relation to his childhood memories with his father in his native Iran. The title of the performance refers to a song of the same name by Delkash, one of the iconic singers of the 1940s–1960s in Iran. Ali listened to many Iranian songs at home during childhood, as his father was fascinated with listening to and playing traditional music. The title also refers to his life story of carrying a broken Iranian setar around Europe for more than 12 years to find someone who could fix it; he still kept it even after buying a new one.
At the performance, he will play approximately 60 minutes of live-electronic music using his laptop, a few cassette players, a synthesizer, and possibly other instruments, questioning what it means to bring the past into the present or keep it there. Does the past consist only of what we remember? And what about what we don’t remember?
He recreates personal memories by selecting different sound materials, using sonic metaphors and transculturation, and playing with time, frequencies, and transformation.

Rome, 08.July.2023
aliostovar.com/saze-shekasteh/

Photo credit by Saleh Kazemi
[Rec - 23.07.08 - 22h42m14s   Performance in Roma]

Saz-e Shekasteh (Broken instrument) live 07 - Rome 2023

composer: Ali Balighi
www.alibalighi.com

Hamed Shadad, clarinet in b-flat
Ali Balighi, electronics


I composed this piece based on a poem, and I incorporated the poetic atmosphere into the composition.

گردباد که آمد
همه چیز را با خود برد
جز درخت یادت
که ریشه در زمین داشت.


When the tornado came,
It took everything with itself,
Except for the tree of your memory,
Which had its roots in the ground.

Form:

In this piece, the form is theme and variations. This piece has a duration of 231 seconds, which is three minutes and fifty-one seconds. I used the abjad system for a Persian word from the poem " گردباد," which means tornado, for this duration. An abjad is a system of notation in which each letter of the Arabic alphabet is assigned a numerical value.

Gerd-bad for clarinet in b-flat and fixed media

Abtin Golfam
 (b. 2003), AKA ‘T-Noll’ is an independent composer from Iran. He started playing music when he was a teenager, playing 'violin'. He started composing since he was attending the Music Conservatory in Karaj-school. He is influenced by a variety of different music, including hip-hop and more Contemporary art-movements all beyond his interest in Modern music, schools like Futurism. He has already published three independent music albums. 
He pursued his passion into music by attending the art-school for fine-arts before attending the Music conservatory in the city of Karaj. He received music instructions from credible musicians, including Afshin Alvavi, Siavash Esmaili, Hesam Jafari, Farhad Ebrahimkhani, Alireza Akbarpour. He has received a few awards for his performance with the ‘Sehtar’ instrument at least for two consecutive competitions while studying at the art-school. He eventually started studying ‘Audio Technology', at Azad University Central Tehran branch, where he is currently receiving education under the supervision of Reza Sabooni. 
He employs creative coding, programming environments and generally the sound technology for making sounds,  using Pure Data (A visual and interactive computer music development programming language).
––––
Tracklist:
1.Kian Hossien - Howz 
2.Farzane Nori - Quorl 
3.Aida Shirazi - R​.​E​.​V​.​O​.​L​.​U​.​T​.​I​.​O​.​N 
4.Arshan Najaf - Kent Zero One 
5.Hadi Bastani - Spin 
6.Behrang Najafi (Bescolour) - Simplexity 
7.Temp Illusion - Caustic Surface (Pouya Ehsaei Rework) 
8.Temp Illusion - Nankraws  
9. Maryam Sirvan - Feast On My Body
10.Nima Aghiani- Kah-Gash 
11.Sara Bigdeli Shamloo(SarrSew) - Farewell, Warden 
12.Siavash Amini - The Water Awaits You
language).
––––
links: 
° instagram –  https://www.instagram.com/_t.noll_?igsh=MTV5ajg5MHdlZ3g5aQ==
° soundcloud – https://soundcloud.com/abtingolfam?ref=clipboard&p=a&c=1&si=483c8288ebbc49289e63cf5c81c693b5&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
° x – https://x.com/Abtingolfam?s=09

083 – T-noll – Abtin Golfam

"P.O.V Of a Floating Object" Live Record In Infinite Jest At Tapestry Toronto

Music from the rocks, for the rocks!

"Music for rocks" is a concept where music or sound compositions are designed to interact with and resonate with the unique textures and characteristics of rocks, creating a harmonious and immersive experience that connects nature and art.

Ambient Works: Music for Rocks

An Audiovisual Composition in 7 Acts. Performed by Maryam Katan and Shaahin Peymani at Tehran Contemporary Sounds festival 2023, Kunstquartier Bethanien, Berlin.

Car Horn Clay

I had the honor of collaborating with the talented Erfan Chegini & Amir Afshari to create a story that delves
into the deep, universal feeling.
.
Composer: Abtin Golfam (T-Noll)
Writer, Director, Editor : Erfan Chegini
Ai Artist, ML Engineer: Amir Afshari
.
.
A comet fell from the sky, shattered our world apart,
In the silence of the night, it broke every heart.
Now we’re scattered like stars, drifting in the void,
Lonely echoes of the past, memories destroyed.

The Comet (Original Soundtrack Short Film)

@deniztafaghodi
https://www.instagram.com/deniz.tafaghodi

Toronto <--> Berlin, Remote Session -  Deniz Tafaghodi and Frank

Duo- Frank and Deniz Tafaghodi 
Confronting Noises #3 - Sep 14th at PAS Berlin. 
Drawing by amazing Rolf Schroeter.

Confronting Noises #3 - Frank & Deniz Tafaghodi

silo portem is an experimental music and multi-media duo, who are also married (and used to go by the name mrandmrsyoung many moons ago!). live mash-ups, mixing and manipulating found sounds from the abyss of noise, creating a sonic soup for the mind. Multi-layered textures of sonic mayhem that defy categorisation, experimental films, photography, abstract art and sculpture.
.
This composition is based on the sounds from Idin Samimi Mofakham's piece with the same name; Silo Portem uses this method (composition using sound samples as the material from another artist) and they have a brilliant album that is produced using the similar method for Arshia Samsaminia, you can find about it on their bandcamp profile below:
https://siloportem.bandcamp.com/album/samsaminia

Silo Portem - Dasht E Kavir

"Noise à Noise" a collective and artist-run label for Experimental electronic and Contemporary music.

Silo Portem - Dasht E Kavir

Noise à Noise

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